But the action is not the focus, the focus is still the psychological pressure shown by her words and deeds.

It is true that in making such a drama, the pressure is also a great contribution to the actor's own acting skills, the oppression brought by the claustrophobic and dark environment. But Xia Siyu's acting skills do make people feel this all-round sense of control.

The murderer she played was different from others. The crimes must be arranged beautifully and have a sense of ritual. Even if she is chased by the other party, she will decorate the environment artistically.

Even if she is ready to die, she will design it in advance. Not only will she not make herself look embarrassed, but she will also let the heroine and the hero enter the trap she designed, and even if she dies, she will drag two people to the back. Moreover, as a prisoner with high IQ, she has noticed the character weakness of the hero and the heroine in the morning and used it. It seems that she has been exposed and was found by the heroine. It is better to say that she designed it so that the prey can be trapped in one go.

He is extremely arrogant, but calm and crazy. In the words of the play, it is "criminal aesthetics".

This powerful mental power was indeed passed on to Shang Feier. During the filming process, Shang Feier also acted according to the script and the position she had just discussed. But as she acted, she seemed to have become the protagonist in the play. The old building like a maze, the murderer who would come out of nowhere, and the hero was trapped where he wanted to rescue him. Not only was the environment suppressing, but the most important thing was the fear of the unknown.

This kind of unknown was performed at the beginning, but as he performed it, he seemed to have really entered the world woven by Xia Siyu. That kind of spiritual control and oppression is more scary than physical and environmental depression.

Not only Shang Fei'er, but Bo Yan also felt it while shooting.

He was stunned by Xia Siyu at the beginning in the play. He was already tied up when he woke up and guessed the identity of the prisoner. But even so, it would be difficult for him to escape. When the heroine approached them, he was also ready to escape.

But the action is not the focus, the focus is still the psychological pressure shown by her words and deeds.

It is true that in making such a drama, the pressure is also a great contribution to the actor's own acting skills, the oppression brought by the claustrophobic and dark environment. But Xia Siyu's acting skills do make people feel this all-round sense of control.

The murderer she played was different from others. The crimes must be arranged beautifully and have a sense of ritual. Even if she is chased by the other party, she will decorate the environment artistically.

Even if she is ready to die, she will design it in advance. Not only will she not make herself look embarrassed, but she will also let the heroine and the hero enter the trap she designed, and even if she dies, she will drag two people to the back. Moreover, as a prisoner with high IQ, she has noticed the character weakness of the hero and the heroine in the morning and used it. It seems that she has been exposed and was found by the heroine. It is better to say that she designed it so that the prey can be trapped in one go.

He is extremely arrogant, but calm and crazy. In the words of the play, it is "criminal aesthetics".

This powerful mental power was indeed passed on to Shang Feier. During the filming process, Shang Feier also acted according to the script and the position she had just discussed. But as she acted, she seemed to have become the protagonist in the play. The old building like a maze, the murderer who would come out of nowhere, and the hero was trapped where he wanted to rescue him. Not only was the environment suppressing, but the most important thing was the fear of the unknown.

This kind of unknown was performed at the beginning, but as he performed it, he seemed to have really entered the world woven by Xia Siyu. That kind of spiritual control and oppression is more scary than physical and environmental depression.

Not only Shang Fei'er, but Bo Yan also felt it while shooting.

He was stunned by Xia Siyu at the beginning in the play. He was already tied up when he woke up and guessed the identity of the prisoner. But even so, it would be difficult for him to escape. When the heroine approached them, he was also ready to escape. But the action was not the point, but the focus was still the psychological pressure shown by her words and deeds.

It is true that in making such a drama, the pressure is also a great contribution to the actor's own acting skills, the oppression brought by the claustrophobic and dark environment. But Xia Siyu's acting skills do make people feel this all-round sense of control.

The murderer she played was different from others. The crimes must be arranged beautifully and have a sense of ritual. Even if she is chased by the other party, she will decorate the environment artistically.

Even if she is ready to die, she will design it in advance. Not only will she not make herself look embarrassed, but she will also let the heroine and the hero enter the trap she designed, and even if she dies, she will drag two people to the back. Moreover, as a prisoner with high IQ, she has noticed the character weakness of the hero and the heroine in the morning and used it. It seems that she has been exposed and was found by the heroine. It is better to say that she designed it so that the prey can be trapped in one go.

He is extremely arrogant, but calm and crazy. In the words of the play, it is "criminal aesthetics".

This powerful mental power was indeed passed on to Shang Feier. During the filming process, Shang Feier also acted according to the script and the position she had just discussed. But as she acted, she seemed to have become the protagonist in the play. The old building like a maze, the murderer who would come out of nowhere, and the hero was trapped where he wanted to rescue him. Not only was the environment suppressing, but the most important thing was the fear of the unknown.

This kind of unknown was performed at the beginning, but as he performed it, he seemed to have really entered the world woven by Xia Siyu. That kind of spiritual control and oppression is more scary than physical and environmental depression.

Not only Shang Fei'er, but Bo Yan also felt it while shooting.

He was stunned by Xia Siyu at the beginning in the play. When he woke up, he was already tied up and guessed the identity of the prisoner. But even so, it would be difficult for him to escape. When the heroine approached them, he was also ready to escape. Not only Shang Fei'er, but Bo Yan also felt it during the filming.

He was stunned by Xia Siyu at the beginning in the play. He was already tied up when he woke up and guessed the identity of the prisoner. But even so, it would be difficult for him to escape. When the heroine approached them, he was also ready to escape.

(End of this chapter)
Chapter completed!