A preliminary analysis of Jay Chou’s new song~~

Stuttering's new song "The Greatest Work"

Show me it's wet.

Some time ago I just wrote about the relationship between the two sister arts of painting and music, and here comes a song that uses painting elements.

It will probably take a long time to analyze the musical form of the work.

I won’t talk about it for now, I’ll write about it later when I get a chance, it’s perfect.

Let’s start with the lyrics.

First of all, time travel, Jay Chou is old.

The elements mentioned are explained to you.

The time when Samaritan was renovated.

The immortality missed by the piano shuttle in 1920.

Samaritan is probably that department store in Paris. 1920 was a very important time point in the history of modern design and the modern movement.

Art Deco, De Stijl movement, Bauhaus.

Typical modernist design style.

Then there's Margaret.

Of course, Margaret is a painter and a bartender.

Margaret is probably talking about the grotesque surrealist painter Margaret.

There is a cocktail also called margarita.

So, the word here is "Is it me who is surreal, or is it the clown he originally wanted to draw?"

Too fierce.

See below.

Dali's beard.

He is also a surrealist painter.

Together with Picasso and Matisse, he is considered the three most representative painters of the 20th century.

This Matisse is the character in the following lyrics: "The boat goes back and forth quietly, Matisse's coast".

Matisse, the founder of Fauvism, was once conquered by a blue coast. There is a painting that is very suitable for this scene, "Ramrad Seascape".

The Van Gogh who lit up the starry sky is actually Vincent Van Gogh, not to mention his famous work The Starry Night.

The Scream on Munch Bridge is Edvard Munch's famous painting "The Scream", which is a representative work of expressionist painting. Although the colors used are consistent with the authenticity of natural colors, the expression method is extremely exaggerated. The lines in the painting

The distortion is in sharp contrast to the strong and straight shape of the bridge. Munch expresses the dull, anxious and lonely emotions in the painting to an extreme.

And the part where he asked Monet to take a self-portrait of himself.

Monet, actually Monet, French Impressionist painter.

Colors, shapes, impressions of oneself, these lyrics actually allude to Monet's style.

Kangqiao Butterfly Xu Zhimo, needless to say this.

The following "Les Claws in Paris" is also a work by Xu Zhimo.

Of course, I only read it once and wrote it right away.

There are definitely countless details that have been overlooked.

There is very little information on the sound for now, but you can know that in order to create this sense of time, details have been processed in each section.

For example, the microphone texture of the 1940s, or the pure acoustic decoration effect without electronics.

As crazy about details as ever, as fierce as ever.

Of course, it is difficult to see too much in the analysis of music at a glance, and even if you see it, you dare not say anything for fear of making mistakes, so you have to analyze it again.

And I did hear completely different musical techniques, elements and processing that go along with these great works, but without the score, I really can’t be sure.

So, that's all for now.

Things in the music will be written into the plot when the time comes.

It's too fierce, it's really too fierce.

I'm wet.

Rub, the feeling is back, really back.
Chapter completed!