This concert is very special.

Whether it is the audience, the actors, the staff of the Vienna Hall, the critics, the musicians.

They all feel that this performance can no longer be judged by "success", "unsuccessful", "perfect" or "imperfect".

It seems that any words of praise seem so pale under such a magnificent movement.

Music can express emotions and thoughts that words cannot describe.

Obviously, Li Shaojie's performance this time was to the extreme.

From this moment on, the world of classical music went completely crazy.

No one knows whether music has a god.

But music has legends.

Among the many legends in the long history, Li Shaojie has firmly won a place as a legend that can be passed down for hundreds of years.

As the audience cheered.

From then on, as long as there is music, Li Shaojie's works will be a threshold that all researchers cannot avoid.

It has become one of the symbols that represents the highest achievement of human music.

This is even more obvious from Li Shaojie’s intuitive reflection.

In the past, when I performed some performances, there was definitely no shortage of compliments after the performance.

At that time, Li Shaojie felt that he could not lose himself in the sound of handsome boys and had to take a good look at himself, so he just listened to it for fun and did not take it seriously.

But this time, it was gone.

It is obvious that the eyes of the people around me are not quite right.

More fanatical.

It means to pay tribute and also to worship.

But this group of people just clapped and said nothing.

It made Li Shaojie feel somewhat lonely.

It's not expansion.

Just like after getting used to something, if it suddenly changes, it will cause people to be confused.

Finally retreated to the background and ended tonight.

The days that followed were spent dealing with follow-up work, negotiating the next cooperation, and then preparing to return to China.

In the small lounge backstage, Professor Jin, several officials, and Li Shaojie were sitting together.

Most of the people who work in music are shocked and are not very proud of compliments for the time being.

But the effect of this performance is actually helpful in promoting cultural diplomacy.

Several leaders of the local embassy were very happy.

When you go out, you should look good.

Li Shaojie's move can be said to have given the embassy a glittering face buff.

interesting!

"Comrade Li really got off to a great start this time."

The leader was very excited.

“It will be too easy to push forward some issues next!”

"Yes, from today on, when it comes to Western classical music, even famous classical cities like Berlin and Vienna must stand on the same level when it comes to China!!"

Professor Jin praised with a glowing face.

"Take advantage of the east wind, don't be anxious, be prepared and light a fire gently! Hahahaha!"

Professor Jin’s praise was so valuable.

After all, Western classical music is Western after all. China started late, has a weak foundation, and the education system is relatively rigid. Compared with Berlin and Vienna, in terms of Western classical music, the foundation is indeed poor.

For example, education is better at cultivating solo talents. At one time, many people even believed that "only weak people would go to the orchestra to hang out." This led to the rigidity of the orchestra and stagnant development.

It is difficult for ordinary orchestras to have outstanding talents, and the outstanding talents of top orchestras are too underestimated.

Looking around the world, China is indeed better at producing some outstanding solo talents.

Li Shaojie is also one of them, but this guy is a bit well-rounded.

A single solo performance cannot truly promote the development of the overall industry.

Finally, given the same opportunity, these solo talents are often more willing to cooperate with foreign orchestras, which in turn makes the development and reputation of domestic orchestras more difficult.

This is not to say that top international solo talents are not patriotic.

In order to make the work better, we will naturally choose the best.

Moreover, it doesn’t mean that I won’t cooperate with domestic orchestras at all.

On the contrary, I will be more willing.

It’s just a matter of priority under the same conditions.

In fact, before this, the top three choices of soloists were most likely the Berlin Philharmonic, the Vienna Philharmonic, and the Boston Philharmonic.

This thing is actually like buying a mobile phone back in the day.

I support domestic products and I bought domestically produced machines.

But if the imported machine is better at the same price, many people will choose the imported machine.

With development, when domestically produced machines take a serious stand, there will naturally be more people to choose from and more people willing to support.

Therefore, just because we know our shortcomings, we must promote development and never make rash advances in our development plans.

For example, this concert in Vienna.

Guojiao from China performed "Four Seasons" under the command of Li Shaojie with absolute neatness and delicate handling.

This has a crucial impact on improving the orchestra's international status.

Li Shaojie can completely hand over all tasks to domestic orchestras.

After all, the orchestra's work largely depends on the conductor.

With Li Shaojie here, the performance of domestic symphony orchestras will not be much worse than that of the Vienna Philharmonic. Even if there is still a gap, it will be much smaller.

But it's not necessary.

If you are too anxious, if you don’t have a specific reference and don’t have a large accumulation of works.

There will definitely be a saying in international evaluation.

[The success of the performance does not lie in the fact that the orchestra is working with Li Shaojie, it is Li Shaojie who made the orchestra become more powerful, making the orchestra overrated and easily revealing its true identity in future performances] and so on.

Maybe it has some relationship, but definitely not everything.

After all, no matter how fierce Li Shaojie is, he can't turn a primary school student ensemble into something comparable to Vienna.

The hard quality of the orchestra musicians themselves is what matters. In this regard, there is actually no obvious difference between the two.

But you must know that this more concise and deeply rooted judgment has a huge impact.

Enlarge a part, shrink a part, step on it one by one, step on it firmly, and create gaps.

For some foreign media, this thing is simply an ancestral skill.

Therefore, the best way to deal with it is to let domestic orchestras make a big appearance and show top international standards.

Then the big head will be placed on the Vienna Philharmonic, a veteran and strong team.

Create a reference for comparison.

Yes, attract the media and block the mouths of some unscrupulous media.

When the time comes, Li Shaojie will be the core.

I have collaborated on a piece with the Berlin Philharmonic, which was very powerful.

I have collaborated on a piece with the Vienna Philharmonic, which is very powerful.

Then, by cooperating with domestic symphony orchestras, one after another the same high-quality works were released.

It's also very fierce.

In this way, for the majority of viewers, an equation is established.

Jie Ge + Berlin Philharmonic = Jie Ge + Vienna Philharmonic = Jie Ge + domestic symphony.

Very good, remove one Jie Ge.

Done.

Don't ask, just ask, it's almost the same level.
To be continued...