After getting these antiques last night, Zhao Chaogang and Li Liping searched online for some information about the number of antiques that were wandering outside, especially those information about the antiques that were wandering in Japan. Zhao Chaogang even collected a lot of them.

Now Xin Hongxiang and the others are still slaughtering in Japan. With this information, Xin Hongxiang and the others can recycle these antiques in a purpose. As for how to explain that even evil ghosts like antiques, it doesn’t matter to Zhao Chaogang. Zhao Chaogang believes that someone will definitely come up with a very reasonable explanation at that time.

According to the information found by Zhao Chaogang online, a large number of national treasure-level cultural relics in China have been plundered for more than a hundred years since the Opium War, and have been lost overseas and cannot be recovered.

According to UNESCO statistics, more than 1.6 million Chinese national treasures are displayed in more than 200 museums in 47 countries around the world, and countless Chinese national treasures are scattered in overseas private and private collections.

Japan is the first and most greedy country to plunder Chinese cultural relics. The Chinese national treasures occupy more than five layers of the national treasures that are stranded outside. Therefore, Zhao Chaogang really has no good impression of Japan.

Japan began to plunder China's national treasures when the Japanese pirates began in the Ming Dynasty. In fact, Japan was the first country to invade China in Chinese history, and the Yamato nation was the first nation to invade China in Chinese history. Of course, the number of cultural relics plundered by the Japanese pirates was not large, and the value was not too great at that time.

Japan really began to plunder Chinese cultural relics on a large scale during the Eight-Nation Alliance invasion of China. The Japanese army set up its headquarters in Jingxinzhai, Beihai, and plundered Beihai cultural relics on a large scale. 10,000 golden Buddhas of all sizes in the Ten Thousand Buddha Building were plundered by coefficients.

During the late Qing Dynasty and the Republic of China, China was in chaos, and there was no system for cultural relics protection, which led to the loss of a large number of cultural relics overseas. In particular, some people in China sold Chinese cultural relics to foreign cultural relics dealers for money.

About 1,000 ancient documents found in Dunhuang, of which about 1,000 volumes flowed into Japan and were collected in Ryugao University, Otani University, Tenri University, Tokyo National Museum, etc., and were basically transported to Japan by the Otani Mitsuri Expedition Team, Jurichao and others colluded with Taoist Wang Yuanlu.

The greatest catastrophe of Chinese cultural relics was the period of the Japanese war of aggression against China. From 1931 to 1945, most of China's territory fell. In addition to China's various resources, the most valuable ones were Chinese cultural relics. Therefore, those greedy little Japanese would not let these Chinese cultural relics go.

After the end of the Anti-Japanese War in 1945, the Chinese government counted 1879 boxes of cultural property plundered by Japan, 3.6 million pieces, and 741 ruined monuments. The lost cultural relics among the people are no longer estimated. 30,000 oracle bone pieces lost overseas. 13,000 were plundered to Japan.

As a victorious country, China has only recovered 10 boxes of fossils unearthed from Zhoukoudian, more than 35,000 ancient books, and 58 volumes of silk ancient paintings collected by General Zhang Xueliang.

During the Japanese invasion of China, the destruction of Chinese cultural relics had a far-reaching impact. The Japanese army even replaced the golden nanmu pillars of the three archways in front of Yonghe Palace with cement pillars in 1939, which caused the archway to diminish its glory. The replaced nanmu pillars were transported to Japan. It is said that they used it to establish several torii in Nagoya, which shows the Japanese army's plunder of Chinese cultural relics.

According to modern statistics, 23,000 famous overseas paintings have been checked, of which one third are in Japan. Among the more than 90,000 collections of the National Museum in Tokyo, there are tens of thousands of Chinese cultural relics, including jade artifacts from the Liangzhu culture of the Neolithic era, porcelains from the Tang, Song and Yuan porcelains from the Tang, Song and Yuan porcelains to the Qing Dynasty, which can be said to be full of all.

Currently, there are 143 cultural relics such as Chinese national treasures or important cultural properties that have been unveiled on the museum's website (including 11 before the Han Dynasty, 21 during the Wei, Jin, Southern and Northern Dynasties, 45 during the Song Dynasty, 19 during the Yuan Dynasty, 31 during the Ming Dynasty, and 16 during the Qing Dynasty).

These include stone-carved monsters from the late Shang Dynasty. Bronze ware from the Spring and Autumn Period and the Warring States Period, Haiji Mirror from the Tang Dynasty, authentic calligraphy from the Song Dynasty Mi Fu, Zhu Xi and Huang Tingjian, jade ware from the Ming and Qing Dynasties, etc.

Only a very small number of cultural relics are not marked as donated by someone, while most of them do not indicate their origin. Ma Yuan's "Crossing the Water in the Cave Mountains" and "Fishing Alone in the Cold River", Liang Kai's "Snow Scenery Landscape", "Li Bai's Walking Song", "Sixth Ancestor's Cutting Bamboo Picture", Li Di's "Red and White Hibiscus Picture", etc. are all famous works.

In addition, there are countless Chinese cultural relics and treasures in museums across Japan. Almost all the more than 1,000 public and private museums in Japan have Chinese collections, and the number should be hundreds of thousands.

Wang Xizhi's "Sangluan Tie" collected by the Japanese royal family is not able to distinguish the authenticity of the original work because people rarely see it.

