Although art has no borders, due to language barriers, it is almost impossible for Chinese singers to become popular in Europe and the United States.∽↗∽↗,

Moreover, the rules of the pop music scene are controlled by Britain and the United States. Even singers from various countries in the European continent are difficult to get in. Although the Chinese style is fresh and unique, there are also various music styles in the European continent, which is still difficult to get into the ears of British and American fans.

The so-called Ye Cheng's song shocked foreigners, it was just an illusion.

At first, because of the former Soviet music style of "Birch Forest", it was loved by netizens from Russia, Ukraine and other countries, and then these people paid attention to Ye Cheng's other songs. After a little popularity, a large number of overseas Chinese joined the comments, so the number of clicks on songs such as "Blue and White Porcelain" increased to more than 100,000 in a short period of time.

There are hundreds of comments below the MV video of "Blue and White Porcelain". Although they are all written in English, more than eight comments have become overseas Chinese.

"It's so beautiful, incredible Chinese classical style."

"It has been 30 years since I left China, and I still can't hide my pride when I hear this song."

"After listening to this song, I suddenly wanted to travel to China. Do you have any good suggestions?"

"This song was sung by a Taiwanese singer. I don't believe that mainlanders who write residual characters will create such excellent songs."

“(Go back upstairs) you can meet self-righteous Wanwan anywhere.”

"Although I can't understand what this Chinese singer sings, the melody and arrangement are beautiful."

"The indescribable touch is the charm of China."

“…”

Because of the so-called plagiarism incident, a large number of positive comments from abroad were translated back, and then spontaneously reposted by Ye Cheng's fans. Then more domestic netizens went to watch the links based on the wall, which caused the number of clicks on songs such as "Blue and White Porcelain" and "Dongfeng Po" to soar, and exceeded 300,000 in two or three days.

More and more English comments have been translated back to China, and a large part of them are messages from Chinese people who have exported to domestic sales. But netizens don’t know that they really think that Ye Cheng’s music has conquered foreigners, thus creating a false image that Ye Cheng has become popular in Europe and the United States.

Of course, how could the company miss this opportunity to hype and take the opportunity to spend money to ask the media for reports. For a moment, news praising Ye Cheng was everywhere:

"The Blue and White Porcelain is powerful overseas, and the Chinese style conquered overseas netizens."

"Breaking out of Asia and going to the world, a breakthrough for Chinese music."

"The East Wind Po" became popular in the foreign network, and the oily tutors hit 300,000 in the week."

“…”

In the face of a powerful publicity and hype offensive, countless netizens who don’t know the truth are shocked. It turns out that Ye Cheng is so awesome abroad!

You know, these reports are not all false. The viewing of domestic netizens over the wall and the pursuit of overseas Chinese have caused several of Ye Cheng's songs to soar in the number of clicks on the oil-dollar bets, which has attracted more curious clicks from foreign netizens. Some of them really like Chinese-style songs.

People generally think that being awesome in China is not awesome, but being awesome in foreign countries is really awesome. This kind of psychology is not only available in Chinese people, but also in Japan. If there are athletes in South Korea and Japan, artists will still be praised as gods in China if they receive international recognition.

Just because of several foreign videos and continuous hypes, Ye Cheng became tall and became more international.

Some hardcore fans who know English and can cross the wall, simply spread all Ye Cheng's songs with English subtitles to the glutinous country bumpkin. Unfortunately, they did not attract much attention.

The most interesting thing is that the favorite of these newly released song videos is "William Castle". There is no other reason, because this song is personalized enough, even if you don't understand the lyrics, you can still feel that gloomy Gothic style.

As for "Wukong", which amazed domestic fans, I'm sorry, foreigners can't understand the feelings contained in it.

...

The praise from the Internet and the media made Ye Cheng feel a little blushed. In addition to taking on commercial performances, he declined all interviews at the same time. While learning by himself and familiarizing himself with the director's courses, he took time to get the driver's license.

