Author: Erzi Congzhou

Wenwanxingguan called calligraphy and painting "soft pieces" and porcelain paintings "hard pieces".

And it’s funny, experts who study calligraphy and painting often look down on experts who study porcelain, that is to say, those who work with soft films look down upon those who work with hard films.

In fact, the two are in the same vein. The "hard films" of the same period will definitely be affected by the "soft films" of the time. In other words, the painting methods and popular themes of literati paintings in a certain period,

Popular fonts and the structure of the strokes will inevitably be reflected in porcelain paintings.

Therefore, this traditional prejudice is not unreasonable. People who have studied soft films well will soon study hard films, just like practitioners who are armed with theory and can quickly become proficient.

Suihuaxuan is a large place, and the warehouse security and storage conditions are relatively good. Zhou Zhi brought things that were easy to carry this time.

In just two years, Zhou Zhi has collected a lot of good things. No wonder my mother complained that she had too many things.

Just for the films, Zhou's current collection is very impressive.

Five Dynasties and Song Dynasty:

Paintings by Ma Bi, Ma Yuan and Ma Lin, "Siyuan Picture" inscribed by Huizong, Ningzong and Lizong;

Shi Yannian's calligraphy, Ouyang Xiu, Ouyang Xuan, Su Mai, Yue Ke, Cai Jing, "Cai Bi Yi Shi" written by Song Huizong;

The ancient "Sitting Dragon Picture";

"Shu Mountain Picture" by Jing Hao;

"Landscape Fan" by Liu Songnian;

Ming Dynasty:

Bada Shanren's "Picture of a Stork and a Light Fish";

Qing Dynasty:

Kun Can's "Mang Bamboo Entering the Mountain";

Wang Wucheng's Bamboo Fan "Orchid and Stone Picture"

Zhou Ding's Bamboo Fan "Gua Lv Tu"

The nave couplets of Liu Yong, Zeng Guofan, Li Hongzhang, Zuo Zongtang, and Zhang Zhidong;

modern:

Li Keran's "Ten Thousand Rivers and Thousands of Mountains";

"The Lion Grove" by Wu Guanzhong;

"Returning Home" by Jiang Zhaohe;

Jiang Zhaohe's "Second Brother Leaving Sichuan";

Xu Beihong's "Kiuzhou has nothing to do and enjoys working";

Started work on three Dharma books "Sui Huaxuan", "De Mian Hall" and "Youwang Cong Temple";

Wang Shixiang's "Zhixuelian".

In addition, in the 1970s, there were "Selected Works of Great People" printed on "Yukou Paper" by Ninghua Zhiping and "Literati Poems" printed on "Xishan Paper" by Jiangle.

This was given by Director Yuan from the Ancient Book Restoration Research Laboratory of Shu University. Although it is a handicraft, it is also a rare treasure.

These have been made into scrolls for my fourth cousin, and then placed in cardboard tubes, pretending to be wire mesh to keep rats out. Now they must be properly stored in a warehouse with constant temperature and humidity.

As for Wenwan small things, there are even more.

Among them, the most valuable ones are undoubtedly the three-piece set of Gangmao from the Han Dynasty; Huang Tingjian's self-engraved Dongpo poems with landscape and field yellow seals; the Ming Dynasty Tongtian Xilanting Xiuqi pen holder; the Qing Dynasty jade snuff bottle; Hotan jade plume tubes, waist badges; teeth, horns, and patent leather

Coral-top tobacco jars and a complete set of gold and silver supplies;

There is also a bag, which contains the Nanhong Chaozhu that has finally been put together.

The reason why I say it's almost the same is because I have already found 108 Nanhong Chaozhu, and there are even more, a dozen more.

In addition, there are two emerald Buddha heads, two emerald Buddha shoulders, a coral pagoda, an enamel inlaid hibiscus stone with clouds, and a tourmaline pendant horn. These have all been gathered together.

However, there are still three twists left, and a small falling angle under three twists.

Ji Twisted are three strings of small beads, usually made of pearls or turquoise, located on both sides of the chao bead, with ten beads in each string, representing the ten days.

Three strings represent the first, middle and last days, which adds up to exactly one month or thirty days.

The one worn on the left and one on the right is considered a man, the one worn on the right and one on the left is considered a woman.

The bottom of the twist also has small corners for decoration.

