Chen Lin has always despised the niche, and from the bottom of his heart he believed that movies should be aimed at the public.

Unless you are Woody Allen, unless you are a genius like the Coen brothers who can make niche subjects amazing, it is normal that no one likes your movie!

He chose to participate in this Xining Youth Film Festival, and he really let go of his persistence in aesthetics and wanted to cleanse his soul well.

After all, I can be bragged about by a group of literary bitches, saying that the Xining Film Festival is the vitality of Chinese films and symbolizes the future of Chinese films.

He thought it was true!

Haha, I thought so beautifully!

Independent movies are always independent movies. Occasionally, a few of them appear, which are also real geniuses. How many directors have always adhered to their creative philosophy?

Except for narcissistic directors like Wang Xiaoshuai.

He began to reflect on whether what he had done over the years gave people a view of the Virgin Bitch.

Or give people the idea of ​​surrendering?

As a director, you have made money from commercial films, why do you have to care about Chinese movies?

You represent Chinese movies yourself!

I also spend 20 million to sponsor the Xining Youth Film Festival every year. I want these directors to have better conditions to make movies. Isn’t it stupid?

What other things are you doing online art theaters and have a brain disease?

After returning, we must discuss with Fang Jianhao and Chen Yang carefully. Chen Lin is not Kaizi!

...

In the next two days, Chen Lin had to watch "Conservative Land", "Winter", "Evil" and "Wild Great Wall" in the whole process. Until "Wild Great Wall", he couldn't help it and left the stage halfway!

mmmp, what a fuck!

To be honest, after watching "Happiness and Mourning" on the first day, he had lowered the requirements for the debut of these directors. As long as he could tell a complete story, he felt that it was okay.

Unfortunately, the Xining Film Festival is not Sundance after all, and these directors are not independent filmmakers in Hollywood.

The topics that focus are also some imaginary topics, such as "Conservative Land".

Director Choi Yingjie is old and craftsman, and his college background is fully revealed!

Whether it is dialogue, symbol or theme of the whole movie, it is difficult for such domestic independent films with poor rural themes to achieve results if they continue to be self-contained, and they will ignore the critical significance.

The whole movie is filled with the director's self-interest, which is very similar to Chief Jia's "Xiao Wu" back then. Unfortunately, "Xiao Wu" was quite novel in 20 years. Now it is 2016 years. It is really hard to say about such a subject!

"Winter" is even more ridiculous. Director Xing Jian probably thought that many people had never seen "The Horse of Turin". The choice of theme is not so much a reference, but rather a plagiarism.

The so-called empty mountains are bleak, lonely inside, vicissitudes of old age? In fact, they are empty and pale. Xing Jian, Hou Xiaoxian, Cai Mingliang and others think that the voting of the film festival judges is a high-ranking literature and art?

The only highlight of the whole movie is probably the picture, and black and white images do add a lot of points.

Seeing the end of the whole article, Chen Lin muttered in his heart: Xing Jian definitely has a background!

The list of ending music shows Liu Sola, Liu Yijun and Wu Na, so please feel free!

Such a movie is the most disgusting thing about Chen Lin, no doubt about it!

The movie "Entertainment" gave Chen Lin a little surprise because it was a real low-cost work - the cost was only 70,000!

Damn, buying a car is not enough!

After understanding these innate conditions, Chen Lin was ready to feel uncomfortable watching movies caused by violent shaking like "The Witch Blair".

Or was shocked by the actor's performance.

All of the above are tolerated, whether it is the actor's performance or the trash sinking of the picture.

To say it is a surprise, of course it does not mean how good this movie is. It is a thousand miles away from "The Curse", "Midnight Bell" and "Soul Conjuring", but in an environment like Chinese horror movies, you will see it, it's not bad!

It is better than those wild moms, such as horror, horror, death, etc.

Many well-known Chinese horror films have become a fixed, sarcastic phrase.

The audience, including many practitioners themselves, are inferior to it.

China's special restriction mechanism also makes the maneuvering space of this type of film extremely small.

It gradually became a joke that could not be turned over, and fell into a vicious cycle of shoddy and being laughed at by others.

People gloat about watching how each so-called horror film ends with the lowest expectations.

Another point is that "Embaring an Evil" can allow Chen Lin to see the highlights. The most important thing is that if he is allowed to operate this movie, he can easily operate it to a box office of over 100 million yuan!

However, Chen Lin was still considering whether to gain fame to do this.

After all, "Evil" is really not a masterpiece, and many people are born with the theme of pseudo-documentary!

No reason can cover up the simplicity of a work. You are the director!

After thinking about it, Chen Lin called Xiao Xu and asked him to get the phone number of director Ma Kai - such a movie needs to be re-shooted!

Then, the "Wild Great Wall" on the afternoon of the third day completely disgusted Chen Lin!

The director of "The Wild Great Wall" is Gu Wei, who is considered a senior film practitioner. He has served as the screenwriter of Gu Changwei and Chen Guohui. Just look at his works and you will know about "Micro Love" and "The Bride Battle"!

Obviously this is someone who doesn’t even understand the work of a screenwriter and then comes to grab the director’s job.

There are very few movies that can make Chen Lin unable to sit for even ten minutes, and he is one of the most popular movies.

The whole movie is a piece of shit!

Simply put, a migrant worker falls in love with a female college student, and then kidnapped her to the Great Wall to confess her love.

According to the words of a group of volunteers selected from the primary election: "The debut work of director Gu Wei's feature film "Wild Great Wall", who was once a screenwriter of Gu Changwei, conducted a "small space and big narrative" movie walk. The limitations of a single space have high requirements for director skills and script perfection."

I guess these volunteers didn’t want to choose after watching this movie, but there was no way. They had a background, and the screenwriter of director Gu Changwei!

I don’t care which movie he is the screenwriter of Gu Changwei!

Qualifications can come in handy anywhere.

Well, that's it.

In the first five minutes of the movie, Chen Lin could barely watch it. By the tenth minute, he could no longer hold it!

"Sorry, I want to say fairness, this is not a movie at all!"

He secretly complained, and Young Master Lin got up and prepared to leave the movie hall without saying a word.

"Director Shen? Why are you leaving?"

Tang Wei shouted without any eyesight.

"Well, it's a bit uncomfortable, I want to go out and have some fresh air."

Chen Lin said it very tactfully.

"It's probably the first time Director Chen is a judge. The judge's duty is to watch every work well and then give his own opinions..."

Liao Qingsong glanced at Lin Lin and said 'just words'.
Chapter completed!