"You have to be handsome, but you have to survive first. You are a killer!" An Ran somewhat understands the habits of these actors. Over the years in movies, it has become a habit for men to be handsome and for women to be beautiful.
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Especially Quirrell.

In "The Murder Network", he mainly focuses on being cool, he is ruthless throughout the whole process, and every move is full of force.

It can be said that it is not only the ceiling of Quirrell's coolness, but also a movie that combines the best of coolness.

The male protagonist is showing off all the time.

But now this movie is different.

The male protagonist must have a sense of vicissitudes of life, and at the same time, he must have a professional feel.

As a killer, if you hold a gun in an amateurish manner, you will be laughed at.

An Ran took the gun from Chilo's hand, "In this case, Vic is surrounded by enemies. He should be more careful, so I think it is more reasonable for him to use the CARS tactical gun holding system here..."

An Ran held the gun close to his chest with both hands, crossed his arms with his fingers, bit them together and pulled the trigger, holding the gun tightly.

The biggest advantage of this posture is that you can react quickly and fire first.

It is also very suitable for close range shooting in small spaces.

Second, this posture is very suitable for searching, which is helpful for hiding in the corridor and can also effectively prevent weapons from being snatched.

At the same time, because this position holds the gun with both hands and holds it very tightly, it can also offset the recoil of the firearm to the maximum extent, achieve a stable posture when grabbing, and improve the hit rate.

Of course, in comparison, this pose is far less handsome.

Most things are incompatible, and if you want to be handsome, the practicality is far less.

If you want to be practical, you won’t be handsome.

Quirrell nodded after hearing this. It didn't matter to him. He was just following his own habits.

And forgot about this.

When filming this time, Quirrell closed his eyes first, and then as soon as he appeared in the camera and waved, his finger was already tightly closed on the trigger.

The CARS tactical gun is used.

It is true that he is not as dashing and handsome as before, but he is a little more calm and calm.

To be honest, Quirrell doesn't seem to have much murderous intent, and he even looks like an honest middle-aged uncle.

But it is precisely because of this that when Chilo's murderous man comes, a chill will rise from the back of the spine.

An Ran told Quirrell during the filming not to show off his acting skills and not to have a murderous look in his eyes.

At all times, your eyes should be the same as those of ordinary people.

At this time, everyone saw the effect of An Ran's instructions.

It was a feeling of numbness.

It seems that many people have been killed, no one's life is taken seriously, and they are indifferent when facing danger.

Quirrell entered with a gun and started killing everyone.

This time the shooting was unusually smooth. Under An Ran's control, eight cameras worked at the same time and then switched, making this battle scene particularly smooth.

For the first time, the God of Death showed what he should be like.

"Okay, perfect, that's it for today!" An Ran stood up from the recliner and said to the person next to him.

Everyone cheered.

After all, this day is still very tiring.

Moreover, An Ran was very kind to the crew, and the dinner at the end must be very sumptuous.

According to what he said, the emperor cannot send hungry soldiers.

However, some people are puzzled.

A supporting character who plays alongside Quirrell is the second supporting character in the movie, the troublemaker, and everything started because of him.

Huangmao's name is Arizona, he comes from Enluo Country, and has been wandering in Xizhou for two or three years.

I have never played any suitable roles, and most of the time I have been an extra.

This time it’s a big role.

Fortunately for Arizona, the protagonist he worked with was Quirrell and the director was An Ran.

Quirrell is famous for being kind and never loses his temper with the staff.

Enron is famous for being kind to its staff, including those inconspicuous supporting roles.

During filming, he didn't have the bad temper of those great directors.

The reason why many directors have bad tempers on the set is because they lack control over the scene.

It's even because some actors don't pay much attention to the director.

Enron is different.

I am the boss, the screenwriter, and the director.

He invests in all movies by himself, with basically no capital injection from other companies, and has a very strong say.

The so-called bringing capital into the group does not hold true here at all. I just have money.

Therefore, no matter how big the faction is, they remain silent in front of An Ran.

For example, some stars bring screenwriters to the set, and after reading the script, they ask the editor to add scenes for them. With Boss An, you don’t even have to think about it.

Go as far as you want to add drama.

But for low-level actors like them, An Ran was surprisingly kind.

If there is anything wrong with their acting, An Ran will not only point it out, but also tell you what to do.

Instead of being like those bad-tempered directors who let you figure it out on your own.

I'm trying to figure it out. If I can figure it out, why are you still hanging around here?

So Arizona thinks the atmosphere of the crew is very good and she likes this crew very much.

But he still didn't understand some of Quirrell's actions in the play.

"Mr. Quirrell, can I ask you a question?"

"Ask me, Arizona!" Chiloco didn't have the airs of a big star at all. He never felt that he was superior to others from the beginning to the end, especially when communicating with the crew, he always upheld the principle of knowing everything and speaking up.

The principle of exhaustion.

He never hesitates to answer questions about performances.

The same is true for Enron.

"Mr. Quirrell, I noticed that when you were filming, you used two shots in the chest to deal with the enemy, and then a supplementary shot in the head. If this happens, will the audience feel that it is a bit redundant? Or does it mean that you can die with a headshot?

Or the two shots in the heart are enough to kill, so why bother?"

"One move many times, this is not an unnecessary move!" Most people really don't understand this stuff, even actors who have been in movies for many years and often act in gunfight scenes probably don't understand it either.

In fact, after following An Ran and Chen Ke's systematic guidance, he realized that there is a lot of knowledge in every little detail from holding a gun to shooting and even drawing a gun.

The difference between reality and movies is very, very big. Those extremely cool shooting postures you see in movies can basically be regarded as suicide behaviors.

Why did you pull out a gun from your waist?

When you first got something, the experts had already beaten you to death. How could you have the chance to draw your gun?

As for this shooting method, it was also taught by Chen Ke.

"This is called the Mozambique shooting method. The specific operation is to shoot twice in the chest and one shot in the head, just to ensure that the target is completely dead! It is not the point to do anything unnecessary. You have to know that in a really bloody gun battle, even if the enemy has a breath,
Chapter completed!