Although the space of the passage is still relatively wide, compared to the space that everyone has walked along, it is much smaller. If there is really a mechanism in the passage and there are many people entering the passage, and if you die in the mechanism in the passage, you will most likely get stuck.

The ancient mechanisms were indeed extremely exquisite, but there were some things that ancient mechanisms could not do, that is, those who died of being trapped in the mechanisms could not be further dealt with.

To put it more thoroughly, it is impossible to deal with the corpse. Unlike modern technology, there are countless ways to keep the corpse of the people trapped in the mechanism alive.

The essence of ancient mechanisms was always that they could not escape mechanical movement.

From today's perspective, ancient mechanisms can be regarded as a sophisticated machine. If the machine wants to operate normally, of course, it cannot be intervened by external objects. Once an external object intervenes inside the machine, hindering the machine's operation, the machine will fail.

I have to say that this kind of ancient mechanism is very exquisite and even seems very mysterious.

But in essence, this ingenuity and mystery are actually just to cover up technical shortcomings, or technological shortcomings.

Mechanical things, whether they are machines or modern machines, besides normal parts damage, what they fear most is violent destruction and being stuck.

The three stone doors here are obviously designed underground. How to do this requires finding the transmission device located underground.

But this is not the purpose of Chen Jian's trip. The mechanism can be turned on normally, which is enough for Chen Jian and the others. There is no need to check what the underground transmission device looks like.

In addition, most of the institutions here use stone materials, which is the main reason why the institutions can still operate normally after thousands of years. It also shows that such institutions are more afraid of being stuck. In addition, Wang Fugui entered the passage after the three stone gates and searched a little distance, without any abnormalities.

Chen Jian combined these factors to judge that the passage behind the stone gate should have no mechanism at all.

Since there is no mechanism, there is only one problem left. Choose a stone gate to enter and then continue to move forward.

At this time, everyone's eyes were once again gathered on Chen Jian, waiting for Chen Jian to make a decision again. Even Wang Fugui looked at Chen Jian. He followed this time, and his responsibility was to investigate the agency and crack the agency. As for the decision-making power, it was still in the hands of Chen Jian, the leader.

"Master, do you have any suggestions?" Chen Jian looked at Xuan Mingzi and asked at this time.

Xuan Mingzi pondered for a moment and said, "Since it has been basically determined that there is no mechanism in the channel, then we will think from a different perspective, and at the same time, it is also a thinking to let things return to their essence. This is a sacrifice to the moon. From the perspective of the theories of Yin, Yang, Five Elements and Eight Trigrams, the moon belongs to Yin, and these three stone doors, as shown in numbers, are one, two, three, odd numbers are yang, and even numbers are yin. My suggestion is to go to the middle door, which is the second door!"

After a pause, Xuan Mingzi added: "The suggestion is the suggestion, but I am still skeptical of my own suggestions!"

The suggestions that Xuan Mingzi had mentioned before were reasonable and well-founded. Everyone still thought it was quite reasonable, but unexpectedly, Xuan Mingzi changed his mind and said something like this again, which made everyone confused and looked at Xuan Mingzi in confusion.

Xuan Mingzi didn't keep it a secret, smiled and continued, "I am skeptical of my suggestion because this is the ruins of the ancient times. It was a mythological era. We did not have any relevant documents and could even be said to have no knowledge of the ancient times. Yin and Yang, Five Elements, Eight Trigrams, and these knowledge have traces to follow. Although there are still debates at the source, but overall, these theories related to Yixue were developed after the ancient times. Therefore, my doubts are that I am sure that this ruin in the ancient times will be designed according to these theories, or it can be said that I am not sure what level of Yixue is at in the ancient times!"

Chen Jian nodded silently. He would ask Xuan Mingzi, in fact, this is the case. Odd numbers are yang and even numbers are yin. The object of sacrifice here is the moon. According to the theory of yin and yang, choosing the stone door in the middle is the correct choice, because whether it starts from the left or from the right, the stone door in the middle is the second, nothing more than the two stone doors on the left and right, marked with numbers, one and three will be exchanged for each other, and it will have no effect on the stone door in the middle.

However, Chen Jian never thought about what Xuan Mingzi said in the end that he was skeptical of his suggestions.

At this time, after Xuan Mingzi reminded him, Chen Jian was silent, thought carefully about Xuan Mingzi's words, and then made a decision, saying: "What the Taoist priest said is not without reason. However, since this is a ruin from the ancient times, we can also refer to the myths and legends of the ancient times. The myths and legends of Fuxi's hexagrams illustrate that the Yin, Yang, Five Elements, and Eight Trigrams may have existed in ancient times."

Fuxi's hexagram painting is a myth and legend from ancient times.

According to legend, in the ignorant era of mankind, life was difficult and difficult. At this time, a landmark great figure was born in the clan tribe upstream of the Wei River. This great figure was naturally Fuxi.

Fuxi led his tribe to work hard, but he still couldn't eat and was hungry and cold.

Fuxi was very confused and at a loss. In his spare time, he often sat cross-legged on the top of Guatai Mountain, pondering the mysteries of the universe, looking up at the changes of the sun, moon and stars, looking down at the laws of mountains, rivers and scenery, constantly reflecting on himself, chasing the year and the moon, without any obstacles.

Perhaps Fuxi's sincerity moved the world, and a wonderful environment appeared in front of him. Longma Mountain on the other side of the Wei River suddenly opened up. The dragon horse flapped its wings and flew out, leisurely down the river, falling straight to the distracted stone of the river.

The distraction stone transformed into three-dimensional Tai Chi, with yin and yang entangled and radiant, and this scene shocked Fuxi. The Tai Chi God Diagram deeply reflected into his consciousness, thus drawing the Tai Chi Bagua diagram.

Of course, myths and legends record this: In ancient times, the dragon and horse were carrying maps from the river, and the number of maps was: one and six were in the lower part, two and seven were in the upper part, three and eight were in the left part, four and nine were in the right part, and fifty were in the middle.

Fuxi followed it and drew the Eight Trigrams.

These numbers are just numbers represented by the Eight Trigrams. There is another saying, "Fuxi's painting opens the world with one stroke. He believes that the painting drawn by Fuxi is the birth of symbols, and symbols are the predecessors of words, so he also believes that Fuxi and Pangu are the same person.
Chapter completed!