Tao Zi was indeed a little angry.

Originally, it was still fine during the discussion of choreography.

It was really pleasant at the beginning.

Many of the two sides' ideas coincided and progressed very quickly.

Until I came to the place where Chinese style involved.

The two began to clash.

It is common to say that there is conflict.

But Li Shaojie's request was not only unintelligible, but even a bit too much.

Tao Zi did not point fingers at music.

Although the music is purely Westernized, it does not deliberately highlight the pentagonal scale, but it has a little bit of hazy feeling.

It's like looking at China from a foreign perspective.

However, Li Shaojie made a request for the dance design.

Don’t add elements of Chinese dance, you still need to use ballet, or even Chinese ballet.

The dance movements must be both beautiful and of a certain quality. They must also express a hazy Chinese style without using Chinese dance, but the overall texture must be directed towards the West.

Simply put, that is.

You have to make a steak, but you have to taste a little Chinese food, which makes people feel Chinese, but you essentially need Western food. Moreover, the steak is not important to be beautiful in appearance, and the method and style cannot be Western European, but Nordic.

Then there are a lot of other attachments.

Tao Zi becomes more and more angry the more she hears.

You are afraid that you are not making things difficult for others.

I really want to give you two punches.

This feeling is really a bit like a musician who is doing dance, pointing fingers on the basis of dancing.

Yes, sister art.

But this cross-industry fingering is really a bit unruly.

But Tao Zi knew that this was not really a transcendence to Li Shaojie.

This kind of cooperation across half a major often encounters similar problems.

Because dancers think about the whole art based on the dance itself.

Musicians are based on the music itself.

This overall art is neither dance nor music, but a combination of both sides and a composite art.

Dance is to express music with body parts and to visualize abstract music.

But considering the whole from different perspectives, there will always be different conclusions.

It's similar to the novel author and screenwriter.

The novelist can imagine everything for the sake of the plot, but the screenwriter needs to consider the actor's ability and actual conditions. The novelist does not need to consider the information of the character's dialogue, and can rely on "narration", but the screenwriter cannot. The screenwriter should consider spreading information through dialogue, expressions, expressions, props as much as possible.

Therefore, it is very common to have differences in handling.

At this moment, the two of them were like this.

"You should understand what I explained this!"

Li Shaojie took a few deep breaths.

"We can be propagandists of Chinese culture, but we must not be fooled by Chinese style. Chinese style is good, but not anything is good if you add Chinese style!!"

"."

Tao Zi bit her lip.

TMD, I understand the truth.

But your many requests are sure to have no grudge against me?!...

This is not just a Chinese style issue.

This is a fairy tale work.

In this section, a plot that was anthropomorphized on the tea table of the upper European class.

Spanish dance music represents chocolate, Arabic dance music, coffee, Chinese dance music, and tea. Finally, with Russian dance music, the unrestrained and joyful Trepark heralds the lively dance on the table.

Almost all requirements are similar.

It means "take the meaning and remove the form".

MD Dog B!!

Originally, this choreography was very simple to Tao Zi’s opinion.

They just do their own styles of music, then use Spanish dance, Arabic dance, and Chinese dance in turn, and finally end with Russian dance.

Isn’t this the end?!

It can also highlight the local customs and spread some Chinese culture.

But why did this person's request bend around the bush?

"But that's the case"

Tao Ziqi's chest tightness was so embarrassed that she didn't exist that it began to hurt.

"I can only consider dance movements first. There will be many requirements for dance movements at that time. There may be many details in your music to change!"

"Haha, there's no big problem!"

Li Shaojie raised his head.

"Only mediocre composers are limited by the many requirements of choreography!!"

"I am different, I am a genius."

"?"

As soon as this sentence came out, Tao Zi was so angry that she was not angry to death.

Good.

I am not mediocre, I am mediocre, right!!

To be honest.

It’s really not something that people do when doing choreography in Zhongba.

There are many tasks above.

What Li Shaojie said about "Chinese style demons" actually mostly comes from it.

They do not consider it from an artistic perspective or a professional perspective, and all the purposes they consider are based on political goals.

Therefore, various "Chinese cultural devils" requirements often arise.

Forced to add Chinese elements yourself.

If you can't add it, you have to add it too!!

Because of this, Tao Zi is under pressure from the top and netizens, and has to bear the pressure from the dance troupe.

This time I finally felt that I could play my own way.

Tao Zi suddenly discovered it.

This is actually very suitable for adding Chinese elements.

Then I am good at this!!

Finally, I have an opportunity to show my research seriously for so many years

Then, Li Shaojie rejected it.

Instead, we have to go another way.

Not only are there many things to do, but there are many detours.

Tao Zi doesn’t want to step on the horse!!

If you don’t do it in a simple way, you will also reach your destination.

Do you want to go around a big circle?

Then tell me if you go around this big circle to draw a very beautiful image of a cow and horse?

Isn’t this a serious illness?

Moreover, even if Li Shaojie explained, he understood it

Tao Zi still felt that dealing with this would make her feel serious.
To be continued...