This is impossible!

In the first few minutes, the atmosphere of the film critics' screening changed. Ropey, Bourne, Pug, Dages and others all had surprise and excitement on their faces. Every more minute, the excitement was more heavy.

The quality of this movie seems to be...exceeding high!

All aspects are too high!

In the bright and interesting way, the situation of the Hoovers has been initially explained on the screen. The actors have constructed characters. Hanks is no longer Hanks but Richard, Roberts is no longer Roberts but Cheryl, and other actors are like this. The more they are screened, the more amazing they are.

"Have Stan Grossman called?" Richard hurried into the kitchen. Cheryl was preparing dinner. The two of them were talking about their own affairs, suppressing a sense of anxiety. Cheryl called Dewyen to help out. Richard checked the message machine. Cindy's excited chirping sounded. He shouted disappointedly, turned off his annoyance, and cursed in a low voice: "Damn it."

Richard called Stan to ask about the progress of publishing his success rules, but could not contact the other party himself. Cheryl, who came back, asked what was going on? Richard said even more annoyed and helplessly: "You should stop worrying about this matter, okay?" Cheryl was too lazy to care about him and continued to make salads.

The two of them performed awesomely! The expressions in the eyes of film critics have become different. Hanks and Roberts’ first screen partner is also surprisingly good!

Because they performed the soul, but for this moment, they have created the worries and fatigue of their respective characters. Together, they are a cold couple who seem to be on the verge of breaking, but her concern for him, his pressure for her care, and their concern for the family can be seen.

This effect comes from many aspects, the script is well written, the director is well filmed, and the actor is well performed.

This surprised Ropey very much. The critics have always had a big doubt about LMS. Is it a whole lot of stars? Can this kid director Ye Wei touch those celebrities and superstars? Or just let them perform in their true colors?

Ropey and his show partner Roger Albert made a private bet, and Albert bets, but he felt that it was not possible...

Now, at the beginning of the video, the answer has appeared.

Oliver, Richard, Deewyne, Grandpa, Cheryl, Frank, and all six characters were vividly displayed in the scene, and then continued to deepen, forming a strange family with a surge of crisis.

Bryslin, Hanks, Dano, Akin, Roberts, and Rose, no matter adults and children, under Ye Wei's director, they perform at a peak level, and have nothing to do with their true performances. They either seem to be bursting or give people a refreshing feeling, and they are involved in the show!

"I lost." Ropey said intently, glanced at Albert next to him. Albert's old face was showing a playful smile, and Ropey thought to himself: "Yes, I lost well."

There will be a chuckle in the LMS screenings of 3116 cinemas from time to time. The audience was very happy to watch. Many people were Hanks fans, and many were Roberts fans. They were not disappointed at this time. It looked so good! Ye Wei’s fans and fans were not disappointed. Until now, they only had one word, good-looking!

At the premiere of the Chinese Theater, Emma laughed loudly, diluting her depression. She knew that the first episode of her aunt and Hanks' first scene was called by him. Look at her aunt's laugh now, I'll say, joining this project is definitely right! That guy is a genius!

At the same time, Hanks was also laughing, very satisfied with his performance. Rita and others also said that they had a breakthrough after watching it. He rejuvenated a new vitality in Weige's movie.

Stage plays are actors and movies are directors. In movies, there is never such thing as "actors act well just because they act well". The role of directors is the greatest.

It is not just directing the show on the set, but the impression presented by the entire movie is in the hands of the director.

From analyzing the script to preparing and designing, scene scheduling, and post-production in all aspects, it can be said that Ye Wei was depicted and built by him. Others are executing it and creating it in the blueprint he gave.

In Clautia Pug's view, the lms's impression is great, a freehand fineness and a simple and gorgeousness. Ye Wei is really unambiguous! Maybe ordinary audiences just look at it in an ordinary frame, but in fact they are full of attention.

