Yin Yifeng really had no idea about seeking help from the head office.

Yin Yifeng felt that they were publishing houses, and the problems they faced were all about publishing, so there was really no place that needed help from Zhongxin Company.

If you need help, that is, in terms of funds. Zhongxin Publishing House is doing a good job under his leadership and has abundant funds, so naturally there is no need for that aspect.

"Brother Yin, it will be the annual meeting of our Zhongxin Company in a while. I have this idea. If you have the resources here, please help the company find a calligraphy master. At the annual meeting, he will write a couplet that suits the situation. I think it is best for you to come and find such a person." After Li Zhongxin heard Yin Yifeng say that there was nothing needed to help, he smiled and said to Yin Yifeng.

This matter still has such a formed idea in Li Zhongxin's mind. Zhongxin Company has invited many celebrities and other celebrities in this annual meeting, as well as big-name stars like Arnold Swarzenegger from abroad. What is missing? What is missing is a kind of cultural connotation.

Li Zhongxin has always had a feeling that whenever he sees calligraphers appearing to perform calligraphy during the Spring Festival Gala and then keeping his masterpieces, they have a strong sense of pretentiousness no matter how you look at it. Li Zhongxin likes this tone very much. After all, he often claims to be a cultural person.

On the day of the annual meeting, calligraphers performed calligraphy masterpieces, and Li Yongguo and others sent people to perform art paintings, representing companies under Zhongxin Company. Such an atmosphere is definitely great.

"Brother Xin, you have found the right person. There is really a celebrity in the calligraphy association in the capital. I invite him over at that time, which is enough to deal with the scene you are talking about." Yin Yifeng changed his mind and started talking to Li Zhongxin.

Yin Yifeng was very concerned about Li Zhongxin's talk about finding a calligraphy master. He suddenly remembered his teacher Ruan Qiu.

When Yin Yifeng was in the capital, he once studied calligraphy and painting under Ruan Qiu. Unfortunately, after he entered the senior management of the publishing house, he spent relatively short time studying calligraphy and painting. When he arrived at Harbin City, he was even busier, so his calligraphy fell down. However, there was no problem in asking his teacher to visit Jiangcheng. More importantly, Zhongxin Company is not short of money and can also enhance the reputation of the teacher. Yin Yifeng felt that there would be no problem in winning things.

"Brother Yin, I'll give you this matter." After Li Zhongxin finished speaking, he thought for a moment and asked, "Is there any book published by the publisher in addition to our regular publishing?"

"In addition to the daily publishing accidents of our publishing house, we have also published some collections of essays by famous artists and some excellent works. These are all based on what we say. We publish books that are positive and in line with the trend of this era. For example, books by Lu Yao, Yu Hua and others." Yin Yifeng said to Li Zhongxin seriously.

On this matter, Yin Yifeng and Li Zhongxin talked many times. Li Zhongxin and Yin Yifeng said that all the matters at the publishing house were left to Yin Yifeng. As for what works Yin Yifeng wanted to publish, that was something that Yin Yifeng was considering, as long as it was something that suited the progress of this era.

The tone set by the two of them at that time was like this. Zhongxin Publishing House would not choose to publish martial arts novels or something, and books like Qiong Yao and Xu Qing were not published. Others were casual, and Zhongxin Publishing House would make some small profits in its spare time.

The books published by Yin Yifeng are basically written by famous writers such as Wang Meng, Zhang Xianliang, Lu Yao, Liu Xinwu, Jia Pingwa, Cong Weixi, Yu Hua, Su Tong, Lu Wenfu, Han Shaogong, Feng Jicai, Wang Anyi, Zhang Kangkang, and other famous writers. There is only one characteristic of these books, that is, to think about the present, look forward to the future, and let people wander in the magic of words.

"Well, it's great. As long as you don't do those garbled books, our Zhongxin Publishing House does not focus on this. In the future, publishing houses will do the Internet and things that conform to modern trends.

People like Jia Pingwa, Yu Hua and others have good books. When you take the time to send me some, I have time to read it." Li Zhongxin nodded and said to Yin Yifeng with a smile.

Li Zhongxin also knew in his heart that the period from the 1980s to the 1990s was a period of bursting out of fireworks and poetry, an open, inclusive, full of emotions, and a period of free thoughts and a period of beauty.

During this period, passion, romance, idealism became a utopia in the hearts of intellectuals and the general public.

During this period, just like the "Spring" written by Mr. Zhu Ziqing in the 1930s, looking forward to it, the east wind is coming, and the pace of spring is approaching.

Everything seemed to have just woken up, and Xinran opened her eyes. The mountains became bright and moist, the water rose, and the sun's face turned red.

Spring is like a doll that has just fallen to the ground, new from head to toe, it grows.

Spring is like a little girl, waving, smiling and walking.

This period was an era when cultural elites were the main driving force. In that era, cultural elites, as a group of people with higher education and broad vision, led many foreign philosophical thoughts, cultural thoughts, and literary writing methods. On the other hand, they also looked for writing resources that could compete with foreign countries from China's long history, and looked for a re-narrative of their own cultural history.

So there is no doubt that this period was the leading role of the cultural world, and the cultural elites were the leading role in the cultural world.

Li Zhongxin always felt that this period was a period of true literature, and he could still vaguely remember the golden sentences of that period.

Kitajima's cold "Answer": Despicable is the pass for the despicable, and noble is the epitaph of the noble. Look, in the gilded sky, the curved reflections of the dead are floating.

Shu Ting's richness, delicateness and purity "To Oak": I must be a kapok near you, standing with you as the image of a tree. The roots are tightly held on the ground, the leaves are touched in the clouds.

Gu Cheng’s Contradiction and Hope "A Generation": Darkness gives me black eyes, but I use him to find light.

Mangke's pure reality "Sky": The sun rises, the sky is bloody, like a shield. The days are exiled like prisoners, no one comes to ask me, no one forgives me.

Haizi's romance and spirituality "Facing the sea, spring flowers bloom": From tomorrow, be a happy person, feeding horses, chopping firewood, and traveling around the world; from tomorrow, care about food and vegetables, I have a house facing the sea, spring flowers bloom.
Chapter completed!