It's also "Chou Bi Yi", but except for the neck couplet, this song is almost well-known to every household, and the rest of it is not so well known.

The author of this poem is Luo Yin, originally named Luo Heng. He became famous for his talents at a young age and was also a famous poet in the Tang Dynasty.

It's a pity that after participating in more than ten Jinshi examinations, all of them failed, which is known as "Ten No Places" in history.

So he changed his name to Luo Yin and lived in seclusion in Jiuhua Mountain. Later, he took refuge with Qian Liu, King of Wuyue, and served successively as the magistrate of Qiantang, Doctor Xunzhong, and a middle-ranking official in Geshi, so he was known as Luo Geshi.

One of his most famous poems should be "Giving Yunying to the Prostitute".

Zhong Ling had been drunk for more than ten springs and saw Yunying's upper body again.

I haven't become famous yet and I haven't married yet, so I may be inferior to others.

It should be said that Luo Yin's "Choubiyi" and Li Shangyin's "Choubiyi" have similar artistic conceptions.

Luo Yin's dissatisfaction is also similar to Shi Yannian's dissatisfaction.

But after all, Zhou Zhi still lacks that kind of mental tempering. Although it is substituted into the poetry, it is not as sad, angry and sorrowful.

Although there are some difficult meanings in the writing, it is mostly mixed with the calmness of God's perspective.

Even so, after Zhou Zhi finished recording a poem, he was already convinced that his calligraphy progress had broken through before and reached a higher level.

This is a bit like Zhang Zhi watching the princess and the woodcutter fighting over the road, and Wang Xizhi watching the goose.

In the past, Zhou Zhi thought that even if it was helpful to learn by analogy in art, it would not be enough to make rapid progress once he understood something. The allusions were mostly based on conjecture, and the story was stronger than the truth.

But unexpectedly it turned out to be true.

So I bowed respectfully to the calligraphers on the wall, then my stomach growled, and I remembered that I hadn't eaten dinner yet.

Fortunately, he is also familiar with Fourth Uncle's house, and there is something particularly fragrant in Fourth Uncle's place.

That's fried noodles made by a master from Kanshan.

Fried noodles are fried with flour, soy flour, sesame powder, walnut powder, peanut powder, as well as several Chinese medicinal materials such as chicken gizzard, atractylodes, hawthorn, etc., as well as animal fat, white sugar and salt.

become.

Bring this with you when you go hunting in the mountains. It has high calories, makes you full easily, and won't cause constipation when you're hungry. It's very convenient to carry and eat. You can eat it dry, or you can add water to adjust it to form a lake.

For Zhou Zhi, none of the above are advantages. The biggest advantage of fried noodles is that they are delicious.

After making a large bowl of fried noodles and eating it, Zhou Zhi found that he was a little too excited.

There is also a refreshing thing in my fourth cousin's fried noodles - tea powder.

Since I couldn't sleep, I just continued working. The next task was simple, which was to apply alum water to the calligraphy works on the wooden wall.

The function of alum water is to fix the color, and it is used to polish the new paper for repair. Firstly, it protects the work, and secondly, it lays the foundation for the next repair a hundred years later.

After finishing the processing, Zhou Zhi took off the wet towels on the table one by one and started to continue the unfinished work of the fourth aunt.

"Sitting on a Dragon" was also painted on paper by Chengxintang. All that needs to be done now is to use the pad of your middle finger to push the water-soaked center of the painting to make the cracks connect seamlessly.

After that, I took the homogeneous Chengxintang paper that my fourth aunt had already processed and colored, cut out thin strips to cover the broken parts of the painting, and then used a brush dipped in slurry lake water to smooth the paper strips little by little.

This operation is detailed, repetitive, and requires concentration. It is actually quite a labor-intensive job.

After Zhou Zhi put various patches on the scrolls, the sky began to light up slightly.

The fourth cousin got up and went to the study. When he saw Zhou Zhi just finishing posting the last note, he couldn't help but shook his head slightly: "Young people can endure it."

"I'm going to make breakfast. Omelette noodles, okay?"