In addition, Zhou Zhi still lacks the silk rope that can string the beads, and the tapes that can connect the pagoda, back clouds and falling corners.

The ribbons are generally in bright yellow, golden yellow, azure, and other colors. Among them, the Eastern Pearl Chaozhu and the bright yellow ribbons can only be used by the emperor, empress, and empress dowager.

Zhou Zhi knows that the Forbidden City has stocks of silk ropes and tapes. Although these two items are the same as the papers stored in the Forbidden City, they may not be included in the category of "cultural relics" yet. However, even if people repair them in the palace, they may not be enough. Even if you spend

Even if you buy it with money, you may not be able to sell it to others.

The small inscriptions that can be matched with this string of beads, as well as the gold "treasure cover" on the pendant horn, are even more difficult to find because they are difficult to preserve among the people.

So what Zhou Zhi now owns is still a big bag of bits and pieces.

"Brother Elbow!" Guan Tingting's call came from outside the warehouse.

"Hey Tingting, I'm here." Zhou Zhi quickly agreed.

"What are you doing?" Guan Tingting walked in, followed by Fu Xia.

"I'll sort out the things I brought here." Zhou Zhi said, "I'll wipe the furniture by the way."

"All these furniture are piled here, and we don't use them, so why do we need to wipe them?"

Before coming up, Zhou Zhi had already thought about taking out some furniture to decorate the ground floor and the top floor. As a result, Tang Qi decorated the top floor very well, with a unified Nordic style, and put some mahogany furniture in the style of the late Qing Dynasty and the early Republic of China.

It doesn't necessarily look good either.

All that is left is the small library and sunroom on the first floor. The small library was originally left by Su Huaxuan, and it has not been touched after several renovations. The light in the sunroom is not necessarily conducive to protecting the furniture, so it is thoughtful and thoughtful.

Reluctant to show off.

Just give it up and get over it here.

However, Guan Tingting had nothing to do with these little thoughts. Zhou Zhi only said: "I'll go shopping in Xianxian Bridge another day and find Zhang Tieguai to buy some boxes."

"Let's go and eat lychees." Guan Tingting said.

"good."

When everyone came to the pavilion in the middle of the lake, Guan Ma had already brought out the lychees, and there was crushed ice under the plate.

Guan Ma is now a recruiter for Jiachuan's office in Shudu, but the salary offered by the county is far less than that of helping Tang Qi and Zhou Zhi manage the store and roof.

Guan Ma is now more like a housekeeper. There are many things that Tang Qi can't come forward to do, and Zhou Zhi is not available, so she entrusts Guan Ma to do it for her. For example, running some procedures, collecting shop rent, cleaning Suihuaxuan, repairing the garden, etc., someone needs to be there.

Look, this is what Guan Ma mainly does.

It's five or six hundred yuan a month, plus the county's one, it's seven to eight hundred, so Guan Ma doesn't even want to be the wife of the manager of a sugar and wine company. The stage in Shudu is more suitable for her who is good at dancing.

Guan Ma is mature and generous. Although she is middle-aged, her appearance remains the same as before. A year after she came to Shu, she changed her clothes and even looked younger.

She drinks well, is good at talking, and is good at singing and dancing. County leaders and big bosses like to take her to create a social atmosphere, and now she has become more knowledgeable.

Because she had achieved a lot, the county initially agreed to transfer her from the Sichuan Opera Troupe to the civil service staff and become the deputy director of the Chengdu Office.

Talking about these things, Guan Ma is actually a little grateful to Zhou Zhi, because many of her achievements are actually more or less involved with Zhou Zhi.

For example, if you want to be a teaching assistant, you can go to Director Hu; if you want to go to the media, you can go to Chi Xueli; if you are going to a food and wine party, the merchants here are Sister Xiaojuaner and her aunt, and if you are going to organize an exhibition, you can go to Chai Rongbin.

Even the address of the office depends on Jiang Wu. These are all thoughtful relationships.

What's more, the two of them have food and lodging here, and they get a much higher salary than Jiachuan, so Guan's mother has no problem supporting Guan Tingting in her studies.

The most important thing is that with Zhou Zhi's matchmaking, Guan Ma has the experience of taking care of Tang Qi for this year, and they can almost be considered a family. This is crucial to Tingting's future future.
Chapter completed!