Everything that needs to be introduced has been introduced. After the two hosts paused without anything to say and glanced at each other, the male host announced loudly and passionately: "Please enjoy, "This Is Us"!"

Although there were not many people, the applause from upstairs and downstairs was quite warm, and it ended neatly.

At this time, all 306's eyes were on Qi Qingnuo, and Qi Qingnuo was looking at Gao Pianpian. Gao Pianpian put his hands on his legs and pinched his fingers tightly. After receiving Qi Qingnuo's smile, Gao Pianpian straightened up.

Upper body, exhale, smile, and relax your arms.

Then it started.

On the morning of May 1st, when 306 just started playing "It's Us", there was a lot of chatter on the second floor. Maybe everyone wanted to express their novelty and joy, or they also had criticisms.

Today there was nothing. The dozens of people on the second floor were all the same as Ding Sangpeng and Tang Qing. They had never made a sound since the first note of Chai Litian's flute.

It seems that these people have a serious attitude towards review and discussion. They were so focused and immersed in the music from the beginning. Even Zhang Jiahao looked deep in thought.

Just two or three minutes after the music started, several Taiwanese friends exchanged glances with each other. Tang Qing nodded and followed the beat, and the conductor of the Puhai National Orchestra rubbed his fingers with his right hand like he was pinching orchid fingers...

Five or six minutes later, Li Yingzhen squinted her eyes to observe the expression of the director of the creative committee of the National Musicians Association who straightened his back. He Hongchui reached out to help the deputy director of the China National Traditional Orchestra turn the score to where he was playing, but the other party did not look at it.

Already...

Just like May Day, after 306 concentrated on the performance for about ten minutes, the initial surprise on the faces of many people on the second floor who were listening to the piece for the first time disappeared, and no one rushed to read the score.

The whims and whims of the listeners came to mind. The music that became more and more lively and enthusiastic made these people completely settle down, and unknowingly turned their work into enjoyment.

After a series of scams that were easy for experts to see through but that people could not escape, the music began to really enter the stage. Not only did it not deceive people this time, but it also made everyone overjoyed.

When the unprecedented Erhu phrase came out from the sky, one of Yang Jingxing's colleagues from Taiwan stretched his arms and almost stood up. Tang Qing's hand firmly grasped the thin arm of Ding Sangpeng next to him, and he was shaking a little

.

Maybe it’s because of the rich experience, but 306’s performance today was better and better than three days ago. Whether they were the protagonist or the supporting role, everyone performed at an emotional level. There were many difficult tasks in the work or required by the professors, and today

The effect is more obvious.

Shao Fangjie's erhu is no longer so tearful, but more euphemistic and lingering. Gao Pianpian's guzheng is less deliberately loud and lively, and more calm. Wang Rui is no longer so sharp and sharp, and can be heard to be delicate and subtle...

…

No wonder they say that even the best performers need to grow on the stage. Maybe the efforts and gains on the stage can stimulate the performers' understanding and appreciation of music.

306 and the others can definitely feel the tacit understanding and trust between each other. No one needs to pay attention to Qi Qingnuo's eyes and gestures all the time.

After **, He Peiyuan led everyone to review the various musical emotions experienced, and then began to move towards tranquility with others, and led the audience into meditation.

The final Erhu ending seemed to mean that the meditation would never end. Under the gaze of the group members, Liu Siman and Shao Fangjie were so pulled that they wanted to immerse themselves both physically and mentally, unable to extricate themselves.

The last sound also disappeared in the hall. Shao Fangjie and Liu Siman, who had briefly settled down, put down their bows and raised their heads to look at the audience in front. Everyone else in 306 also looked over.

This time, almost everyone stood up before Ding Sangpeng, and the applause suddenly sounded. It was not as grand and turbulent as three days ago, but the density seemed higher and the power was deeper.

Ding Sangpeng and Tang Qing stood up and faced the stage while clapping their hands. Others followed suit and were not in a hurry to show their emotions or make comments.

The two seniors didn't stop, and so did the others. The applause continued. Tang Qing's hands were raised higher and higher, and the slaps became more and more intensive.

306 was not as moved as last time, and they all stood up and smiled. After being looked at by the girls on the stage for a few times, Yang Jingxing's slaps became more enthusiastic, and Yu Xinting followed suit.

After listening to the applause for a minute with a smile on their face, 306 bowed under the leadership of Qi Qingnuo.

Ding Sangpeng stopped applauding, looked back and said, "Qi Qingnuo has a work that I think everyone should listen to."

