"Baglas..." Jiang Shu murmured.

If you want to say that there is any magic trick in this world that is really confusing, then this must be it.

Extremely simple process and extremely powerful effect.

The magic process without contact throughout the whole process also makes it particularly impeccable and there is no flaw.

The magician seemed to have done nothing, but the playing cards that were contactless throughout the whole process showed a terrible magic effect. The numbers and cards that the audience casually said were predicted by this deck of cards.

It seems that only this explanation is left.

But it is obvious that it will not be such a low-level method, otherwise it would not have troubled so many excellent magicians.

Perhaps, perhaps a fully automatic prop with a sufficiently sophisticated design can also perform such magic, which can automatically change suits and points, or change the order of cards without anyone discovering it.

But such props are a little too outrageous.

In fact, Jiang Shu can easily complete the Baglas effect with his derivative entries of his card skills, and even play some tricks to make Baglas shocked himself.

But does this make sense?

Obviously not.

The reason why Jiang Shu valued the effect of Baglas so much is very simple, because the actual process of this magic is simple enough and the actual effect is powerful enough.

In this way, as long as you skillfully use this magic process, you can package this process at will at your own pace, and magic related to the mind can be easily used.

Mind reading, thinking transmission, thinking control, hypnosis, prophecy, etc. It can be said that as long as it is a abilities related to the mind, he can package it and use it directly.

The most important thing is that you don’t have to worry about being cracked at all.

The other magic may be cracked, but the effect of Baglas is different. It is really... very special.

The last person closest to the original version and even surpassed Baglas, named Qian, and he is also known as the only person who cracked Baglas in fifty years. Even Baglas himself praised it at the magic show.

If such a magic effect can be cracked by the people of the Lone City, Jiang Shu can basically say goodbye to his magic career.

Baglas himself also guided a magic writer to complete a super long magic teaching about ACAAN and Baglas effects, and this book...

Jiang Shu has also seen it, but in general...

The mood is very complicated.

This book is also known as the Sunflower Book of Magic. Whether you are a master or a novice, there is no difference in front of this book because it does not use conventional magic methods at all.

In the book, the easiest method also takes one or two years to practice repeatedly to master it, because it requires a lot of boring memory training.

For example, quickly record the order of a whole deck of cards in a few seconds...

This memory ability is outrageous, but if you have prosthetic eyes, you can save time in this step.

However, Baglas himself has no right eyes, and even if he published the book, he still had a hand. The book did not mention the cleanest Baglas effect of his original version.

He probably would bring the secret to the grave.

And in books or in reality, there are some related widely circulated regulations.

For example, Baglas will not rely on forced choices to hit numbers. Generally speaking, if you make the decision to think about numbers within one to ten, the audience will most likely think of numbers such as 678, which is easy to be hit by the magician who has been prepared in advance.

For example, he will not rely on psychological hints and other methods to make the audience say common suits and points. The probability of ordinary audiences saying A of spades is relatively high, while magicians are more likely to choose Huahua Qi.

For example, he would not walk around with cards, nor would he use card control to quietly move the playing cards set by the audience to a designated position.

Poker cards are often on the table at the beginning, or outside everyone's sight, and no one has touched them.

However, when Jiang Shu was studying this book, she also found some interesting points.

As mentioned before, this book was not written by Baglas himself, but by the magic writer after he passed on the secret of magic to a magic writer.

From this point of view, these widely circulated regulations were not proposed by him, but restricted clauses with certain subjective colors.

These things are prohibited matters that are forcibly added and widely spread by people who are good at it, and should not be true.

The book also mentioned that Baglas did not inform him in advance when performing this magic, and many times the author did not even feel that this was performing the magic.

For example, while on the plane, Baglas would ask him to say a number for no reason, and then after a while, he would ask him to say a card casually. When getting off the plane, Baglas would suddenly open the suitcase that he had never touched after getting on the plane, ask him to find a deck of cards, count that number, and get the card.

There are countless magic performances like this.

This is also very common in magic performances, especially in spiritual magic. Magicians often do not tell him what he is going to do in advance, but in the end they use magic effects to tell you what he has done.

This is also a way to prevent the failure of magic, and it can also prevent the invited audience from doubting and destroying the magic process.

A quote from Baglas himself can explain: "The effect of a card is determined after the card is announced. In fact, it is a specific card that determines which effect will occur. Only through the words used can people have the verbal illusion that the effect is announced before the card is announced. This principle applies to many card magic."

