Li Zhongxin, Wang Bo and others, led by Wang Peng and a tour guide, headed straight to the Old Street of the Archway and the Wugong Temple.

After arriving at the place, the tour guide asked Li Zhongxin and the others to get out of the car. While he walked, he told Li Zhongxin and the others about the history of the arcade.

The tour guide said to Li Zhongxin and the others in a mouthful of Mandarin with a strong Cantonese flavor: "The earliest arcade building in Haikou was built in 1849. It is located on the Sipailou Street we are walking on now. Now! We call this place Boai North Street.

According to statistics from relevant departments, Haikou's arcade-style buildings cover an area of ​​about 25,000 square meters, with more than 200 arcade-style buildings, mainly concentrated in five old streets including Boai Road, Zhongshan Road, Xinhua North Road, Deshengsha, and Jiefang Road. Among them, the most complete arcade-style buildings are retained along both sides of Zhongshan Road, about 39.??

These arcade buildings have strong European and Asian mixed characteristics, and their architectural styles are also diverse. They have strong traditional Chinese architectural styles, imitations of Western architecture, as well as architectural and decorative styles of Nanyang culture, and are obviously influenced by Indian and Arab architectural cultures.

The architectural styles of the arcade are colorful. The window lintels, columns, wall shapes, waistlines, balcony, railings, carvings, etc. of the arcade all reflect a unique charm. Especially on the relief patterns on the exterior wall, there are exquisite traditional Chinese carving arts such as birds pay homage to the phoenix, two dragons play with pearls, crabapple flowers, wintersweet flowers and other traditional Chinese carving arts.??

In this traditional model of living in old streets, many extremely interesting neighborhood spaces are left behind, such as the ancestral temple space where the open-air stage and community activity space are combined into one; the land god worship spots can be seen everywhere outdoors, and people worship them all year round; the larger indoor tea room is mostly used for the elderly to chat and spend their lonely time, and the tea room is crowded with people, commonly known as "dad tea", etc.

Due to the rich community activity space outside the residence, harmonious neighborhood relationship has been formed over the years, and every household participates in the community's characteristic "Dragon Lighting" activity during the holidays."

Li Zhongxin and his group arrived at the old arcade street in Haikou. After the tour guide's muttering explanation, they felt that it was quite good.

The most important thing is that this place is lively enough, because the Spring Festival is approaching, and a very strong festive atmosphere begins to appear here. There are people rehearsing the program on the open-air stage. Li Zhongxin and the others watched it for a while and thought it was very good.

I don’t know if the rehearsal of this place are from the theater troupe in Haikou or somewhere, but these people are doing the rehearsal of drama during the Spring Festival.

On the stage, they were acting in Qiong Opera's "Liang Shanbo and Zhu Yingtai".

Everyone should know that "Liang Zhu" is one of the four major folk love stories in ancient China, the most charming oral inheritance art and national intangible cultural heritage in China, and the only Chinese folk legend that has had a wide influence in the world.

Since the Eastern Jin Dynasty, it has been circulated among the people for more than 1,700 years. It is well-known in China and has been widely circulated. It is known as the eternal masterpiece of love.

From ancient times to the present, countless people have been infected by the tragic love between Liang Shanbo and Zhu Yingtai. The legend of Liang Zhu and the love story are real events that have indeed happened in history, supported by historical materials and cultural relics.

Qiong Opera is a popular opera genre in Guangdong, Hainan Island and other local operas. It is developed by Chao Opera and Minnan Liyuan Opera absorbing the songs and melodies of local people. It is also called Hainan Opera.

What about the Qiong Opera? It can be said that the performance form is flexible and changeable, the singing style is beautiful, the song is passionate, the joy, anger, sorrow and joy are all included in the song. It is a drama with strong local characteristics that the people of Hainan Island and overseas Chinese love very much. It is known as the four major operas in Lingnan, together with Cantonese opera, Chaozhou opera and Han opera.

Li Zhongxin had never heard of this thing before, and it felt very strange in form. Yu Bo and Yang Panpan watched it with relish. During the progress of the plot, they could see the two of them quietly wiping their tears.

I visited the Old Street of the Riding Lou for a long time. During the walk, I encountered many snacks such as coconut milk chicken, coconut milk bird's nest cup, crab porridge, shredded coconut rice cake, barley rice cake, mango rice cake, crystal shrimp dumplings and other flavors. Several people basically ate all the way, so naturally they decided not to eat lunch, but drove directly to Wugong Temple.

After arriving at the Wugong Temple, the tour guide still introduced them to the Wugong Temple while walking.

"The place we are here now is called the Wugong Temple. Why is it called the Wugong Temple? Because this place is built to commemorate the five famous historical figures who were exiled to Hainan during the Tang Dynasty and Song Dynasty, including the famous prime minister Li Deyu of the Tang Dynasty, the famous prime minister Li Gang, Li Guang, Zhao Ding, and the famous minister Hu Quan of the Song Dynasty, so it is called the Wugong Temple.

Since Su Dongpo, a great writer in the Northern Song Dynasty, was demoted to Qiong in the fourth year of Shaosheng (1097) and retained the remains of Jinsuan (now in the Wugong Temple), the Song, Yuan, Ming, Qing and Republic of China have been continuously building and rebuilt ancient monuments around it. This group of ancient monuments is commonly called the "Wugong Temple".

It includes: the first floor of Hainan (also known as Wugong Temple), Xuepu Hall, Guanjia Hall, Xizhai (Wugong Jingshu), Dongzhai, Sugong Temple, Liangfubo Temple, Dongzhai, Dongzhai, Dongzhai, Dongzhai, Dongzhai, Dongzhai, Fuzhu Pavilion, Fusuquan, Qiongyuan and the newly built Wugong Temple Exhibition Hall."

When the tour guide introduced the Five Gong Temple, Wang Bo glared at Wang Peng and asked dissatisfiedly: "Wang Peng, when you introduced me just now, you only talked about the prime minister Li of the Tang Dynasty, and those unknown people of the Song Dynasty. Why don't you talk about Su Dongpo?

I don’t know other people, but I still know Su Dongpo.”

Wang Bo's tone was not good, and he was also angry by Li Zhongxin's previous ridicule.

In Wang Bo's thoughts, the Li in the Tang Dynasty was not famous, he had never heard of them, and he had never heard of those officials from the Song Dynasty. What does this kind of thing have to do with his ignorance?

Could it be that as the general manager of Zhongxin Company, there is nothing to do to open up history, and even such unknown people need to re-recognize?

Wang Peng looked at Wang Bo in amazement, as if he was bullied by his mother-in-law. His resentment was beyond description.

Wang Peng also knew that just now, because Wang Bo said that the prime ministers here were not famous, Li Zhongxin criticized him for mentioning Li Yuanba, but that matter really had nothing to do with him! When he briefly introduced this matter to Li Zhongxin and the others, he also came to Su Gong Temple in advance! But he had not mentioned this place yet! He was interrupted by Wang Bo. Now that Wang Bo asked such an embarrassing question, Wang Peng didn't know what he should do?
Chapter completed!