In late October, Ye Cheng finally came to the Shanghai Opera Director's Class and officially took his first director class. He did not go to the sophomore class to attend the class. Because the filming was too profound and I couldn't understand, he decided to go and hang out with the freshmen.

There were also only more than 20 people in the director class. Ye Chengyi walked into the classroom and everyone looked at him strangely.

"Ye Cheng?"

"What is he here to do?"

"Isn't it here to attend class?"

"I heard he was going to go to the director class."

"What a joke? He's just here to listen to the class now. How long has it been since the school started?"

"Hey. They're different from you."

"He should go to the screenwriter class."

“…”

When Ye Cheng walked over, these people immediately stopped whispering, and the outgoing ones had already greeted him.

"Hello Ye Cheng, my name is Fang Qi." A tall and thin boy shook hands with Ye Cheng and asked, "Are you here to attend class?"

"Hello," Ye Cheng smiled, "I am a transfer student, and I hope I can take more care of you in the future."

"It's easy to say." Fang Qi nodded repeatedly.

Ye Cheng soon met a few more people and asked them about some very naive professional course issues, which made some students in the class laugh. Ye Cheng's face had been very thick-trained, so he ignored other people's ridicule. Obtaining knowledge was his purpose here.

After chatting with a few new classmates, Tan Guisong, the teacher of this class, came in, turned on the projector and made a brief adjustment, and said, "Students, what we are going to talk about today is space. Space is the framework of the film structure, just like the bones of the human body, it is the strongest support of a movie. The existence form of the movie space is the lens, which is composed of the fantasy of the space of different scenes, angles and movement forms. So it can also be said that the movie space is the lens space..."

Since it is a basic class for freshmen, the teacher speaks very casually. Every time he teaches an element, he will use old movie stills to analyze and explain it. After listening to the whole class, Teacher Tan Guisong mentioned at least a dozen domestic and foreign movies, one-third of which Ye Cheng had never even heard of the name, and more than half of the movies listed in Ye Cheng had never watched.

After talking about the basic concepts, Tan Guisong played a movie specifically, analyzing the spatial structure and significance of each shot of the clip in detail, which made Ye Cheng stunned. He used to pay attention to the plot and music when watching movies, and had no idea about the picture, scene, color and other things, and could have so many hints and setback effects.

When get out of class was over, the teacher also assigned after-class homework, asking each student to choose a movie to analyze the use of space in the movie.

After all, it was Ye Cheng's first time to listen to the class. Although he had previewed the textbook at home, he was still a little dizzy. He understood what the teacher said completely, but if he really asked him to catch a movie to analyze it, it would be a blind eye.

After leaving school, Ye Cheng called a taxi to Liu Lao's house, and called Fang Zhuomin for help halfway: "Hey, Lao Fang, how to write a movie space analysis?"

"Haha, have you gone to school to attend classes?" Fang Zhuomin said happily.

Ye Cheng didn't give him the chance to laugh, and said directly: "Don't worry about so much, tell me how to write movie space analysis."

Fang Zhuomin said: "Wait first, I'll send you a post-class homework."

Fang Zhuomin was very quick and he had already sent the article before the taxi arrived at Liu Lao's house. This was his homework when he was studying and analyzed an Italian film from the 1990s.

After the article was sent, Fang Zhuomin called again and said, "You are a beginner now. It is best to choose a more classic and simple-structured movie for analysis. You don't need to use too many professional terms and write down your own understanding and feelings. The teacher won't say anything."

Ye Cheng read Fang Zhuomin's homework articles all the way, and soon he felt the idea, at least he was not as hard as before.

"Crack!" Ye Cheng took out the key and opened the door of Liu Lao's house.

"Sister, you're back!" The little nanny came over with an apron. After she saw that it was Ye Cheng, she said in surprise, "Yezi, why do you have the key to your home?"

"Sister Lao gave it to me," Ye Cheng looked inside and asked, "Has she not come back yet?"

The little nanny looked at Ye Cheng thoughtfully, then said, "Sister Lao has been with the team these days and can only come back after filming the scene."
Chapter completed!