This excites the film critics, which surprises the experts, and makes all the audience feel so comfortable to watch.

The more people know the goods, the more pleasing the eye. They can’t bear to miss a frame. They are so handsome!

Steven Soderbergh was shocked when he looked at the DVD; George Lucas was also stunned.

This e!

If he knew Soderbergh from "Eleven Arhats", he probably didn't think he had anything to do with literature and art, but if he had watched "Never Compromise", he would never think so. If he knew Lucas from "Star Wars" series, he might think he knew nothing but science fiction, but if he had watched "American Style Painting", he would never think so.

"A teenage director can have such control, overall view, aesthetics and scheduling..." Soderbergh was really convinced. How old was he when he filmed "Sex, Lies and Video Tapes"? He was 25 years old? He hadn't filmed so well yet.

Look at the prop settings, art design, clothing and makeup techniques! Each scene is eye-catching, like the videos Oliver watched to praise the ladies for their exaggerated performance, like the spider webs and wall stickers in the bathroom, like the Polaroid photo on the kitchen refrigerator...

Like slightly rough and hard warm tones, like Oliver's clothes, they are matched with multiple colors, showing the liveliness of children, Frank and Deewine are almost all white, showing their dullness and morbidity, grandpa is the dark color of the elderly but has an unfair hippie style, Richard pretends to be a top successful person, Cheryl is flawless to dress up haggard...

Although these are due to the art and styling departments, they cannot do this without the director acting as the chief commander, making good explanations, making demands, and making decisions.

This is not scattered, it is unified, performance, art, styling, photography, soundtrack... pieces of puzzles form the impression.

Does Ye Weiyou work as a director? Those who understand movies know that it doesn’t need to say much. All of these are proof that he has achieved the ultimate. It’s like a giant Christmas tree full of gifts, one gift after another is taken apart, but there are still one!

Soderbergh was very moved. Every time he got one, he was excited. This movie was so good.

Ye Wei’s aesthetics and Ye Wei’s artistic feelings are really good.

"Why don't you talk? You can talk, but choose not to say?"

The Chinese Theater chuckled again. On the big screen, Deewyne stood at the door of his room and gestured to ask Frank to have dinner. Frank, who was sitting by the bed in the room, asked without any expression. Deewyne still looked cold and arrogant, and used his eyes to signal the avatar of Nietzsche hanging on the wall over the other side of the wall.

Frank turned to look, "Is that Nietzsche? You don't speak because of Nietzsche?" Dewyne nodded and turned away. Frank thought, "It's radical enough."

"Haha!" The audience in the screening room laughed even louder, because the Nietzsche portrait was painted crookedly and ugly, which made people want to laugh at first glance.

Ye Wei’s requirement is that he draws ugly, and the prop setting is the details of the script, as well as the “Says of Zarathustra” that Di Wynn read before.

Like Ye Wei said that he could not express his feelings, Michael Arnette was the same. Seeing that the script that was modified and revised was finally released on the screen! His mood was indescribable, he suddenly wanted to cry.

Here Nietzsche mainly represents the philosophy of superhuman. Deewine does not speak, but is actually a contempt for others and a pursuit of self-evolution. Superhuman is arrogant and the one who can tolerate the most pain and torture, and of course he does not talk to these mortals.

Many ordinary audiences understand Nietzsche's meaning, at least the most superficial madness.

In fact, a lot of obvious information was actively received by ordinary audiences because the superficial meaning was easy to understand. For example, DiWine's room only looked like the only airplane and Nietzsche, and there were even several comics by Nietzsche's bedside where he was flying the plane, which showed his love for airplanes.

Sure enough, in the dining room, Dewyne and Frank sat and waited for the others to take their seats and started chatting. Dewyne wrote "I hate everyone", highlighting his rebellious heart. Cheryl and Richard took their seats, and during the conversation she revealed that her son "he planned to apply for the Air Force Academy to become a pilot. He vowed not to speak before achieving his goal."