Everyone was looking forward to it, and several people immediately took out their phones. The vice principal called the director. He Hongchui first dialed Qi Qingnuo, and then called Yang Jingxing.

The two magazine editors have already begun to write and draw in their notebooks, while several conductors and directors are reading two books of music scores and pointing.

Soon, 306 went back to sit down. The conscientious host came on stage again, first praised "It's Us" and 306 for a while, and then asked everyone to continue to enjoy "The Clouds Clear and the Fog Disperses".

If you have to compare, "The Clouds Clear and the Fog Disperses" can be regarded as somewhere between "It's Us" and traditional works. For example, in terms of surface structure, "The Clouds Clear and the Fog Disperses" does not have the dozen or so paragraphs of "This Is Us".

Although most people think that "This Is Us" is not patchwork at all.

In terms of details, although "Yunkai Mist Disperses" is bolder in instrumentation, its composition techniques are still relatively conservative. Whether it is the grasp of melody, harmony or instrumental characteristics, Qi Qingnuo's innovations are not as bold as Yang Jingxing's. So compared to

Below, some passages in "The Clouds Clear and the Fog Disperse" are more folk music and more traditional.

If "This Is Us" brings mostly new feelings and melody impact to the general audience, and allows the audience to recall traditional folk music and think and sigh after feeling it, then "The Clouds Clear and the Fog Disperses" will make the audience even more moved while listening to it.

Start thinking about the proposition of inheritance and development, maybe it can also give hope and inspiration.

The most obvious difference is, of course, that "The Clouds Open and the Fog Scatter" is much shorter than "It's Us". Ding Sangpeng had already heard "The Clouds Open and the Fog Scattered" when he only won the third prize in the "Let a Hundred Flowers Bloom" composition competition, but after listening to it today

After that, he stood up and applauded again, competing with Tang Qing to see who was faster.

Everyone stood up again going up and down the stairs, but 306 was obviously much happier than before, everyone was smiling, Nian Qing even took the lead and hugged the smiling Qi Qingnuo.

Yang Jingxing was not jealous, and the applause was more enthusiastic than the applause given to his own work. Yu Xinting looked at him while clapping her hands, and continued to laugh.

Qi Qingnuo only listened to the applause for half a minute this time before leading everyone to bow. After receiving the latest instructions, the director quickly asked the host to come up and change 306 down, and arranged for people to quickly clear the stage and set up the podium.

While the people on the stage were busy working, people on the second floor began to prepare to come down, and people downstairs began to talk about it.

Yu Xinting looked back and whispered to Yang Jingxing: "Professor Li said that you are the first person that Ding Sangpeng pays so much attention to."

Yang Jingxing shook his head in fear: "Keep your voice down."

But several people in the second row had already heard it and smiled at Yang Jingxing.

The rostrum was quickly set up. A long table was put together and covered with red cloth. Tea cups were placed with names. There were twelve chairs in total. Except for the principal's seat, the others were all for guests.

306 also came out. It seemed that Qi Qingnuo wanted to sit in the back row with everyone, but Liu Siman and the others pushed the boss to the arranged seat under the watchful eyes of their classmates and teachers.

Yang Jingxing never received any praise from his classmates or teachers nearby, but Qi Qingnuo received a lot of compliments even before his butt was stable. Someone shouted from a distance: "Qi Qingnuo, good job!"

Qi Qingnuo responded with a smile and humility for a while before sitting down, looking at Yang Jingxing and doubting: "God is helping me."

Yang Jingxing said: "You deserve it."

Qi Qingnuo tilted his head and whispered softly: "Connect us together."

Yang Jingxing said: "You deserve it."

Qi Qingnuo smiled proudly, then looked back at his team members, then at Yu Xinting, and praised: "Xinting, you are beautiful!"

Yu Xinting haha.

After waiting for a few more minutes, the people upstairs finally appeared. First, He Hongchui and the others came to the auditorium and took their seats. He Hongchui praised Qi Qingnuo, and Li Yingzhen looked at Yang Jingxing's appearance again.

The vice-principal and the director of the art department greeted a few Taiwanese friends who could not sit on the podium, as well as the magazine editor and Ding Sangpeng's son. They all had to sit in the back, but they didn't seem to complain.

The two chiefs of Little Giant first shook hands with Yang Jingxing and Qi Qingnuo, and then went to the back to pay tribute to Liu Siman and the others. The sincerity of the Taiwanese accent made Gao Pianpian and others a little uncomfortable, and they were not as natural as dealing with their classmates.

