Ao Fugui found many old movies. Ao Muyang watched them, "When the Red Leaves in the Mountain", "The Mysterious Buddha", "The Flowers Bloom in the Chaoyang", "Shangganling", etc., and there are more than twenty movies in total.

These films were all shot in the late 1970s and early 1980s. As he said, the source of the film is difficult to find online, and even if it can be found, it is not clear. The videotape in his hand is considered a high-definition source.

After nightfall, Ao Fugui put the assembled projector on a table, then tied a thin stick to the legs of the table and raised it up. He tied a light bulb on it. As soon as the power was turned on, the light bulb turned on.

Ao Muyang took a bun and ate it deliciously. When he saw the light bulb lit up, he asked, "Fugui, what is this light bulb for?"

"It's for lighting." Ao Fugui explained.

Ao Muyang pointed to the street lights above his head and said, "You are stupid, aren't there street lights?"

Ao Fugui snorted coldly: "You are stupid, the street lights will be turned off later."

The sun sets and the lights of thousands of homes are on.

The lights of every household in the village were also on, and the street lights were lit up faintly. Some were hanging in the canopy of trees, and the light emerged through the gaps between the branches and leaves, making a daze.

As the projector started, a beam of light shone on the curtain, and then a circular halo appeared first, and the halo quickly bloomed and turned into a rectangle.

This is one of the few scenes about the screening of movies in Ao Muyang's childhood memory. He remembers that the movie he watched when he was a child did start with such a scene.

Next is the opening and iconic prelude music of the Beijing Film Studios, and people have brought small benches to watch the movies one after another.

Ao Muyang thought no one was interested in this old-fashioned movie, but the result was reasonable. Unexpectedly, many people came. After the movie officially started, more than 40 people came. Most of these people were not from the village, but tourists.

A tourist raised his cell phone to take a photo, and then said to his friends on the left and right: "Ha, I feel quite childhood."

There were also tourists who came with their children. Ao Muyang heard several people say to the children: "This is the movie that Dad watched when he was as old as you." "This is the entertainment activity that Dad loved when he was a child." "Come on, I will kill you, Dad will take you to experience the earliest movie theater atmosphere."

Ao Fugui played a movie called "The Mysterious Buddha", and tourists kept laughing: "Is this the 1970s?" "I really miss that time." "What you miss is your own youth, and what is the 1970s?"

Several people were discussing it enthusiastically, and suddenly someone interrupted: "What's the 1970s? This movie is about the 1940s, before liberation."

A few tourists born in the 1970s who originally wanted to recall their youth suddenly felt bored.

Mr. Ao Zhiman lay down at the window and kowtowed melon seeds to watch the movie. He said to Ao Muyang: "Village Chief, you young people have never watched this movie, right? It's good, this one is as good as "Shaolin Temple"."

Ao Muyang had never seen a few such movies. As soon as he could remember, the TV began to enter the families of ordinary people. With the popularity of TVs, this open-air movie model became unpopular.

Ao Muyang asked, "What is this movie talking about?"

Ao Zhiman said vaguely: "You can see it yourself, you can see it yourself, it's good."

Ao Muyang felt that it was okay at night, so he leaned against the wall to watch the movie. The narrative style of the movie was very simple, the story was suspenseful, and it was full of the style of the movies of the 1980s, which was quite interesting.

From this day on, Ao Fugui played old movies in the village. Every night when night fell, he started playing movies, one movie a day because there were many people in the village and there were always people who came to support him.

Two days later, the blue boatman's mechanical work boat came to the sea outside Longtou Village and began to modify the large hull.

Regarding the modification details of the big ship, it depends on Ao Muyang to decide, and Yan Qingcheng cannot help him.

Lao Ao has nothing to do in the past two days and has gone online to check inspiration for ship breeding. He did not find news about fishing in various countries using fishing boats. Instead, he found news about developed countries such as Europe, America and Japan building large offshore breeding platforms for fishery production.

Typical examples are a 270-meter-long breeding platform built by France and Norway in cooperation on the Brittany coast in northern Brest. It is converted from a retired and scrapped steamer with a total displacement of 100,000 tons. It specializes in farming salmon with an annual output of 3,000 tons and has good benefits.

In addition, the European Fisheries Commission is preparing to build a semi-submersible worker, which is 189 meters long, 56 meters wide, and has a speed of 8 knots. It can transport and catch tunas and also serve as a breeding mother ship.

Of course, this kind of industrial ship is still under research plan. The ship is easy to build, and the tuna breeding technology is difficult to overcome. The cost of this kind of ship is very high - whether it is casting or operating, it is very expensive. Only the precious fish such as tuna can have profit margins.

Ao Muyang wanted to transform this large iron shell into a breeding platform, but there was no technology in China. At most, it is a marine cage breeding platform in China. The more successful one is the more than 100 deep-water cages invested and built on about 200 hectares of sea surface near Jinqing Island in the Yongle Island of the Xisha Islands. It breeds precious seafood such as gentian grouper, cobia, lobster, etc., with an annual output value of more than 10 million yuan.

His breeding pond also contains lobsters, Chinese Jinxiu Lobster, and he plans to transfer these lobsters into a large hull.

Regarding the transformation plan of the large hull, Ao Muyang wanted to ask experts, but the experts he knew were not good at this, so he had to rely on his own thinking.

He asked Li Ji for advice, but Li Ji didn't understand it very much, so he went to ask his colleagues in marine aquaculture for helping him. Finally, he contacted an expert who worked in the Fishing Machinery Institute of the National Academy of Water Sciences.

The expert was named Shen Yu. Li Ji was very happy after contacting him, so he went to find Ao Muyang.

When Ao Muyang heard that he wanted to contact experts again, and the experts were from the Chinese Academy of Sciences and his surname was Shen, his head suddenly became big: "My mother, let's do this by ourselves. I really don't want to contact the big boss of the Chinese Academy of Sciences."

Li Ji rolled his eyes and said, "Teacher Shen is not from the Chinese Academy of Sciences, but from the Academy of Water Sciences. I have inquired about it. He is indeed an expert on this large-scale breeding platform."

Ao Muyang rubbed his hands and said, "Actually, there is no need for experts in this matter, right?"

His attitude made Li Ji very dissatisfied and got angry directly: "You boy, you boy, the old man finally helped you contact experts who can help you, but you don't appreciate it. I'm telling you that my country is still in its infancy in large-scale marine aquaculture facilities or breeding platforms, and there are few related experts. Do you understand this? Do you think you can just dig a hole in the head and tail of the boat yourself? Humph, a joke!"

Seeing that the old man started roaring, Ao Muyang had to compromise. He raised his hand and said, "Okay, Mr. Li, I'll listen to you, let this expert come over."
Chapter completed!