This Wardhagrid is a monster born to stop adventurers and scare them.

The background of the purple-black earth scene is black nothingness, and in the black nothingness is Wardhagrid.

The image of the monster is one with wide eyes.

Purple eye whites, red pupils.

The crescent-like fluorescent color appears under the eyes, which is extremely eye-catching in the dark.

If you shoot a green fire and fire a laser, your tears will reflect the light.

There are still plenty of horror elements.

As for the soundtrack, it is natural to create around this.

The minor key is accompanied by accompanying sounds, and the short intervals are full of negativity.

Tritones or six semitones, all the devilish intervals are well arranged.

The vibration frequency ratio is as high as 12:17, giving you the whole Neapolitan thriller chord from time to time.

Then when changing the volume, try to make the transition as steep as possible.

For example, the volume suddenly increases and then decreases suddenly.

Wuhu.

Full of discomfort.

The water piano sounds are arranged in it.

Take the piano and tune it, and then adjust the triangle tone.

If you have nothing to do, ring the bell again, make some female voices murmur, and then weaken it to the base of the female voice's frightening screams.

Get some scratchy synth sounds.

And then let these scary and uncomfortable things get entangled together, boy, the sound track is so dense and full of details at first glance.

The rhythm is directly made to be so urgent that I want to kill you, and the thrilling roaring and screaming sound is weakened, but I have to give you the entire 3D two-channel panoramic surround version.

There must be a female voice under the violin, which directly increases the weirdness of the violin by an order of magnitude.

Anyway, you just have to go to the underworld with all your strength.

The female voice is very piercing singing, screaming, roaring, or crooning. This kind of timbre material, combined with the violin, almost runs through the second stage of the copy.

Moreover, there are also very detailed changes in the detailed blending of the female voice and violin timbres.

Needless to say, the human voice goes without saying.

Just the timbre of the violin has gone through no less than a hundred timbre changes.

There are quite a variety of options when it comes to violin effects.

Such as high cut, low cut, volume, speed, scattering.

Bass, crossover, attenuation, damping.

And the key ER, separation, dryness and humidity.

These are the basis.

More detailed buttons require repeated trials.

With only two of the most critical chapters left, Li Shaojie looked ahead after taking a break. The densely packed works, with rows and rows of tracks in the work, opened up and saw that even for the same instrument, the parameter settings were completely different.

Some violins sound weak, some are harsh, some are dry, and some are completely electric.

Various, completely different.

Not to mention the human voice.

The settings for vocals will only become more complicated.

When it comes to composing and arranging, entry-level players focus on harmony, progression, interval relationships, and melody based on basic music theory.

What masters play is arrangement, layering, and mixing texture.

As for the top masters, what they play is the tone.

Whether it is Chinese or foreign, ancient or modern.

Almost all NB musicians later studied the musical instruments themselves and began to make their own instruments.

Or modify the musical instrument, etc.

This is to be able to produce more different timbres and create more distinctive timbres.

The same is true for the practical operation of musical instruments.

Beginners pay attention to pitch, experts advance to skills, and experts start to play with emotion, color, and artistic processing.

The top masters play with timbre.

Arranging and orchestrating is the art of pursuing timbre.

In terms of timbre, what is pursued is the ultimate subtlety.

It takes five minutes to compose, half an hour to arrange, and the debugging of a tone can last two or three days. This is not an exaggeration.

The art of timbre can even become a separate art science.

It’s not just musical instruments, music, and performers who pursue timbre.

There is even a watch.

Sound is a physical phenomenon.

Some expensive watches will also pursue meticulous details such as material, polishing, size, number of parts and arrangement design, striving to achieve the most beautiful ticking.

Not to mention the arrangement and orchestration.

Especially when expressing the defense mechanism of the spiritual world, nightmare depression, and mental state, timbre is a very, very important part.

Characteristics of playing methods, recording production, experience, and debugging techniques.

On top of this, a lot of money is needed.

In the music industry, every penny means a penny of sound.

The split dynamics of 412 are definitely better than 212, and 212 is definitely better than 112.

It shows in the price.

A speaker worth 300,000 yuan is definitely better than one worth 30,000 yuan.

Li Shaojie’s equipment worth millions is naturally extremely delicate.

This thing is just like a musical instrument.

For people whose skills are not up to standard, the playing effect of a piano worth 30,000 yuan is the same as that of a piano worth 300,000 yuan.

But for masters who are technically proficient and can fully develop their tone, there is a huge difference between a piano worth 30,000 yuan and a piano worth 300,000 yuan. If you give a piano worth 3 million yuan, the performance effect will be the same as that of a piano worth 300,000 yuan.

The difference is huge.

This is no exaggeration at all.

Therefore, when you first learn to play musical instruments and play arrangers, the equipment is not very expensive and is basically entry-level.

The most basic thing, it has no sound at all, it is just for you to practice your skills.

Until your level becomes more and more advanced, ordinary equipment will naturally not be able to satisfy you.

Time flies and a month has passed.

Li Shaojie's production is also coming to an end.

These will be officially launched with the game, but will not appear in the leaks.

Most of this soundtrack is more suitable for background rendering and atmosphere enhancement in games.

The concert that broke the news will naturally choose something more suitable for publicity.

As for this breaking news event, preparations were quickly made and the time was set.

Li Shaojie also started rehearsing with the orchestra a long time ago.

As the opening ceremony of the news conference, the concert must arouse the memories and expectations of the players from the very beginning.

certainly.

Li Shaojie knows that the higher the expectations, the greater the disappointment.

But no one expects planning to be able to do human work. It is foreseeable that the popularity of the new version will continue for a while, but at present, it seems that the speed of elimination is getting faster and faster.

After all, clearing this type of game is a process of finding a template, and there are only two types: 0 clearance rate and 100 clearance rate.

If someone passes the level and finds the answer, more and more people will naturally pass it, and eventually it will be 100%.

The lifespan of a copy depends 100% on this process.

At the end, you must start working in the material mode, and then make it into equipment. In turn, you will torture this dungeon that is very difficult to clear at the beginning.
To be continued...