Su Budong thinks that "Dragon Ball" is the main point. How to sell the game after buying the copyright of the Dragon Ball is a matter of timing. If the game is released early, no one will sell it. If it is released late, you will earn less money. It is best not to be too late.

So when "Contra" and "Castle of Demons" are developed and have experience in horizontal games, the rest will be left to Liu Zhi and others to develop. However, in addition to "Dragon Ball", Su Budong, a game of "Pokemon", does not want to let go of it.

Now he has begun to contact people from the Art Department of Bayi Art School to draw monster sketches. They are all cute things. Except for Bikachu and Fire Dragon, Miaofrog Seed, Super Dream, and Dreams, all the others are left to the art department to design.

At this time, Director Feng came and wanted to visit him.

Now Lao Wang has become the secretary of Brothers and others at the door, and he has to convey anything to him. The timing is a bit chaotic. Su Budong asked Director Feng to come up. Then he took advantage of this gap to call Lu Tian: "Let me find some secretary for Brothers and others." He said.

"What do you want to do?" Lu Tian felt that Su Budong must have bad intentions.

"Give them a few families who have men, I want women, beauties! You and the brothels look for them by themselves." Su Budong emphasized.

"You capitalist, don't cause trouble to us Chinese girls." Lu Tian said contemptuously.

"Stop talking nonsense, I know you are envious and jealous. Now that Lao Wang is also a secretary, I always think I'm missing something. Zhanlong set up a secretariat to arrange for everyone to do what time, and also process some documents and submit them in advance. Moreover, the education required a master's degree or above." Su Budong hung up the phone, thinking about wearing black-framed glasses and black stockings, and said tenderly to him: "Mr. Su, you have your guests." He walked like a model and was swaying left and right. Only this taste was like a capitalist. Su Budong felt that this was what a capitalist should enjoy.

Of course, IQ, EQ and beauty are indispensable. If there is no suitable one, Su Budong doesn't mind using their secretary first. His secretary will be empty first.

Just as she was thinking about the charm of the female secretary, Director Feng came up and brought a little fat man. Su Budong was so happy when he saw him. Wang Yue actually followed him.

Ask Director Feng Da and Wang Yue to sit down, Su Budong poured some tea for them, and then sat down.

The relationship between Director Feng and Wang Yue is not broken yet, and of course he is not familiar with him. Director Feng squatted under Wang Yue's house for a few days before he invited Wang Yue. Wang Yue now looks down on Su Budong, and of course he also includes Director Feng. After all, he is a godfather-level figure at the level of literary youth.

The two of them made an appointment to come here mainly for Su Budong to make a movie. Wang Yue was also confused. After all, if anyone saw someone on the roadside, he would give him a check of 100,000 yuan and then ask him to make a movie with a investment of 10 million yuan. Why have he never heard of such a good thing?

It is said that Beijing people are angry, but when did the Japanese people become so generous? But for the sake of their friends - Director Feng found him through a friend. Wang Yue decided to meet Su Budong. After all, Wang Yue is not a fool who turns a blind eye to the outside world. The continuous reports of the newspaper have proved that Su Budong will definitely not be a fool. On the contrary, Su Budong is very smart. Wang Yue himself is also very smart, but he can't see at all what Su Budong wants to do.

Su Budong didn't know what Wang Yue was thinking, and even if he knew it, he didn't care. His two-life experience made him different in experience and mentality. If these legendary characters were only looked up to him, now, as he integrates more and more into this era, these people have gradually looked up to him. After all, the four famous swords under him will be gods in the Internet era in the future, so how could he be confused by the halo of these people?

Su Budong opened his mouth: "Hello, Mr. Wang Yue, of course, Feng Lei is welcome to come to me often for a while."

"Mr. Su, our purpose is to talk to you about this movie..." Director Feng Da was a little embarrassed, after all, the other party is now an investor.

"Mr. Wang, what do you think of the outline of my story?" Su Budong turned to Wang Yue and asked.

"It's not bad." Wang Yue curled his lips and lit a cigarette, "It's not good, but he doesn't think it's too bad."

Wang Yue gave a vague evaluation.

Su Budong nodded, smoked a cigarette, and threw it to Director Feng Da, and then said, "Mr. Wang speaks more pertinently. The literary language and the film language are similar, but they are not very different. What kind of literary works do we Chinese like to watch? The Three Kingdoms Water Margin Journey to the West, but what about the film works? Can "The Battle of the South and the North" and "The Railway Guerrillas" represent our movies? I don't know if you have seen Western war movies. They are not singing hymns of collective heroism, but how small people survive in the context of war. They use points as the surface to reflect the vicissitudes of the entire era."

Wang Yue raised his eyebrows. He felt that Su Budong said "we Chinese" a bit strange. Although from the appearance, Su Budong is no different from Chinese, it is just no different. This guy is a real Japanese!

However, Wang Yue still recognized what Su Budong said. In terms of film art, there is a gap between China and foreign countries. This gap is not caused by actors, but caused by different concepts and ideas.

All the positive characters in the movie should be glorious, but such characters can survive in the soil of China, but are they contagious and persuasive? Can they resonate with each other in foreign audiences? This is not necessarily the case. Foreigners accept a living person more and agree with the growth and transformation of a character more than a boring symbol.

So Su Budong’s story outline is to cater to foreign audiences. But is it meaningful to do so?

Su Budong said: "China and other countries are now in their honeymoon. We must make good use of this honeymoon period to reflect the national hatred and family feud in our special war era. Therefore, this movie is a national propaganda film, and the core is to promote our spirit. Therefore, the spirit of revolution cannot be lost, and new things must be added to achieve the combination of Chinese and Western cultures."

Wang Yue nodded, as if he was moved by Su Budong's words - he was also a child in the big courtyard and was very popular. But he couldn't figure out why he had to use Feng Lei if there were so many big directors in China. Compared with him, Feng Lei now was not even a fart at all. From just now until he entered the door, he didn't even look at Feng Lei at all. But he didn't say anything, and he said this, which offended people.

Feng Lei may have realized how difficult his task was, so he lowered his eyebrows and took out a bag of Zhongnanhai, handed it to Wang Yue and Su Budong, and then lit a cigarette for them. He just lit it and took a sip.

Su Budong shot the smoke ash and said, "At that time, I was on a whim and wanted to use Feng Lei as the director because he had no fixed styles, was more flexible and not rigid. The script coordination was done by Wang Yue, and the plot should be bright and chi. Gu Changwei, who was the actors, should use the front-line film factories in China now, and don't be afraid of spending money. Because our current goal is to attract foreign awards, such as the Venice Film Festival, Berlin Film Festival, Tokyo Film Festival, Golden Ball and Oscars, and we must promote this film around the world. Let this film be both an art film and a commercial film."
Chapter completed!