Some experts pointed out that if the "Sage of Calligraphy" Wang Xizhi still had an original work, it would be "Sangluan Tie". This "treasure" was introduced to Japan in the Nara period more than 1,300 years ago. Although some people say it was brought by Master Jianzhen when he traveled to the east, there is no conclusive evidence.

In addition, Wang Xizhi's "Kong Shizhong Tie", which is collected in Tokyo's Maeda Yuto Association and is listed as a national treasure of Japan. Wang Xizhi's "My Sister-in-law", "Dingwu Lanting Preface", "Seventeen Posts", "Collecting the Holy Teachings of the King" and "Draft of Li Bai's Letters" from the Pre-Corona era were excavated by an expedition team sent by Otani Mitsuru, the sect leader of Kyoto Nishihonganji Temple, in the early last century in the Peacock River Basin, a tributary of the Tarim River River in Xinjiang.

Because it is a work of the same generation as Wang Xizhi, it is considered to be of great significance to understanding the true face of Wang Xizhi's calligraphy. It is now collected in the Omiya Library, Academic Intelligence Center of Ryuko University, Kyoto.

Ouyang Xun's "Huadu Temple Stele" (Weng Fanggang's version) is a Tang Dynasty rubbing, and is now collected in Otani University, Kyoto. Yu Shinan's "Confucius Temple Stele" and Chu Suiliang's "Meditate Meng Master" are also Tang Dynasty rubbing, and are now collected in the Mitsui Memorial Art Museum.

When Xin Hongxiang and the others first started slaughtering in Tokyo, they did not pay much attention to the antiques that belonged to China, so they gave the Japanese government plenty of time to transport these antiques. When Xin Hongxiang realized the right track of these antiques, he only intercepted a small part of the collection, and there were not many fine products in it.

It was actually just luck that Xin Hongxiang was able to obtain the two real national treasures, "Xiaoxiang Way Tour" and Yaobian Tianmu Tea Bowl. These two national treasures left with the follow-up troops of the Japanese royal family. Because they were evacuated by helicopters, these people were very relieved of the safety of these two national treasures. However, unexpectedly, Xin Hongxiang and others were so powerful that they even shot helicopters two thousand meters high. "Xiaoxiang Way Tour" and Yaobian Tianmu Tea Bowl also fell into Xin Hongxiang's hands.

After Zhao Chaogang found out the information about these Chinese cultural relics that were wandering in Japan last night, he directly passed the information to Xin Hongxiang, asking him to pay attention to collecting Chinese cultural relics in these places in future actions.

As long as you arrive at these places, all the cultural relics in the museums and private collections will be taken back by Zhao Chaogang, whether these cultural relics belong to China or foreign countries.

With Zhao Chaogang's order, Xin Hongxiang and the others definitely put the collection of cultural relics first in their hearts. So, Xin Hongxiang just learned from the mind of a senior official of the Japanese Self-Defense Force that a batch of cultural relics would be transported from the dock on Fukushima tonight, which made Xin Hongxiang, who originally wanted to go to Kyoto, change his mind.

There are indeed many cultural relics in Kyoto, but the cultural relics that can be escorted by these Japanese warships are absolutely extraordinary. Xin Hongxiang is going to settle these cultural relics.

Soon, Xin Hongxiang and the others made a big turn of 180 degrees. They flew quickly towards Fukushima. Even when passing through some densely populated towns, Xin Hongxiang and the others did not go down to do anything, and went all out towards Fukushima.

As soon as Xin Hongxiang and the others changed direction, the senior officials in the Japanese government had a headache. They now want to find the traces of those evil spirits, relying on the temperature alarms, but now it is obvious that these evil spirits have risen to a high altitude again, and it is completely impossible for the Japanese government to find the evil spirits.

Of course, there are also reasons why the Japanese government does not want to spend its energy to find it. The last battle in Utsunomiya had consumed the three thousand talismans that the Japanese government had finally made. Although these talismans were indeed seriously injured or killed a few evil spirits, if tens of thousands of such talismans were launched at that time, the remaining evil spirits would not escape. Therefore, the Japanese government would not take action easily before there were enough talismans.

Now the Japanese government is looking for black dogs and lightning-striking mahogany all over the world, especially lightning-striking mahogany that has been more than a hundred years old. It is precisely because of the Japanese government's behavior that the prices of black dogs and mahogany in the world have risen sharply.

Especially after realizing the existence of the evil spirit and the Japanese government really hurt the evil spirit with black dog blood and mahogany, other countries in the world have also begun to collect black dog blood and mahogany, allowing the strengthening of the black dog and mahogany to achieve a similar number jump in just one month.

The wandering black dogs on the street are nowhere to be seen, and some peach forests that are in the vintage are frequently visited by thieves. This is because the current prices of these two things have become sky-high.

It is precisely because the prices of these two things have begun to become sky-high, and not only the government is acquiring them, but some private individuals are also constantly hoarding them. The Japanese government can collect less and less black blood and mahogany, especially those lightning-striking mahogany that have been in the vintage, which only collects one lightning-striking mahogany that has been 200 years old.

As black dog blood and lightning strikes as peach wood are rare, Japan certainly dare not fight against those evil spirits easily. Now they fight against evil spirits, that is to die.

Anyway, there has been a behavior of giving up the people before. Since there is the first time, then the second time and the third time is not a difficult task. This time, the Japanese government is preparing to sacrifice those people again. It can be seen that the Japanese heart is really made of stone and has no trace of human nature at all. (To be continued, please search for astronomy, novels are better and faster!

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Chapter completed!