In a conversation, Baglas also pointed out that there are many ways to complete ACAAN, and Baglas effect is only one of the contactless versions, and it is not suitable for the situation used. Once he finds that the magic process is going wrong, he will use other methods to complete the magic.

For example, using the table, using card control methods, such as adjusting the card order while the audience is not paying attention, etc.

If this is the case, it is still easy to understand that Baglas's fifty-year related performances have not recorded images, but are entirely recorded in words and language, which may cause memory confusion.

The human brain always believes in what it wants to happen, even if it is different from the facts.

And Baglas may be just using the only controllable variables in this magic effect - card order and accident, to control the advantages and perform this effect at the right time.

However, later a magician created his own Baglas effect and performed it three times in front of the camera, which received extremely high praise.

Obviously, the two magicians did not use the same method.

Thinking of this, Jiang Shu also listed his conjecture about the effect of Baglas on paper, based on his personal understanding.

First of all, the easiest way and the easiest way to understand.

The playing cards on the table are the order of cards prepared in advance. After the audience talks about the numbers and playing cards, the magician can immediately react to the current position of the card, and then use the cover to secretly control the cards to the designated position while everyone has not noticed.

That's right, this is actually an ACAAN disguised as a Baglas effect, and that's what Baglas did when the Baglas effect first appeared.

But at that time, he didn't know that no one saw this action, including the two magicians on the scene, he just wanted to perform a common ACAAN, which turned out to be the first performance of the Baglas effect.

The second method relies more on accidentality. The magician will not claim to perform the Baglas effect at the beginning. Once the magic orientation is found, it will use ordinary card control methods to achieve its goal.

The third method is psychological hints.

In fact, this is also a common technique used by Baglas himself. By narrowing the range of numbers through psychological hints, this can greatly increase the possibility of achieving the final effect.

This requires a lot of practical combat to achieve this, and the more practical combat, the more confident you are, the higher your success rate of this method.

The fourth method is props.

Powerful fully automatic props may also perfectly show this magic effect, but it may take a lot of effort to prove that this deck is fine.

Or, simple props are combined with exquisite usage, such as magic tricks related to the Wizard of Oz, and all the amazing effects are just the use of small props like anti-slip agents.

The fifth method is to support.

There are naturally low-level and advanced uses of tutoring, but it should be affirmed that if the magician repeatedly emphasizes that it is not a tutoring, it must not be a tutoring.

If the Baglas effect is absolutely simple and clean, there will definitely not be too many methods. However, if you need to extend the process and simulate more effects, you can do your tricks in these added processes to achieve magical effects.

Jiang Shu looked at the five options in front of him, thought for a while, and circled the words "psychological hint" and "props". The circle was very big, so he put a few more question marks.

Finally, he wrote two more words - time.

Yes, time.

When Jiang Shu thought of this, he had a certain idea.

In the absolutely simple and clean Bagras effect, there are not many factors that magicians can really control, but time is definitely the thing that is most easily overlooked by everyone.

"Pu"

Jiang Shu put down her pen and stretched.

This thought did not take too long, but deep thought was very brain-consuming, and he was desperately recalling the book "Baglas Effect" that he had read but had not carefully studied.

Now he has only tentatively set the general principles of magic performances, and the success rate and specific methods are unknown, but he still has a lot of time to think slowly and experiment carefully.

Perhaps, the Baglas effect is no different for ordinary people than those magic tricks that change cards, and is even far less visually shocking than the house of cards he once performed, but for a magician, whether it is studying it or performing it, it will be a great experience.

Jiang Shu once told Wolf that magicians are good at turning impossible into possibility.

House of Cards is to turn the impossible into possibility in the eyes of the audience, while Baglas is to turn the impossible into possibility in the eyes of the magician.

Senior magicians can best understand what the real impossible is, and only by turning this real impossible into possibility can they truly be fooled, just as Baglas did fifty years ago.

This is also one of the most interesting things in Jiang Shu’s mind.

However, no one in this world can be truly intimidated by him, which is also one of the things that makes him feel regretful.

How to say it, it feels like a loneliness that is self-admiring.

He looked at the four little ones sitting on the side watching the sumo wrestling and sighed.

It is unrealistic to expect them to appreciate it. After all, everyone is their own people, and there is nothing I understand. You don’t understand.

As for other things you might know...

fox?

Well……

Jiang Shu frowned, then thought of something, stretched out her eyebrows and sighed again.

He continued to write and draw in his notebook again. Since he needed to use props, he had to ask his props, Miss Orange's Suitable Help, even though this kind of prop is actually very simple.
To be continued...