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Chapter 35 The Newborn

When Chen Fang returned home, Qin Mohan had been working in the backyard for nearly an hour. She was taking out the information of the script she had already sorted out and re-studying it.

After really studying the script of excitement, Qin Mohan realized that she underestimated it. She used to consider it with an imaginary mentality and did not understand the character's heart deeply. After careful consideration, she realized that An Xi was so complicated inside. This made Qin Mohan excited and made her as excited as driving a Laiken supercar on the track.

What kind of person is Anxi?

Qin Mohan began to make detailed biography of her, instead of thinking that she was a literary young woman with delicate and changeable thoughts when she first saw this script last year.

I took out a blank notebook and now I wrote four words "Loneliness, fragility". It is also because of her loneliness and fragility that when she encounters problems, she fantasizes out a new personality to help herself solve problems.

She should be a child from a single-parent family. In her fantasy, Dr. Han first appeared to celebrate her sixth birthday. Then she should have a father before she was six years old and lived a very happy life. Then, due to an accident, her father left, so the role of father was no longer in her life.

Why is this a bit similar to Chen Fang? It's not right. Chen Fang is not as fragile as him. Chen Fang once advised his mother to recover from the wounds in Shanghai, and would rather be trapped in Yanjing alone. Chen Fang is stronger than her.

"Introvert, not good at speaking" is the second keyword written by Qin Mohan. An Xi should be like a little transparent in school. Her study life should not be smooth. She should be the object of teacher neglect and bullying, because she imagined Teacher Xiao, a history teacher who was not so old-fashioned, and a lawyer, helped herself defend herself and refute other people's accusations.

These three people should be the first auxiliary personality she created, so they hug each other at the back of the story and vote for who is the madman.

The other three people, reporters, public relations and taxi drivers, should be the professions she imagined after she grew up and entered society, representing courage, beauty and hard work.

...

Qin Mohan was thinking and writing on the paper. After a while, she wrote a large piece, and even Chen Fang held a cup of coffee in front of her, she didn't pay attention.

"Did Zhang Xinyi agree?"

Chen Fang saw her reaching out to move her fingers and looking at the dense texts, she knew that she was tired of writing. She pulled her right hand over, used her left hand to reverse it, and helped her move her finger joints.

"Well, I agreed. My second sister originally agreed for my sake, but after reading the script, I was attracted by this story."

Qin Mohan was not dissatisfied with Chen Fang's disturbances. He clasped his right hand and Shen Fang tightly, picked up the coffee with his left hand, sniffed it, and was particularly satisfied.

"What does loneliness feel like?" The mellow fragrance made her calm.

Qin Mohan had parents who loved her when she was young, and her classmates got along very harmoniously. When she encountered difficulties, her father Qin Jingshan would rely on her like a mountain. Although there were not many crews looking for her to film during the show, it did not prevent her from having a harmonious exchange with her teachers and classmates. Even when she entered society, she met guides like Liang Hui and guardians like Shen Fang. She could not handle the feeling of understanding loneliness from the bottom of her heart.

This is the issue of personal experience. When filming "The Road to Flowers in Heart", Wang Xianhui once told Qin Mohan: Acting is like ceremonializing Buddha, and there are three stages: seeing a mountain as a mountain, not a mountain, and seeing a mountain as a mountain.

Later, Qin Mohan specifically learned about this sentence. It was originally from the "Three Realms" by Qingyuan Xingsi, a master of Zen in the Song Dynasty. It tells about three realms, from ignorance to confusion and then to returning to nature. This requires life experience, insight into the world, sudden enlightenment, and even the ability to face the heart.

Qin Mohan is still in the second stage, and she sees that mountains are not mountains. In "Return to Twenty", she simulates the elderly and brings emotions to experience the mental journey that she has never experienced before.

But loneliness is something she never touched or wanted to touch, because it was not her thing, it was the emotion hidden in Chen Fang's heart. She once noticed his loneliness through the song "Need to accompany" written by Chen Fang, so she also used her tenderness to resolve his loneliness.

But today, she was still immersed in the hearts of the characters in the script and asked unconsciously, “What is loneliness?”

After asking, Qin Mohan felt a little distorted. He covered his mouth nervously and looked at Chen Fang, afraid of arousing the loneliness in his heart.

Chen Fang was moved by Qin Mohan's care and shook her hand. He hugged her: "It's okay, I've already walked out."

Since Chen Fang resold the old house, he has really come out. He has family, lovers and friends, and what kind of sex needs to be self-pity? Now even if Jin Luo appears in front of him, he can communicate calmly, even if he is a familiar stranger.