Oliver took his seat, chatted for a few words, and then grandpa.

"What is that? Chicken!? Chicken again! These damn chickens are every day!? The Holy Lord."

The strange silence of the crowd, Richard's helpless call, could not stop his grandfather standing by the dining table, shouting dissatisfiedly: "Can we eat something else for dinner? Instead of chickens? Did the chicken offend us? Do you know that there are many other delicious animals in the world? For God's sake."

The audience laughed again in the theater, and grandpa’s first amazing sentence!

Clautia Pug couldn't help but admire that if there was a floating scoreboard, lms was playing 100 points until now.

As a film critic, when facing the public, the greater consideration is how the story is and how the story is told. The screen is now perfect, and such an interesting and charming literary story! From the perspective of the public, there is no deep and dullness, full of comedy; from the perspective of the film critic, there is no vulgarity and full of independence of commercial films.

Peter Heller has long admired Ye Wei. If you only read the script, it is not difficult to understand why the focus did not dare to cast the film. This scene No. 18 alone can be called lengthy, and it will be unbearable if you don’t shoot well. But Viy is so amazing!

"If this continues, what is the limit of this kid?" George Lucas was amazed. Ye Wei showed great progress in every movie.

From the youthfulness, talent, and the energy of "The Marriage is Coming", to the calmness of "Exorcist Video", singing terrifying poems with ease, and then to "The Little Beauty of Sunshine", Ye Wei magically has the calmness of the veteran, and the newcomer's sharpness is revealed, and there is no lack of passion.

Ye Wei was seizing every opportunity to show himself, not a rule, be careful, telling stories casually, or a wild horse that was so talented that it was urgently needed to burst out. From the opening, he could not count so many shots evaporate his magic, which made people feel like "he actually shot like this".

He turned those ordinary scenes, kitchens, bedrooms, dining rooms, etc. into a big stage with scene scheduling and editing.

Not that no other director can do this, just like using door frames to suppress, using two people to lean on the side of the door to indicate barriers and distances. This is basic and top-notch.

The difference lies in how to use it, whether it is just right or redundant. Ye Wei is expressing himself, but not expressing himself randomly. He is neither afraid to use directorial techniques nor greedy to display. Everything is just right! If you don’t pay special attention, you won’t feel that you have a particularly heavy sense of directorship. It’s very natural, right there!

Any director knows that it is difficult to handle such a static group scene on the screen now. The longer the scene, the more difficult it is. It is like this for newcomers and veterans. It is very easy to make a stagnant pool of water and only the characters are reading the script.

Ye Wei shot the scene alive, from two scenes to four, five, and six. He kept the scene alive and interesting. Not only was it not boring, but he could not even notice the passage of time.

Another exquisite technique, I don’t know if it’s the script or the director’s credit, a fly.

"Haha." Lucas smiled interestingly. "Wonderful." Soderberg praised it. "But he did the best." Hanks, who also knew the director, praised it.

The unbiased directors all lit up their eyes because of the ugly fly! When the scene started to feel a little monotonous, the little fly appeared, which injected new dynamic vitality into the scene and made the characters' personalities and ideas appear again.

On the screen, Richard almost slapped it to death, but Oliver stopped her, and her smile in the close-up melted the heart, "I think it's just hungry." Cheryl laughed a little, Deewine continued to ignore it, and Frank nodded as if it made sense.

"In our war era, flies also ate." Grandpa talked lightly.

In this way, the fly survived and became the relay of the scene, flying away after several shots.

For ordinary audiences who laughed all the time, they didn't think so much. They just felt that their family was shouting and shouting very much. These people acted so well! The little girl was sweet, the old man was funny, the teenage monster... all six were super awesome.

The smiling faces of the film critics obviously agreed with this. The starring actors' stunning performances broke out for the first time in the group scene of dinner!
Chapter completed!