Li Zhongxin had a cordial and in-depth conversation with Li Yongguo, Wang Rui and other persons in charge of affairs at Zhongxin Animation Studio in the newly built conference room on the sixth floor behind the headquarters of Zhongxin Company.

Through the brief reports from Li Yongguo and Wang Rui, he gave sufficient recognition to the work of Zhongxin Animation Studio in recent times.

A long time ago, the creative direction of Zhongxin Animation Studio was provided by Li Zhongxin, but what! With the continuous expansion of Zhongxin Animation Studio, there are more and more talents, various good animation works and new creative ideas.

There have been more and more, and some have even emerged with better creative ideas than those mentioned by Li Zhongxin.

Li Zhongxin felt that at this time, they could develop new animations on their own without having to come up with good suggestions and plans from him.

It is for this reason that Li Zhongxin only made two requests at the small meeting at Zhongxin Animation Studio.

One! It requires leaders like Li Yongguo and Wang Rui to manage Zhongxin Animation Studio well during this period of time, and to detail the departments and the heads of each department.

Once the Zhongxin Animation Creation Base built by Zhongxin Company this year is completed, these people will move into the animation base according to the plan designed by Li Yongguo and Wang Rui a long time ago.

At that time, all departments will be re-integrated and each will perform its own responsibilities to build the animation base as quickly as possible.

Two! In terms of creation at Zhongxin Company’s animation base, domestic animations must uphold the positivity of animation works. The animation works created must not have any bad influence on children and should be allowed to be watched by children.

to the positive side.

This requirement was mentioned by Li Zhongxin a long time ago. What about animation works published in Japan? There are no specific requirements for this. Bloody, violent and pornographic things can be uploaded. In short, domestic animation and animation works published in

Anime from Japan should be treated separately.

In terms of the overall management of the animation base building, neither Li Yongguo nor Wang Rui have the intention to manage it. They feel that managing a dozen people is barely enough. If they are responsible for managing all personnel and other aspects of a building, they will definitely

It will be beyond your capabilities.

And what they want to do most is to create a classic anime that can be passed down to generations, not to manage it.

Li Zhongxin proposed that the management issues of the entire base after the Zhongxin Animation Base Building is completed should be studied after entering the building.

Li Zhongxin understands the thoughts of the two people very well. After all, they are people who like to do things down-to-earth, but they don't like administrative management very much. Instead of directing other people to do things, it is better to devote themselves to doing the things they like.

Through the ideas of two people, Li Zhongxin also came up with a management method after the completion of the animation building, that is, let Li Yongguo and others choose the managers of the building themselves, and they! Each of them will manage the existing people under them.

Specifically responsible for the research and development of a work.

This time when he went to Zhongxin Animation Studio, Li Zhongxin did not see Gosho Aoyama because Aoyama Gosho returned to Japan at this time.

According to Li Yongguo, this young man from Japan has quite good skills. Especially after being placed in the creative team of "Detective Conan" that he has been responsible for, he put forward many excellent suggestions.

Especially regarding the plot, it seems to have been picked up at the drop of a hat, and the level of excitement is not even worse than the plot of Detective Conan produced by Lee Chung-shin.

Gosho Aoyama knew many creators of Japanese cartoons when he was in Japanese university. When they learned that Gosho Aoyama was brought to Jiangcheng from Japan by Li Zhongxin to work in an animation creation studio in China, there would be a great development in the future.

With the development of animation, some of his friends have suggested that they want to go to the animation base in Jiangcheng, China to take a look. If possible, they will also choose to join Zhongxin Animation Studio.

Gosho Aoyama returns to Japan this time and plans to discuss with Eka Komura whether he can help these young people who love animation to realize their animation dreams in China.

Japanese animation is developing rapidly. It can be said that Japanese animation is at the forefront of the world at this time. There are quite a few animation studios and animation bases. These animation lovers are not taken seriously in Japan at all. Seriously

Being exploited by cartoonists who are slightly famous and squeezing their labor force.

What about this matter? Aoyama Gosho couldn't contact Li Zhongxin, but he contacted Komura Keixiang. Through Komura Kexiang, he conveyed this idea in his heart to Li Zhongxin.

Li Zhongxin has great ambitions to build an animation base, and he also wants to inject fresh blood. He feels that nothing can be done behind closed doors. The ideas and thoughts of young people who love animation in Japan, as well as the style of Japanese comics, are the best in China.

The team is extremely lacking.

Furthermore, Li Zhongxin is a well-known master-level figure in the Japanese comics industry. He will publish quite a lot of animation works in the future. He is in great need of a group of Japanese animation lovers. If possible, Zhongxin Company will

Carry out animation publishing business in Japan, and develop some animations that focus on bloody, violent and pornographic aspects.

Because he talked about Qingshan Gangchang, Li Yongguo admired Li Zhongxin's ability to recognize people. He felt that Li Zhongxin would be able to recruit suitable talents for Zhongxin Company at any time.

As for Li Zhongxin's desire to develop business in Japan in the future, Li Yongguo and Wang Rui all have reservations about this aspect. After all, they have very little understanding of the Japanese animation industry.

After discussing the future affairs of Zhongxin Animation Base with Li Yong, Wang Rui and other management personnel, Li Zhongxin did not eat at the animation studio, but returned home directly.

On the same day, the ordinary primary school life continued. However, when the third period was over, two classmates, Yu Lei and Deng Fuchun, started to quarrel. Deng Fuchun, who was usually honest and kind, actually beat Yu Lei to tears.

The life of primary school students at this time is very simple, and fights happen from time to time, but what! Usually, when primary school students fight, they have disputes with students in other classes or other grades.

Fights between classmates were quite rare. Li Zhongxin went over to find out what was going on. When he heard about it, he found out that it was Deng Fuchun's uncle who bought Deng Fuchun a very beautiful mechanical pencil from the Shanghai Stock Exchange. Yu Lei
Chapter completed!