Just when Cameron felt a little nervous and didn't know whether to greet Li Zhongxin, Li Zhongxin's closed eyes slowly opened.

After Li Zhongxin woke up from that memory, he turned his head politely to Cameron beside him and smiled: "Old Ka, the design of this movie is very clever! I heard that you wrote this script, is it like this? I don't understand, how did you come up with the inspiration to write this script?"

Li Zhongxin asked Cameron with interest, and held the script Cameron gave him tightly in his hand, and decided that he would continue to read after Cameron finished explaining.

Although Li Zhongxin has a certain understanding of Cameron, Li Zhongxin really doesn't believe it. Such a script was created by the old card in front of him.

"Brother Xin, you are right. This is indeed the script I made. The script you hold in your hand should be the script I have modified countless times and then formed. When the filming is started, it will basically be filmed according to this." Cameron saw Li Zhongxin's expression and knew that he was half successful. Li Zhongxin should be very interested in this matter. So Cameron said in a low voice: "The first time I went to Mecca to make a pilgrimage, I heard about this shipwreck, so several friends and I went down with special finger diving equipment and deep water photography equipment and saw the shipwreck.

There, we saw this real ship, and to this day, the ship is still there.

After I saw that ship, I had an impact in my mind. How the lifeboats were released and how the crew members commanded them seemed to be before my eyes.

Of course, I think this wreckage is not just a story or a simple drama, but a true story: a living person is dead.

If you spend a little time with the wreckage of the Titanic, you will feel a huge sadness and injustice: You think that everyone who has been there is documentary, and none of them are filmmakers. So, I had an idea to express my feelings."

When Cameron talked about this, his expression on his face looked extremely solemn.

Obviously, at this time, Cameron remembered the situation when he went to Mecca to pilgrimage. At that time, when he saw the Titanic shipwreck, his mood felt extremely heavy. Moreover, he really thought so at that time, and he wanted to express his thoughts.

"Why, you just saw the Titanic shipwreck and thought of making a movie. There was such a story. It seems that you have a big brain! Are you inspired by other movies or are you thinking that way in your heart?" After hearing Cameron's explanation, Li Zhongxin felt that he still couldn't figure out the truth. After pondering for a moment, he slowly started to ask.

After Cameron heard Li Zhongxin continue to ask him about the filming of the "Titanic" movie, a sense of pride appeared on his deep face. The decadent look that had been facing Li Zhongxin had completely disappeared at this time, regaining his confidence as a great director.

Cameron looked at Li Zhongxin, then slowly spoke to Li Zhongxin, "The American Film Company asked me if I had taken the path of a deep-sea shipwreck in 508 years, or had a certain relationship with that movie, and I directly answered them with a word.

I mainly want to reproduce the truth of history.

For me, it is not very interesting to follow the old path of "Shipwreck in Ice Sea" or to make some reversal articles about several of the historical figures.

I wanted to make it a difference, and I thought that for Gone with the Wind, its focus was not on Atlanta's skylight, and the American Civil War was just a background.

The same is true for the sinking of the "Titanic" in my heart, it can be a framework for a story.

You can see a lot of historical knowledge about "Titanic" from my script. Its original materials are faithful and credible. I will not tamper with them at will. It has become the real core of a fictional story.

Even the heroes and heroines Jack and Ruth may really be like that. The French car when Jack and Ruth were intimate was like this. This 35-horsepower old-fashioned Renault car was William E. Carter, who had $2,500 insured at the time. As far as I know, it is still lying quietly in the deep sea today.

Maybe I am entertaining myself and creating a story for fun, but in fact, I still want to wrap the solid core of history in the story and present the most real thing to the audience."

Cameron answered Li Zhongxin's question very seriously, and Cameron told him what he thought about and what he believed. Whether it was imagined out of thin air or real, it was no longer an important thing for Cameron.

"Old Ka, what about these things in the beginning? It's a flashback mode. These are actually for the rest of the classics. So, I want to ask you, what do you think about this matter?" Li Zhongxin felt that Cameron had already made such a magical preparation at the beginning. He felt very strange, so he didn't understand what kind of head Cameron had imagined such a thing.

"Brother Xin, I think this is a transition that lays the groundwork or flashback narrative you mentioned.

This kind of transition is everywhere in my movies. I personally think it is particularly important in movies. Whether it is a memory or a character, it can be turned back and forth through transitions. She is your portal to the past. Sometimes you have to spend months sitting down to think about these images. When making a movie, you must know what you are looking for. Only in this way can you shoot a movie well." Cameron explained to Li Zhongxin very seriously, and the questions he asked about Li Zhongxin! It can be said that it was a full answer.

Cameron is a very rigorous person. After the script of Titanic was completed, he made countless modifications until he was satisfied.
Chapter completed!