When I came to the piano, Chen Fang gave you Qin Mohan and said, "I'll play a piano piece for you. I started writing it since I was fourteen years old. There are three chapters in total, and it's not until now that I've really finished writing it."

Qin Mohan moved a stool and sat next to him. Although Chen Fang knew a lot of musical instruments, Qin Mohan still liked to see Chen Fang playing the piano the most. She still remembered the first time she was moved by him, when he played the song "Islamic".

There was no piano score, because the whole melody was in Shen Fang's mind. He first crossed his fingers in reverse, stretched out his hands, and moved his hands. This action made Qin Mohan couldn't help laughing. When he saw him doing this for the first time, he always thought that he was pretending.

Chen Fang rolled her eyes at Qin Mohan's smile, which made her even more coquettish. When she was about to raise her hand, Chen Fang's hands began to move on the black and white buttons. A string of light notes made her just raised hands gradually fall down.

This should be the first chapter. After continuous learning, Qin Mohan now has a deep understanding of piano music. In this light music, she heard joy, joy, and happiness, as if she was a happy child, playing and expressing her happiness in the music. Looking at the playing of the piano, Qin Mohan thought about it, maybe this was the first one, and he was so happy, carefree at that time.

But this happiness seemed to be so short. Suddenly, a crisp sound, a loudest sound appeared, a burst of rapid and intense rush. Two different musical rhythms were intertwined, and it was no longer the excitement and joy just now, but began to collide. Starting from a simple collision, it became more and more intense, and it became increasingly difficult to distinguish whether it was a noise or a sudden rush. Just as Qin Mohan held a heart and looked at Chen Fang, one of the sounds disappeared, and then the other sound disappeared.

In this collision, there was a crisp sound of temptation, which was his tentative call to the outside world, trying to maintain the balance between the sounds, but several muffled basses completely buried the crispness.

Qin Mohan found that his deep hands moved from the middle C key area to the bass area on the left, and the piano sound became more and more gentle and deep. The use of a large number of bass makes people's hearts tugged, but the emotions seemed to have become dead silent after the fierce collision. Although there were only a few simple notes, it made you feel as if you were alone and there was no sound around you. This is an indescribable loneliness, a loneliness where you talk to yourself and have no response.

You can feel the deep emotional changes from music. He is narrating a child's childhood through music. After experiencing happiness and joy, his parents start quarrel, and then their feelings break down, and finally abandon him in a lonely environment.

Before he knew it, Qin Mohan was already immersed in the music and burst into tears. This is what Chen Fang had experienced before. This is the music he started writing at the age of fourteen. In this piece, except for the brief joy, everything else is sadness and loneliness.

However, after loneliness, the sound of the piano changed. In this music, Qin Mohan was like a maze, constantly hitting walls and constantly looking for new paths. It became even more confused, as if it was constantly searching and testing, but this temptation was also cautious, and then it was confused.

This confusion lasted for a long time until a light appeared in this music. Yes, it was a light. Although Chen Fang did not believe in Catholicism, he still added a sacred music to this music score. This light dispels loneliness, and any mark left by confusion, leaving only touch and redemption. You seem to see an angel walking slowly towards you, then stretch out your hand to you, gently leading you out of the darkness and towards the light.

"What's the name of this song?" A voice came from behind Chen Fang, which was Shen Qingyi. She was leaning against the door frame, and Qin Mohan hurriedly stood up to support her.

Chen Fang, who had been immersed in the music, didn't even notice his mother's arrival. He just now had this piano piece in his mind, and he wanted to fully express it.

Chen Fang turned his head and looked at his mother and said, "I call it "New Life". I hope everyone has the opportunity to forget the past and get a new life."

Yes, it's a newborn.

Chen Fang started to write this piano piece since he was fourteen years old. At that time, his parents divorced and he was abandoned in Yanjing alone. Until the summer vacation of his junior year, he finished the first two movements. Jin Hailin once accidentally saw this piece of music and was shocked by the endless silence inside. If he allowed him to continue to immerse himself in, the child would probably go to a dead end.

So Jin Hailin forbid him from playing this song and took him to the scene, hoping that through different perceptions of the world, he could get out of this loneliness. Sensitive Shenfang felt this love from Jin Hailin, and slowly tried to get out of his heart. This was why he had the idea of ​​going around the world after graduation. Until he met Qin Mohan, he truly gained a new life.
Chapter completed!
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