Yuu Horita also thought that his understanding of the cultural background of "Pipa Xing" was far less than that of Jiang Shuiyuan, so he had to shoot: "Jiang's analysis of famous things in "Pipa Xing" was indeed incisive, which made me convinced! However, exegesis of words and clearing the system of famous things is just a threshold and tool for interpreting poetry, just like pointing to the moon, but the hand is not the moon after all. "Pip? Interest?????? Pavilion                                                                                                                                                                                                �

Eshuiyuan also deeply agrees with this: "Hota's words are reasonable. I wonder what you have to say about the artistic techniques and true emotions of "Pipa Xing"?"

Yuuki Horita immediately cheered up: "I think in terms of expression techniques, in addition to using autumn scenery such as maple leaves, reeds, and three wonderful descriptions of Jiangyue to highlight the characters' feelings, the character and psychology are mainly displayed through the characters' movements and expressions. For example, "Who is the one who is playing in secret? The sound of the pipa stops and speaks slowly," and "it is finally coming out after thousands of calls, and still holding the pipa half-covering the face" are all very appropriately. The pipa girl is not willing to come out because of shyness and unspeakable pain. For example, from "turning the axis and plucking the string for three or two" to "lowing the eyebrows and making the eyebrows and making the eyebrows and making the process of playing in a layer by layer, showing the character's thoughts flying, gradually entering the role, and starting to recall the past, which is very vivid and realistic."

Eshuiyuan felt that what Yuuya Horita said was all cliché, but he still praised: "The analysis is good. What else?"

Seeing that the turbulent waves of Eshuiyuan, Yuuki Horita decided to throw out his killer weapon: "Although the above description is excellent, other poets may not be able to write it as long as they work hard. I think the whole article is the most exciting, and it is also something that others cannot write. It should be the description of the music of the pipa!"

"That's true!" Eshuiyuan sat upright slightly, wanting to hear Yuya Horita's high opinion.

Yuuya Horita said: "Bai Lotte uses a series of exquisite metaphors such as the rapid rain, whispers, pearls falling on jade plates, flowers and orioles, flowing under the ice, silver bottles breaking and water slurry bursting, and iron cavalry highlights the sound of swords and guns, vividly imitating the process of music from rapid to slight, from fluent and crisp to sluggish throats, and then to sudden excitement. As the sound of music rises and falls, the turbulent and changing emotions of the pipa girl also overflows beyond the ink. Here, Bai Lotte not only describes the sound and playing skills, but also brings out the inner connotation contained in the music melody. Moreover, these three are organically integrated without trace, forming a perfect expression of the change of sound and emotions in the entire performance process, which is unprecedented!"

Jiang Shuiyuan was slightly disappointed: "Hota Jun felt that "Pipa Xing" was unique in artistic techniques compared with the contemporary "Li Ping's Piano" and "Li Ping's Kumhou Intro"?"

"Uh..." Yuu Horita was speechless.

Without asking, this guy must have not read the last two poems. Jiang Shuiyuan did not pursue and beat him, but said softly: "I have always felt that the appreciation of ancient poetry and verses is a thankless thing, because the ancients might have ulterior motives when writing, but later generations indulge in words, words and sentences, and can accurately capture the author's true intentions. The result is that the author may not necessarily have, and the readers may not have. Just like Yuan Mei's "Huang Sheng's Borrowing Books" in the Qing Dynasty, many people praised the article "The Books cannot be read without borrowing". In fact, if you put yourself in your shoes, you will know that what Yuan Mei, who wrote the article, Huang Sheng who borrowed the book, really cares about the last sentence of the article, that is, 'It must be returned to the book'. The same is true for "Pipa Xing".

Yuuki Horita was also stunned: "What do you think is the real intention of "Pipa Stories"?"

"What do you think of Horita-kun?" Eshuiyuan asked back.

Every time Jiang Shuiyuan asked a question, it meant that he had to give a unique but profound and reasonable explanation. After two or three times, Yuu Horita felt no confidence and hesitantly replied: "It should be that he was full of exile, so he borrowed the merchant wife to give it to him."

"This is the comment from Emperor Gaozong of the Qing Dynasty in "The Imperial Selection of Tang and Song Poems"." Jiang Shuiyuan first pointed out the source of the sentence, and then expressed his own point of view: "It is true that the eyes of the poem "Pipa Xing" are "both the same people who fall from the world", and through his feelings about the wandering of the merchant woman, he sighed about the decline of exile. But we can understand it a deeper level. For example, what is "fall"? In the interpretation of "Shuowen Jiezi", the fall is not, and a thing gradually sinks from the water surface to the water surface; the fall is that the leaves of the tree fall from the high branches to the ground. From this we can see that the so-called "fall" is a life that was originally lived a good and respectful life, but now it is a bad and humble life. Right?"

Yuu Horita nodded: "That's right. The poem mentioned the difference between the two people's lives before and after, such as the Pipa girl, which was the first part of the famous Jiaofang, and the Wulings fought for the heads of their youth. After getting older, she became a businesswoman and had to "master the empty ship in the Jiangkou". The same is true for Bai Lotte. She moved from the capital to Sima of Jiujiang County, and could only "not hear the sound of silk and bamboo all year round" and "living near the Shujiang River is low and wet."