The host did not come on stage again. The dozen or so people on the podium all appeared together, with the principal and the music director of the Puhai National Orchestra half-supporting Ding Sangpeng. Naturally, there was another round of applause from the audience, and there were also people on the stage who responded and were afraid of being slapped.

It still took a while for the twelve people to be fully seated. From left to right, they were: Ding Chaoru, vice chairman of the National Musicians Association, Zhang Jiahuo, conductor of the Puhai Symphony Orchestra, Ning Baoliang, director of the creative committee of the National Musicians Association, and

He Zhijun, conductor of the Youth Chinese Orchestra, Song Yanjie, Tang Qing, Ding Sangpeng, deputy directors of the Central Chinese Orchestra, Yang Zhixin, president of Puhai Conservatory of Music, Lu Baiyong, conductor of Puhai Chinese Orchestra, Li Weiguang, vice chairman of the National Federation of Literary and Art Circles, Zou Chunyu, artistic director of the Taiwan Little Giant Sizhu Orchestra,

Taiwanese composer Xiao Zhengyuan.

Another staff member crouched on stage and placed a microphone in front of Ding Sangpeng and Tang Qing. They were probably the only ones who could use the microphone.

Since the big shots came on stage, the two hundred or so people below have been keeping quiet. After looking at it, the principal Yang Zhixin was very satisfied and called in a loud voice: "Please welcome Puyin's distinguished guests with warm applause again."

The principal stood up as he spoke, and the people below also stood up and responded to the call. Ding Sangpeng took the lead, and the people on the stage also stood up, and everyone applauded each other.

The principal quickly helped Ding Sangpeng sit down, and then motioned for everyone to sit down. After the concert hall became quiet again, the principal said: "Now, I would like to invite Mr. Ding to speak for us."

After another round of slaps, Ding Sangpeng, who put his arms on the table and put on his reading glasses, looked left and right with the slow movements of an octogenarian, then looked at the audience, mustering up the strength to speak: "Thank you everyone, thank you for sacrificing your rest time.

, coming here fulfills a big wish for me in my dying years. My wish is to make a little more contribution to our national music in my lifetime.

Everyone here is dedicated to music, including myself. Some people call me a composer, some people call me a musician, but when I hear someone call me a teacher, I feel ashamed.

I often reflect that I am not a good teacher. I often reflect on why so many of us work so hard, but the current situation of our music is not optimistic..."

What Ding Sangpeng said is true. There are indeed many people working hard for the development of folk music. For example, the Central Chinese Orchestra and the National Youth Chinese Orchestra have made outstanding contributions to folk music.

These ethnic orchestras are not just showing off by practicing a few traditional old works all year round as many people imagine. In fact, these large ethnic orchestras have been working hard to inherit and develop folk music.

In terms of inheritance, in addition to studying the existing materials, these people have collected and summarized various types of music from various ethnic groups and regions over the years, which Yang Jingxing or 306 simply could not complete.

In terms of development, there are more. Performances abroad, the creation of new works, and even the production of new instruments or the improvement of old instruments all require hard work.

The school also attaches great importance to the development of folk music. In addition to the composition department recruiting about ten people every year, Puhai Conservatory of Music also has a folk music composition department that also recruits four or five people.

But the current situation is indeed not optimistic. Ding Sangpeng's main reason is that folk music is no longer popular among the people. Nowadays, children are learning piano, violin and guitar, and not many parents are willing to send their children to learn erhu and guqin.

Of course, everyone occasionally hears about the popular success of Chinese folk music in Europe and the United States. Unfortunately, those successes are mostly short-lived and do not reflect the true charm and value of the music.

Ding Sangpeng even believes that Chinese folk music is of course made for descendants of Yan and Huang. If the Chinese themselves do not accept it, what is the point of white people and black people liking it? What is the point of applause from those who have no understanding of Chinese culture?

Ding Sangpeng said that he had been invited to participate in the "elegant art on campus" event two years ago. In a good school like Puhai Jiaotong University, Ding Sangpeng did not feel the enthusiasm of college students for "elegant art". He felt that it was so

It hurts that such fine artists and so many fine performances have been so neglected.

Ding Sangpeng asked everyone how long it had been since they received a standing ovation from the audience. He himself seemed to be envious: "These girls just did it, not today, but three days ago, in this concert hall. They

They have received the highest enthusiasm and affirmation from their peers, and those are our heirs!"

After a pause, Ding Sangpeng said: "Why can Yang Jingxing and others make this kind of music and make us go crazy? I think this is very necessary to discuss, so I invite everyone to come. I hope we can work together to summarize
Chapter completed!