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Chapter 268 [Awakening] and [Inheritance]! ~ Monthly Pass(1/3)

Chapter 268 [Awakening] and [Inheritance]! (Please subscribe~monthly ticket!)

The third chapter can be said to be the core and turning point of the thought.

It can be said that it is the most popular and unique expression of Dunhuang culture in the entire work.

The protagonist of the story described is Miao Shan.

"Thousand Hands and Thousand Eyes"!!

Avalokitesvara.

As Li Shaojie raised his baton again.

A mural appeared on the empty stage background.

Even someone who has never understood Dunhuang culture or seen this painting can definitely tell the name of the mural.

It’s so unique and iconic!!

Dunhuang Feitian·Rebound Pipa!!

This weird posture is full of a mysterious and alternative beauty.

This is the purpose of Rebound Pipa!

Break through conventions, break through limited thinking, and look at things from the opposite side.

The bouncing pipa was originally a dance.

Sudden!

Li Shaojie waved his baton, and gently, under the sound of pipa and harp, the string strings of the entire orchestra suddenly played an extremely weird and even harsh glissando with a strong beat!

This time, the audience couldn't help but be shocked!

But with the advent of this portamento!

On the stage filled with golden lights, a beautiful dancing girl appeared.

Tian Yun, a dancer from the national team, is wearing a necklace, accessories hanging around her neck, and her dance belt is unrolled!

Holding a pipa in his hand, he ran a few steps and it flew lightly!

Invisible pressure lines are moving.

Tian Yun gracefully lowered her eyebrows and lowered her eyes in mid-air, holding a pipa and performing slow dance movements.

soon!!

Under the conductor of Li Shaojie, the harp scales and string glissandos sounded even more harsh!!

The music seems to be talking.

Describing the flying movements.

Swish! Swish!!

Another two dancers lightly stepped on their bare feet, surrounding Tian Yun who had already risen, and flew up gently, surrounding Tian Yun in the middle, and slowly lifted into the air.

Then it flew past left and right.

The movements are characteristic of ethnic minority dances in the Western Regions, and they are dressed in extremely restored Dunhuang mural costumes.

Coupled with Li Shaojie's slightly thrilling and strangely harsh tone, the audience felt extremely mysterious.

This kind of syllable sounds somewhat frightening, making people subconsciously feel a little scared.

Mr. Lu's eyes lit up.

I really didn’t expect that Li Shaojie would actually play this role!!

Yes, the portamento performed by this strange friction sound effect is actually not very narrow in application.

It is mostly used in some soundtracks to depict scenes of tense and sudden changes, rather than creating effects in thrillers.

But that only appears with thrillers or some more tense plots.

Not so with Li Shaojie.

In the process of interpreting the flying fairies of Dunhuang, the effect created by using this method is refreshing!

This slightly "fearful" feeling is paired with this beautiful picture of a fairy flying into the sky, full of unique charm.

At this time, this "surprise" and nervousness subconsciously turned into "awe"!!

Mr. Lu didn't know exactly what Li Shaojie was thinking about using such a weird combination.

But I have to say that this sudden texture is really "shocking" and feels the kind of slightly frightened awe that the ancients felt when they saw the goddess flying into the sky!!

In the past, people talked about "a sense of immersion" when watching operas, but the actual sense of immersion was only less than half.

After all, the treatment of music is more inclined to "telling stories".

Although Li Shaojie's handling method seems to be no different on the outside, it is actually unique on the inside.

It's more like a first-person perspective "soundtrack" than a musical performance.

Full of musical psychological hints of various first-person perspective experiences.

It further increases the sense of immersion, taking each audience member as the subject of the story, and using music to directly affect the viewer's immersive emotions and degree of immersion!

It’s like turning an art performance into a VR story!

Wonderful thoughts flashed by.

In fact, this feeling did not last long.

Three dancing gods.

The three dancers have landed quietly, attracting the attention of the audience.

As the music gradually slowed down, he landed gently.

The lights begin to change.

One dark, one bright.

The props were in place very, very quickly.

The stage that appeared in front of people again seemed to have turned into a gorgeous ancient palace.

A richly dressed king was sitting on the throne.

The harp struck.

In front of them were the three goddesses who had just flown into the sky.

Compared with the more solemn posture and slightly indifferent divinity just now, the expressions of the three dancers now look more like that of an agile girl.

The king is enjoying the performance of his three daughters.

Wonderful sound, wonderful goodness, wonderful clarity.

The music became soft and beautiful.

Surrounded by Western orchestral music, the sound of pipa played lightly.

Tian Yun holds the pipa and dances softly but powerfully.

Embrace vertically and swing your arms horizontally.

Along with the music, he suddenly raised his head and played diagonally, leaning forward to play backwards.

Until the final rebound.

Slender and slender catkins streak across the strings.

As the notes surge, make the action of strumming the pipa.

In the smile, it seems as if the Dunhuang murals are dancing, and the flying goddess is living in the real space.

Exquisite!

It is a mural of bouncing pipa in various colors that is constantly changing in the background.

Scene after scene, it seemed as if it had come alive.

The foreign musicians in the audience opened their eyes wide.

Look hard.

This Western orchestral music that I am familiar with now has a strange feeling.

This is a completely different texture, with a strong oriental flavor.

However, domestic musicians and media representatives felt a strong Western temperament from it.

Different from the Western West.

Rather, it is a style of the Western Regions unique to China.

The combination of harp and pipa can be so tacit.

This is "Thousand Hands, Thousand Eyes: Flying Sky"!!
To be continued...
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