Finish this testimonial
Before writing this remark, you must first admit a fact that may be seen through by some cute readers - I have never read Naruto.
=_=
To be precise, I have only watched a few episodes of Naruto on Star TV, and probably saw the plot before the death of Sandae.
You can beat me to death.
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On April 15th, at 2:09 a.m., I began to write this commentary on the completion of this book.
I have ten thousand words to say in my heart, but in the end I don’t know what to say.
There are things I want to say about this book, but there are some about others.
Because there are so many things I want to say, I can't catch it. After all, maybe my writing skills are too poor. I always want to grab it and stroke it, and I can't even read what I wrote after taking it.
Even the ending of the book is the same, and I guess I will write a lot of things.
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Thank you for your support, thank you for your fantasy of more than two million words, thank you for your editor Xiaoyuan, thank you for your book friend, thank you for your horned sea cucumber bread cat, thank you for your leader Lao Pang 520, Dawn Sky, Brother After Rain's little fan (????), can I still have female fans? Thank you... there are so many people to thank.
It is actually a bit embarrassing to say thank you. Although I haven't read the comment section for half a year, I understand that after it was released, the plot of this book has become less and less satisfactory.
It’s more apologizing than thanks.
Sorry, the more I write this book, the more boring and boring it becomes.
But the road has been done. Just like what I have experienced in real life now, the extremely bad things are irreversible, so let’s summarize the mistakes and gains.
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This book can be said to have gone through many twists and turns.
What many people don’t know is that this book was actually signed at 110,000 to 20,000 words, or about fifty chapters. Before the first recommended position, I ran to 10,000 to collect it.
It's amazing to think about it, laughing.
Well, most books are actually about 6,000 words, and 30,000 words were favored by the editor before. It is also a strange thing that this book can last until more than 100,000 words before signing. I must thank the editor Xiaoyuan here.
So signing the contract so late led to a problem - when I wrote more than 40 chapters, I prepared for about 100 chapters and then finished it.
Because at that time there was no hope of signing a contract, but he didn't want to directly eunuch, so he accelerated the plot and directly reached the plot of [Bone Girl Massacre].
By this time the protagonist was actually considered invincible.
According to the normal pace of the novel, it will take at least a few hundred chapters to reach this plot. The initial idea of this novel is that the protagonist uses ninjutsu to carefully manage his life, occasionally mixed with refreshing plots, but because he has not signed a contract for a long time, I quickly passed these plots and pursued the completion of the book around fifty chapters.
But just as I wrote this plot, I was attracted by the editor and signed the contract. It was such a coincidence, but the plot that had been posted was no longer possible to be recovered. I could only continue to write along this obviously accelerated plot.
[To be honest, I have been using wild fruit reading to read books and follow updates recently, changing sources and switching, and pronunciation aloud for many tones, www. Android and Apple are available.]
How do you write down the plot after introducing the plot into an invincible dead end?
At this time, I remembered whether to just write a group portrait, so the system changed under the author's will, and it turned out to be a group portrait drama in a blunt way from [the daily life of extraordinary high school students].
The group characters are like Misa, Takeo Morito, etc.
For example, Misa was probably a background board in her previous arrangement, using the misery of a little girl to set off the sinisterness, and Takeo Toru was also a character who died immediately after appearing...
But the type of group drama is really difficult to write, or it is not suitable for individualistic online literature, or the main trajectory of this book is not planned to write group dramas, and there is no spine, so how can a Tyrannosaurus Rex be created? As the plot becomes more and more, more and more characters are needed, and the connection with the protagonist becomes more and more dispersed...
Not only do readers feel uncomfortable watching it, but I occasionally get exhausted when writing such group shows, it is like Russian dolls, one with the other.
If I only write a branch story like Misa, Takeo Masato and others, I can write dozens or hundreds of them without repeating it, but this always writes the story of the doll offline, which makes people feel like a mechanical action, and writing the supporting characters' stories seems to be a flood, while describing the protagonist always leads the story to the ending quickly, because the protagonist is actually an invincible existence, which is trapped in an extremely harsh cycle of [watering or finishing, and it is impossible to finish].
This book is written in the quagmire of spider webs, just like the dramatic life that I can’t describe in one word.
Many people should have heard the question on the .asxs.APP [How many chapters do you plan to finish?]. I remember that what I answered at that time seemed to be six or seven hundred chapters? Yes, I did try to finish the six or seven hundred chapters, but I almost got autistic...