Jiang Shuiyuan said: "In fact, when it comes to Bai Juyi's favor in the capital, you can also refer to the Biography of Bai Juyi in the Old Book of Tang. It mentions that in November of the second year of Yuanhe, Emperor Xianhe, Li Chun of Tang summoned Bai Juyi into the Hanlin as a scholar; in May of the third year of Yuanhe, he appointed Bai Juyi as a left-handed student. "Juyi thought he met the master of good literature, but he was not promoted in the second place, and wanted to use his life to repay his kindness.' In the fifth year of Yuanhe, Bai Juyi was renamed. Emperor Xianhe, Emperor Xianhe, said to Cui Qun, "Juyi's official position is low and his salary is low, and he is detained in the capital, and he cannot wait. His official position can be reported by himself." He also said to Li Jiang, "Bai Juyi is my promotion to the position," etc.."

Yuuki Horita also widened his eyes: "Do you remember all these?"

"I have seen it before." Jiang Shuiyuan took this matter lightly, "Let's not talk about Bai Juyi, let's talk about Pipa Girl. Do Horita Jun feel that Pipa Girl regrets the extravagant and lustful life in the capital when she was young?"

Yuu Horita also passed the "Pipa Walk" in his heart, and then replied: "Should you not regret it? The preface before the poem says, "Speaking about the joys of young people for a young age", and the poem says, "This year's laughter and next year', all of which are mainly based on the word "happiness". Although it is mentioned later that "I suddenly dream of a young man in the middle of the night, and the dream of crying and making a tear in the red," it is not the tears of regret that are beyond the reach of the navel, but the tears of loss that are not the same as before."

"That's right!" Jiang Shuiyuan changed his tone, "The Pipa girl is like this, and Bai Juyi is like this. "The Imperial Song of Tang and Song Poems" says, "I am full of the feeling of exile, I borrow the merchant woman from it." It can be said that it hits the word. Some people even suspect that there may not be a Pipa girl in the world, but it is just a story made by Bai Juyi to express his feelings of exile. For example, Hong Mai of the Song Dynasty said this in "Rongzhai Wubi". From the Pipa girl's no regrets, it can be seen that Bai Juyi did not regret his memorial in the capital. He talks about things, and does not resent the emperor's day and night, and he only feels sad like a pipa girl. Now he is 'drifted and haggard, and moves between the rivers and lakes' because he is 'older and weaker', 'the saddle and horse are cold in front of the door, and the eldest married a businesswoman'. In this way, it is not difficult to see that "Pipa Xing" is in line with the Confucian poetry teachings of sorrow but not hurt, resent but not angry, and is gentle and honest, which is in line with his previous "New Yuefu" and is also in line with the literary tradition of "Vanilla Beauty" in "Li Sao"."

Yuu Horita couldn't help but be dumbfounded: "Ah! Can "Pipa Song" be interpreted like this?"

"Why can't I interpret this way? Can Horita Jun find a sad poem in "Pipa Xing"? At most, it is 'that people say that they feel like exiled in the evening' and 'exile in Xunyang City' and 'Jiangzhou Sima's green shirt is wet'. How could he have a resentment and glorious, great, and correct Emperor?"

Yuu Horita thought for a long time but couldn't find a place to refute Jiangshuiyuan, so he had to hold on and say, "Jiang Jun Gao's theory is justified, but the argument is too tortuous and repetitive, novel and sharp, which can make people think of it for a while, but it is hard to make people completely convinced!"

Eshuiyuan smiled and said, "I just talk casually when chatting with Horita Jun. I'm not writing a paper or giving a speech in public. Why should I be stable?"

Looking at Jiang Shuiyuan's expression of "preface to the ears" and Yuu Horita was so depressed that he almost vomited blood. After thinking for a long time, he decided to make a big news: "Although Bai Letian has a profound influence in Tianchao and our Nihong, I also like Bai Letian very much, objectively speaking, Bai Letian is just a second-rate writer. The so-called "rhetoric establishes sincerity" is not only rhetoric, but also writing articles and poetry. It must be true to express emotions, so that he has no choice but to write them in this way to express emotions. But Bai Letian overemphasized that "the articles are written together for the time, and the poems are written together for the matter", and also asked his own works to be able to understand. Obviously, his intentions are not sincere. Always thinking about other people's criticism of you, there is always such a competing with others and having some thoughts, and the works they wrote are naturally second-rate. What does Jiang Jun think?"

Jiang Shuiyuan replied lightly: "If I remember correctly, this should be a point that Ye Jiaying put forward in his monograph "Ye Jiaying's Poems on the Middle and Late Tang". Which book have you read? I have read it too."

“…”

This time, Yuu Horita was not only so depressed that he wanted to vomit blood, but he wanted to find a crack on the ground and crawl into it, and never appeared in front of Jiang Shuiyuan. However, the reality was as cold as iron. He knew how to escape the shadow of ninja, and Jiang Shuiyuan would not disappear out of thin air. He worked hard for a long time before he bowed deeply: "Jiang Jun was knowledgeable and knowledgeable, and he made novel arguments. I admire him. But now it's time to have supper, let's taste the famous Taixue steamed buns together! I will ask you for advice when you have time."
Chapter completed!