Chapter three hundred and eighty first through the scenery
It was a "Child Peeping at the Play" with a three-dimensional effect. From that angle, the stage on the bottle, the glazed eaves, the lawn inside the wall, the rockery, the waterside pavilion, the characters such as Hua Dan, Xiao Sheng, Tsing Yi, Hua Mian, Table
Chairs, musicians; the swamp at the bottom of the bottle, the squid, the swimming fish, the bamboo, stone and flower trees outside the wall near the bottleneck at the back, the big trees, the distant mountains, the plantains, the peeping children, and the swallows in the sky all suddenly became
It became three-dimensional.
"Twist the bottle." The fourth cousin stared directly at the prize bottle: "This trick becomes..."
Zhou Zhi turned the bottle gently, and the fourth aunt suddenly grabbed the fourth cousin's arm: "This is... a panoramic view! No, it is a hundred times more magical than the panoramic view in the painting!"
"It is indeed a sweeping technique." The fourth cousin nodded: "But the changes in the amplitude of the vase are also cleverly used, which is a hundred times more complicated than the sweeping technique of painting on a flat surface, so the three-dimensional effect created is magical.
A hundred times better, it’s truly a work of art!”
"Auntie, what is Tongjing?"
"Elbow, please put your things down first and be careful." said the fourth aunt.
"oh."
"This panoramic view is actually a Western perspective technique." The fourth cousin said: "Such paintings can be found in the Old Summer Palace, Jingshengzhai and Juanqinzhai in the Forbidden City."
"However, the panoramic paintings of the Old Summer Palace and Jingshengzhai have been destroyed, and now only the Juanqinzhai is still preserved."
"The panoramic painting there depicts the entire ceiling as a wisteria frame, which is covered with wisterias and blooming with blue-purple flowers. Through the wisteria frame and branches, flowers and leaves, the blue sky can be seen from the gap.
."
"All of this is painted. The shape of the wisteria flowers is different according to the perspective of distance. If the viewer stands at a certain point in front of the stage, and only from this point, looks up to the ceiling, he will find the flowers on the wisteria stand.
A flower hangs just above your head, in perspective."
"With this flower as the center, gradually moving away from the surroundings, the flower gradually becomes tilted. The further away from the central flower, the greater the tilt of the flower's shape. The farthest flower is almost lying flat.
The way it looks.”
"But when you stand at this point and look toward the stage, you will find that the scene has changed. The flowers on the wisteria trellis have magically turned into drooping shapes."
"The painter uses this superb expression technique to create a wonderful three-dimensional optical illusion. This technique is called 'throughout view'."
"In other words, the art of panoramic view is to use Western perspective techniques to transform the picture on the plane at a specific observation point, through clever painting techniques and the viewer's visual illusion, so that the picture can create a three-dimensional
Visual effect?"
"Well, that's what it means." The fourth cousin agreed with Zhou Zhi's explanation: "How did you discover this mechanism?"
"Hi!" Zhou Zhi said with a smile: "The bottle was placed on a low table like this at that time. We squatted there to study it. Because the painting method of this bottle was really weird, we finally determined that it should be a replica of a folk kiln from the later dynasty.
Or maybe it was a defective product that was not destroyed in the official kiln, until I got up a little slower and discovered the secret."
"You are so lucky." The fourth aunt said with a smile: "Then the word "Tongjing" should be added to this vase - the boy from the Qianlong official kiln peeked into the double lion's ears and the five-color "Tongjing vase".
In fact, after Zhou Zhi discovered the secret of this porcelain vase, he had already determined that it was from the Qianlong official kiln. And it is conceivable that the craftsmanship of this thing is too difficult, so it is known as the "Mother of Porcelain", and the official name should be called
The "large porcelain vases with various glazed colors", like the large Qianlong vase, have become orphans.
Now that he has received the approval from his fourth aunt and uncle, Zhou Zhi is of course even happier.
"How much did you spend on the elbow?"
"Four hundred, I bought it as a defective imitation of the Qianlong Emperor. It's a cabbage price."
"It's really cheap." The fourth cousin couldn't help but twitch the corner of his mouth and muttered: "Anyone who buys this thing will have a hard time. Who knew that during the Qianlong period, Tang Ying also applied the landscape technique to porcelain..."
