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In fact, creators like Li Shaojie are a very special existence in the hearts of many musicians.

In the opinion of many composers and composition professional researchers.

Modern serious music is the stacking of various modern techniques and the filling of various new timbres.

It may not be comprehensive, but it summarizes some characteristics of contemporary serious music to a certain extent.

Including the big guys, including the researchers and creators themselves, no one thinks modern serious music is good to listen to.

That stuff is not meant for people to listen to, nor is its purpose intended to be pleasing to the ear.

But this path is very necessary, because musicians need to explore the boundaries between sound and music, and discover more techniques and timbres, so that the industry can develop.

However, too much is never enough.

If all creators follow this path, they will inevitably reach a dead end.

This phenomenon is indeed serious within the current industry.

Classical ones are resting on their laurels, because some of them think that it makes little sense for you to create new works using traditional techniques.

New modern serious music is all about things that non-human beings can enjoy.

Therefore, Li Shaojie is a very strange person among them.

It is undeniable that Li Shaojie's status in the music industry is recognized as high, and his works are recognized as excellent.

But this does not affect the many academic controversies surrounding Li Shaojie.

Many people who have no brains and excessively pursue modern serious music are dismissive of Li Shaojie's slightly "old-fashioned" and "unconventional" creative techniques.

Naturally, some people will stand up and speak up for Li Shaojie, believing that Li Shaojie is the most capable person in modern music who can open up minds and serve as a warning.

Because, in the eyes of many musicians.

Musicians are not computers.

In the final analysis, we still have to create for "people" and interact with people.

The essence of modern music is "liberation", the liberation of all techniques and timbres.

But many people will ignore the essence, including big guys in the industry.

The complete freedom in music writing and the complete liberation of timbre techniques are just one of them.

Modern music is essentially a way of thinking, not a certain style of music.

There are also quite a few people who believe that taking the superficial characteristics of contemporary music as everything will narrow the path for creators.

Such as atonality, complex rhythms, new timbres, new techniques, etc.

It can be used, but everything must still serve human beings to enjoy music.

There is no way out for formalist music. Innovate, but don't be kidnapped by new things, instead losing its own musical content.

Just like global modernization, we should not be completely kidnapped by the new wave of ideas and blindly belittle some traditional ideas.

And Li Shaojie seems to never be limited by his thinking.

In the eyes of many musicians, Li Shaojie's composition techniques and styles appear to be varied, but in fact there is only one essence.

Focus on the content of the work and never worry about "the techniques I use".

Really let the technique and timbre serve the music work itself.

It seems simple to say, but how many people actually do it?

Besides, it's not just that.

Li Shaojie also has many works that show off his skills.

These works are different from other "unreplicable" works.

This can be learned!

Many modern music techniques are too personalized and unique, and even some of them only exist in paper theory and do not exist in actual performance.

Or some timbres are only suitable for a certain composer's uniquely designed special instrument and cannot be copied.

Or there are certain techniques that only certain players can perform.

Li Shaojie's skills are just at this boundary.

The only person in the world who can be as perfect as Li Shaojie is himself.

It is light and fast, combines skill and beauty, and combines practice with theory.

The difficulty is 100%, and in reality he can indeed play 100%.

Although many musicians can only play 60 points no matter how hard they learn, at least it is definitely a level that humans can achieve.

But these skills can be learned.

Li Shaojie happens to be at the limit of "human" and "non-human".

People can play, but people may not be able to play 100 points.

It has both uniqueness and dissemination and learning ability.

The unique power also makes many pianists feel how outrageous Li Shaojie is the more they play Li Shaojie's music and compare Li Shaojie's performance.

This is Li Shaojie's greatest charm and the most crucial part that has attracted countless musicians.

Because these learnable skills can greatly promote the progress of the industry.

Therefore, the news that Li Shaojie planned to hold a concert was released to the industry.

The level of attention is simply terrifying.

Suddenly, even the performers who had planned concerts stopped what they were doing.

Some people even paid a large amount of liquidated damages to cancel the concert hall they had reserved for a long time.

I plan to stay at Li Shaojie's concert specifically.

Big event in the industry!!

【Where! When!】

This has become a top priority for these musicians, and they have begun to inquire about gossip.

O'Berry is one of them.

Oberg, who was born in Belgium, is one of the most famous pianists today.

He is also an avid fan of Li Shaojie.

O'Berry plays Li Shaojie's "Fantasy Impromptu" at the encore of almost every solo concert.

It belongs to the repertoire.

And if I continue to perform encores, I will often choose several nocturnes by Li Shaojie.

He can be considered one of his loyal fans.

However, unlike ordinary fans, when Li Shaojie turned to entertainment, O'Berry did not expect Li Shaojie to do some piano moves.

How should I put it? It’s not that I don’t expect it, it’s that I don’t have the ability to expect it.

Ordinary fans will be fine if they listen to it once and feel refreshed, but pianists need to practice.

Laughing to death, I can’t understand it at all.

It took two and a half years to practice "Fantasia Impromptu" to the point where it could be performed in concerts.

I have been practicing for two and a half years.

And this speed is already considered super fast among trainees and pianists.

After all, practicing is one thing, practicing well is another.

On the surface, it seems that among other pianist's concerts, Li Shaojie's most numerous works may be those nocturnes.

But the most popular song is actually "Fantasy Impromptu".

It’s just that you have to practice.

During Li Shaojie's concert this time, many pianists were so excited that their eyelids actually started beating the drums.

I'm a little scared, afraid of Brother Jie.

Like "The Spanish Smugglers" or something outrageous and weird.

Human beings can theoretically play, and Brother Jie has also played it, and he can still play 100%, but other musicians have practiced for several years, and they can play even if they can, but it is hard to say whether it is 30% or 40%.

There is such an explosive work, but it is difficult for me to practice it and then go to the concert to show B.

I finally got one that can install B. Before I could install it, youjie released a new B.

Who can withstand this?

It's like visiting a table of delicious food in front of someone who has been hungry for three days.
To be continued...