52 Master Artistic Conception
Back at the office, Lan Tianyu took out a copy of "Application of Mental Power" and started reading it with relish. ?
Although most of the contents are fabricated and fabricated, many of the methods of using spiritual power can bring him some inspiration and direction. With these inspirations and directions, he can slowly study specific methods of cultivation in practice. Even without the guidance and inheritance in this area, after hard work and time, he will definitely achieve something.
When reading this book, Lan Tianyu first showed a powerful advantage of the spiritual psychic psychics, that is, never forget it!
Every page he has read this book is clearly imprinted in his mind, even if it is a punctuation mark, he can remember it clearly.
After this, Lan Tianyu was extremely surprised!
Although his memory has always been good, it is far from reaching the level of never forgetting it. With this ability, no matter which knowledge he learns in the future, he will be extremely relaxed. This is a ability that can benefit people for life. Lan Tianyu is very happy.
With his reading level of ten lines at a glance, he finished reading these ten books in the morning. Most of the contents were fabricated by the author and basically had no reference significance. He just skipped by a flash of things. Only those small parts that could inspire were worth his time to taste and think about. ?
After reading these books and after some thought, Lan Tianyu temporarily summarized three ways to apply mental power.
The first is the direct attack application of mental power. After becoming a mental psychic psychic, mental power is like his third hand, and it is a hand that can change shape at will. He can condense his mental power into a sword or even a fine needle to directly attack the opponent's brain, which is extremely powerful.
Because it was the first time to practice, it was very slow to convert mental power into swords, and it was quite difficult. Now he could only condense into relatively rough sword shapes, and he could not do it in detail.
The second method of application is mental control. He can use mental power to control objects to attack, such as controlling flying knives, fine needles, stones, etc. After careful consideration, Lan Tianyu decided to create some sharp blades as weapons for daily exercise. Maybe at the beginning, he could only control one or two blades, but as long as he persisted, there would definitely be more and more blades that could be controlled at the same time, and the attack power would become greater and greater.
The third is the auxiliary applications of mental power, such as hypnosis, confusion, creation of illusions, etc. Compared with the first two application methods, the auxiliary applications are more classified and the difficulty of cultivation is also greater.? �
After having an idea, he tried every mental power application method he could think of. These application methods were difficult and easy, and now he just made a simple understanding. Only after he had more experience would he continue to conduct in-depth research.
Throughout the morning, Lantianyu was thinking and studying the application of mental power. Of course, it was impossible to gain much in such a short time, but Bluetianyu had basically mastered several superficial applications of mental power.
After lunch, Lan Tianyu was no longer studying spiritual abilities, but was preparing to splash ink and draw a few paintings to see what level of professional freehand painting is? In actual creation, can he fully draw these newly obtained freehand painting knowledge?
Freehand painting is to use concise brushwork to describe scenery. Freehand paintings are mostly painted on the raw lunar calendar. The vertical brush strokes are sprinkled and the ink is flying. It can better reflect the charm of the scenery depicted than fine brush strokes, and can also express the author's emotions more directly. Freehand painting advocates similarity and pays attention to the use of ink.
In the first painting, he was going to draw a freehand ink painting.
As we all know, it is very difficult to draw freehand ink and ink figures well. A mature freehand figure painter needs to be cultivated and tempered for decades. First, in addition to having artistic talent, he also needs high modeling ability, which is of course only a basic condition. Second, a good Chinese painter must have a high cultural literacy, especially love traditional culture, and understand the true meaning of the aesthetic spirit of Chinese painting from classical literature and classical philosophy. Third, a Chinese painter must understand the freehand spirit, know how to pursue artistic conception and aesthetic height; he must dabble in calligraphy, make time to enter the palace of brush and ink, and further experience the aesthetic realm of Chinese painting that advocates simplicity through the abstract beauty of calligraphy art. Fourth, a Chinese painter must also have a broad mind and a broad vision.
The more concise the brushwork, the more test the skill and the mountains and valleys in your heart. Freehand paintings of ink and ink figures look simple, but it is extremely difficult to create fine works.
Since the last time I got the skill book for calligraphy and painting, Lan Tianyu has purchased a desk and a full set of calligraphy and painting supplies in the office. In his spare time, he can improvise the work in the office.
Standing at the wide desk, thinking silently for a moment, the blue sky rain splashed ink, and a copy of Shi Ke's "The Second Ancestor's Heart Sharing Picture" was quickly presented on the paper.
The blue sky rain felt like a god helping him. The brush in his hand was sprinkled with the wish, with the intention in front of the pen, and the ink was poured into it in one go. When creating, because of the high concentration of spirit, his powerful spiritual power was integrated into the pen without realizing it.
Put down the brush in your hand, and after signing, take out the "Tianyu" seal, and a bright red seal is stamped on the lower left corner.
This is the first specialized painting he created since his life. He was proud and excited. He was not in a hurry to create the second work. He stood at his desk and carefully appreciated the "Second Master's Heart Alignment Picture" again.
The picture shows the scene of the Zen masters of Huike and Fenggan, the two Zen masters of the Heart-Shiji Master. In the picture, the one sitting cross-legged with his feet and supporting his cheeks with his arms and elbows is Huike; Fenggan is lying on the back of a tiger that is as gentle as a cat. The picture shows the profound practice of the two monks and the boundless magic power. The former highlights the word "quiet" and the latter highlights the word "kung".
In terms of painting, Blue Sky Rain simplifies the brushwork and swipes the ink and wash effects, completely imitating Shi Ke's style of "only the painting method of face, hands and feet, and the clothes are made of thick brushes". With strong flying and unintentional cursive brushes, it shows the subtle and profound Zen state of the monk. In deep places, there is thick ink color; in shallow places, there is light and charm, and basically reaches the artistic realm of brush and ink blending.
The painting "The Two Ancestors' Heart Adjustment Picture" he copied is not only mature and experienced in painting, but also has a profound meaning and a strong Zen meaning.
His painting skills have indeed reached the level of expertise, which is not beyond his expectations. What surprised Lan Tianyu was that this painting actually showed a master-level artistic conception!
Chapter completed!