"What about this one?" Fourth Aunt picked up the brother-glazed fish basket and asked, "Do you have any questions about this?"
"Here," Zhou Zhi pushed a few things nearby to his fourth aunt: "This is the seller and these items - a tiger pen holder with bronze and silver backing, a dustpan, brick and inkstone, a seal carved from the teeth of the longevity star, and a blue and white
Lotus leaf pen licking - it is given to me as a set of study rooms, one thousand and fifty."
"Why was it picked out alone?" the fourth aunt asked with a smile.
"Because this thing is just like that porcelain vase, weird."
"What's weird?"
"Judging from the bottom of the tire, the traces of nails, the purple iron feet, the gold wire, and the finely cut pieces of different thicknesses, this should be a fine product from the Ge Kiln of the Southern Song Dynasty."
"But there is another big question, which is the shape of the device."
"According to Mr. Liu Sanye, the styles of the ritual vessels handed down from Ge Kiln are all in the shape of ritual vessels, and the shape of this porcelain is similar to the fish basket statue from the Ming and Qing Dynasties. It does not match the shape of the handed down Ge Kiln, so it is designated as a Ming imitation. Therefore,
It can no longer be called Ge Kiln, it can only be called 'Ge Glaze'."
The fourth aunt turned the porcelain over and carefully identified it, and said: "Volume 6 of "JDZ Ceramics Record" of Lanpu in the Qing Dynasty, "Research on the Antique Kiln in the Town" records that the Ge Kiln was fired in the Song Dynasty, and the original Longquan Liutian Kiln was from Chuzhou with the surname Zhang.
The brothers divided the building, and each brother gave birth to a child. At that time, the other pottery was built by the elder brother, and it was called Ge Kiln."
"Ge kiln porcelain has fine purple veins and a thin texture. It has purple iron feet and many broken lines and cracks like fish roe. The glaze color varies, but there are only two types, beige and pink and green. The pure glaze is more expensive."
""Si Kao" says: In the ancient Ge kiln, the hidden patterns in the texture are like turtle beetles; in the ancient Guan kiln, the hidden texture in the texture is like crab claws; the broken texture is broken into small and large pieces."
"Ge kiln and Guan kiln both source soil from the same place. Therefore, it is said in history that 'those with good color are like officials, also known as Baji broken'. They can only be identified through hidden patterns and juice glaze, which is slightly inferior to Guan kiln."
"Therefore, the record about the Ge Kiln in "Nanyao Notes" is: 'The Ge Kiln is the Zhang Kiln. After leaving Hangzhou Daguan, the brothers surnamed Zhang, who were also from Chuzhou, made pottery and stole it in Xiunei Temple.'"
"Because Xiuneisi was the place where official kiln porcelain was made in the Song Dynasty, the article said that the Ge kiln was actually secretly made for the two brothers in the official kiln, so the glaze color is just like the official kiln. But the grains are rough and hard, and the hidden
The ink paint creates a unique glaze color, which is also thick and has several colors including pink-green, moon-white, and pale tooth."
"The article also records: There are also dark beige ones that are called brother kilns, which are not worthy of preciousness."
"It seems that after the brothers learned the craftsmanship in the official kilns, they came out to produce a large number of fine porcelains that were almost comparable to the official kilns, and became what later generations recognized as fine porcelain of the Song Dynasty."
"Maybe it didn't come out at all and became a public-private partnership." The fourth cousin said: "Because the kiln site of Ge Kiln has not been found yet, maybe the two brothers have been using the official kiln for firing."
"Anyway." Zhou Zhi nodded: "Except for the shape of the porcelain, all the other characteristics are completely consistent with the Ge Kiln, so I think Liu Sanye's conclusion is too arbitrary."
The fourth aunt smiled at her fourth cousin and said, "Mr. Liu Sanye in the elbow mouth must also be a connoisseur in the capital of Shu. Unfortunately, he has seen too many good things, so he classified unfamiliar objects with slight deviations."
It’s on the level of imitations.”
The fourth cousin took the fish basket master and rubbed it twice: "Don't dare to doubt your own knowledge system, don't dare to break through your self-perception, this is called a barrier of knowledge and vision."
Chapter completed!