Therefore, under everyone's strong opposition, I thought I would not continue writing, so I applied to the editor to block the new book I opened at that time. I continued to write this book - well, so I was told by Xiaoyuan to the editor and the editor-in-chief, autism +2.
There were also a lot of unpleasant things in life at that time, autism +3.
But the problems encountered in this invincible novel will not change because of my personal will, or I don’t have the ability to turn the train back on track. As I write, the whole book is getting more and more trapped in a vicious cycle.
Invincible novels are not suitable for writing long stories.
Most invincible novels are either about one million words, or they end in less than one million words, or they simply write two or three hundred chapters to become eunuchs, because the collapse of the power system will inevitably lead to the collapse of the entire book, and readers will also feel tired of reading. What an invincible protagonist wants is to crush everything, but since he has crushed everything, how can the novel continue to be written? After all, what the story needs is tension, and the invincible protagonist has lost the point of conflict, which is natural and contrary to writing the story.
Where does my writing ideas come from? Because there is no conflict point, I simply thought about what kind of stress the intervention of an extraordinary force will trigger in society. So I continued to write with this stress response, describing the "not too mentally retarded" national government, describing the nesting dolls under the encirclement of the national government, and describing the impact and transformation on society.
By the way, the story of the story about the offline people and the offline relationship has also tempered some of my ideas. Or rather, I have let myself go and experimented with my new ideas on the offline people of the nesting dolls. For example, Takahashi's two changes in his hometown and the orphanage, the people surrounding these two changes, and the story of Park Piaole...
The short story of Zutou Yidao and the story of the monk, these two characters are different from other characters, and have no past background, abandoning the background narrative required to describe the characters in the novel.
It is also through repeated experiments that I tried to make stereotyped and labeled characters gradually develop towards the kind of "active" characters I want.
A character can be a bad person or a dead person, but because the values it represents are too vital and too active, it can leave memories heavier than other important characters in just a short time. For example, the protagonist of this book, Sora Mizuno, seems to have not conveyed any values, good and evil views, or vitality.
The ending of this book was actually when I first wrote it. No matter how many ten thousand words or chapters I wrote, the ending would be like this, and it was the only ending this book would have - after all, it would be impossible to hide behind the scenes forever, as long as I walked to the front stage, it would definitely be like this.
Hey, before I knew it, I wrote more than two thousand words in the end of the book.
But it is already three o'clock in the morning, so it is estimated that it will be impossible to fall asleep tonight.
I can have so many lovely readers reading my books. Although I am just a person with no talent, what I write is a messy, boring and boring book, and I am so sprayed that I don’t even dare to read in the book review area, I still feel happy and apologized in fear.
The book begins with chaos, the plot of the chaos, the end of the chaos...
But this does not mean the end of this book. I plan to write their stories in the form of [extra] for those vital characters in the book.
Readers who want to read it can enjoy their faces. Perhaps this is the appropriate way to write this book.
Everyone has their own story, not just the ending of the protagonist. After all, the protagonist is just a background board for the gods and hidden, laughing.
It’s already over 2,700 words that I have written here. Ah, there are still many things I want to say, but readers who can see it probably are tired of my nagging thoughts.
Promote the new book bar "The Stars of Tokyo's Earth-Breaking Start".
You can tell by reading the title of the book - Tokyo, extraordinary, but the difference is that this time, I no longer plan to write group dramas, but instead have the extraordinary and strange shell that is popular now. I really don’t write stories of fighting monsters and upgrading, so I will only write some social stories that I have seen, come into contact with, and heard of.
Just like the stories experienced by the supporting characters described in this book now, starting from a personal perspective, nagging and vital stories, of course, these stories will be closely linked to the protagonist.
For example, girls who want to resist social interaction, parents who entrust them to help kill their children, etc.
These little stories have been brewing in my mind for several years. Now I am writing to combine them with the protagonist. Speaking of which, in reality, I am just an ordinary person who is trapped in mundane and disgusting things and cannot extricate myself. Therefore, I want to call in the book a "superman" who can transcend reality, tear, smash, and untie all darkness, disgusting, and terrifying.
It is completely opposite to the protagonist of the current book.
The protagonist of "The Stars of Tokyo's Starting" is the Superman I call in my heart.
I also hope that the lovely readers can give me another last chance to read this book.
April 15th, 3:30 am.
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I feel lost and frightened.
The end of this comment.
Let me say something quietly, everyone can look forward to the extra.
Chapter completed!