"Okay, use Erhua oil and put some shredded ginger on it." The fourth cousin was a little picky about eating: "I'll do some work first."

Fourth Cousin's Kung Fu is a southern style of boxing, with very few leg movements and mostly reactions from the body.

One peculiar thing is that with some stretching movements, the joints, including the vertebrae, will make a communicative clicking sound, which is quite strange to hear.

My fourth cousin kept secret about this Kung Fu. Zhou Zhi once thought about learning it when he was a child, but his fourth cousin just smiled and touched his head and said that there were many ways to keep fit and there was no need to learn this.

One punch lasted about fifteen minutes. By the time the beating was over, Zhou Zhi had already taken his fourth aunt out from the inner room and finished washing herself.

Next, the three of them started to have breakfast. During the meal, the fourth cousin asked Zhou Zhi: "Did you have any experience with Luo Yin's "Caibiyi" last night?"

"There are some, mainly in the rhythm and adjustment of attack, but also some skills, and the confidence to control the skills."

"Well, eat quickly. After you eat, we can try it with a pen."

"Grab the pen?" Zhou Zhi rarely writes in big characters because he feels he doesn't have enough control.

"Yes, if there is a real entry, it will be most obvious in the large characters." The fourth aunt is also an expert. She only gave up calligraphy after she suffered from physical inconvenience, but in fact she is also an absolute expert.

"good."

After dinner, the three of them came to the study. The fourth aunt looked at the restored Dharma calligraphy on the wooden wall and couldn't help but marvel: "Shi Yannian's wonderful writing in this volume, "Han Shi Chou" should also be put aside."

"Han Shi Tie" is a famous work by Su Shi. It is known as "the third best running script in the world" and is admired by literati of all ages. It is also an heirloom treasure for collectors.

There are also seals and inscriptions collected by many famous people, and the time span spans from the Song Dynasty to modern times, causing the "Han Shi Tie" to become longer and longer.

Among all the inscriptions and postscripts, the most important one is that of Su Dongpo's contemporary, Huang Tingjian.

He once wrote next to "Han Shi Post":

"Dongpo's poem is similar to that of Li Taibai, but he is afraid that Taibai may not be everywhere. This book combines the writing style of Yan Lugong, Yang Shaoshi, and Li Xitai. If Dongpo reproduces it, it may not be as good as this.

If he sees this book in Dongpo, he will laugh at me for saying "I am honored in a place where there is no Buddha".

Therefore, "Han Shi Tie" should actually be regarded as a collection of works by the two great calligraphers of the Song Dynasty, Su Shi and Su Menliangou. Huang Tingjian's calligraphy achievements are comparable to Su Shi's.

The fourth aunt's evaluation of Shi Yannian was extremely high, thinking that his calligraphy was even better than that of Su Dongpo.

At that time, Shi Yannian was actually Su Dongpo's predecessor, and Ouyang Xiu, who wrote some postscripts for Shi Yannian, could actually be regarded as Su Dongpo's mentor.

Moreover, Su Dongpo has always regarded himself as the successor of Ouyang Xiu, and praised Ouyang Xiu as the first generation of the literary patriarch. He said that he was the second generation of the patriarch of the literary world, and even said anxiously: "You third generation, don't pull your hips, and hurry up, otherwise I will

I don’t even know who passed the throne to..."

To be fair, Zhou Zhi also believed that Shi Yannian's calligraphy was better than Su Shi's. Ouyang Xiu and other great literati of Ouyang Xiu's generation, such as Mei Yaochen, highly praised Shi Yannian's calligraphy, but these elders also highly praised Su Dongpo's articles.

, but I haven’t commented much on his calligraphy.

The people who admire Su Dongpo's calligraphy are not these predecessors, but Su Dongpo's admirers of his generation and his descendants.

"It's so tragic that "Han Shi Tie" will be ranked fourth in running script in the world." Zhou Zhi laughed and said: "The helpers are not good enough. Only Huang Tingjian is outstanding, but he can't beat Ouyang Xiu, Su Mai, Yue Ke, Cai Jing, Zhao Ji and Ouyang Xuan.

"

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