Different languages ​​will not affect rehearsal.

The scheduling of symphony has its own system.

For example, in the score, the classification of musical instruments will be clearly written.

A single page score is actually equivalent to a line of a single instrument, which is also to allow the conductor to see the levels of the entire work more intuitively.

And scheduling is even more convenient.

For example, the five elements of a page score must be the string group composed of the first part of the violin, the second part of the violin, the viola, the cello, and the bass.

The instrument is marked in front of each line.

uti, which is the flute, abbreviated as (), Flauto

Olo is piccolo, abbreviated as ().

Volino

I, the first violin, the second violin, viola, etc., each has its own abbreviation.

For the world's top orchestras, these things are just the basics and common sense in common sense.

And in meticulous rehearsals, how can we achieve the results that the conductor needs without linguistic communication?

In fact, it is even simpler, far less difficult than imagined.

The division of musical terms is extremely cumbersome and rigorous, but extremely easy to distinguish.

For example, from weak to strong on the audio, there can be very weak pp, all the way to p, mp, mf, f, and ff, which can reach very strong.

If it is a gradual gradual or gradual weakening, there are also dim and cerc marks.

Such as the sudden increase of sf of individual sounds, the fp mark that becomes weaker immediately after being strong, etc., are actually very detailed.

Even the speed of music is divided into quite a number of categories.

For example, the grave on the bank is 40 shots per minute, and the most urgent prestissimo on the board is 208 shots per minute.

The middle includes rankings that many people have heard of, such as slow board, soft board, line board, fast board, etc.

Even the emotions required in music expression have very rigorous and corresponding common language.

There are even emotional marks of "Funebre", and the "sovereign" and "sovereign" maestoso, which are very similar to "focus" and "clear" mastolee.

The amount of information about these things is very huge and difficult for ordinary people to access, so there will be considerable differences when imagining the difficulty of rehearsals in classical bands.

This is why when Li Shaojie said he wanted to conduct more than 30 orchestras, audiences all over the world found it incredible.

【Even from the perspective of language communication, I feel like I have to use several pounds of translation to death】

Because, in the eyes of many people, even if you, Li Shaojie, do not need translation, can you ensure that the musicians in different orchestras do not need translation?

There is really no need for translation, or even communication.

This communication refers to routine communication.

But in fact, such communication is used in daily life and does not affect the cooperation of the works at all.

In terms of cooperation in works, the communication tools we rely on

It's just music.

Li Shaojie's dispatch is very simple.

When holding the microphone and need to be auditioned, the instructions issued are quite concise and clear.

“VI

1, Allegretto, Accarezzevole, mf!"

Such a simple instruction can inform everyone of the corresponding information.

The first violin, a small quick-pitched one, kind and warm, and a strong middle.

Directly point out the number of sections required for command, and then use the simplest instructions to command the whole body well.

The venue is indeed very large. If it is far away, you will definitely not be able to see Li Shaojie's command during the official performance.

This has another big problem.

In fact, when playing in an orchestra, every individual is small.

If it is indoors, it is a practice hall and a concert hall with a very good acoustic environment, which can fully listen to the overall music.

Even in a simple silent decoration room, there will be no rehearsal problems due to "not hearing".

But it's different outdoors.

Especially this feels like it is magnified thirty times.

If you are from the perspective of the audience, then the acoustic experience is excellent.

Needless to say, the radio collection is more targeted and scientific.

The performance is mainly aimed at the masses, and it is still necessary to make videos and put them on the Internet.

Therefore, the setting of acoustic conditions on the scene must be considered according to the video.

If indoor recording is used, then this event loses its meaning and leaves only the superficial grandeur.

It completely does not reflect the feeling of "how it is shocked when a band expands thirty times".

It still needs the actual sounding of the actual scene.

But this is the case

If placed on a single player himself, it would be less friendly.

You may not hear the sounds of other parts at all.

A large group of people around them are all in the same instrument, and you can only hear your own voice. If it is a farther away, you will be able to hear other voices.

I can only say that I heard it lonely.

In this way, it is difficult to distinguish the situation of "whether my tm is in good cooperation with other vocal parts".

Extremely prone to errors.

Through simple integrated instructions, decomposed layout and rehearsal, all you need to do is memorize it carefully.

When the ensemble is real, you only need to use the light to see a rough look.

But it is this "familiar memorization" that requires a lot of practice time.

This project is a huge challenge for every participant.

“Viola.”

Li Shaojie continued to issue audition instructions.

As Li Shaojie's words came to an end, the viola part began to play the corresponding sections.

Viola has always been the target of "persecution" in the orchestra.

It is all a minor meaning to say that horses are good and people are good and typing.

The international viola jokes are even more ruthless.

What is the definition of a quarter note?

It is the concept of two violaists playing the same sound.

------- This is a ridiculous joke about the fact that the viola in the orchestra is so rare that it is very similar to "thinking soy sauce".

What does it mean if a viola drools on both sides of her mouth?

It means that the stage is completely balanced.

------ This is often nothing in black viola, either sleeping or playing a monotonal to make it numb.

Is there any difference between a viola and a vacuum cleaner?

The sounds that are pulled out are unpleasant, but you must charge the vacuum cleaner before making a sound.

Is there any difference between viola and vacuum cleaner besides whether it is charged or not?

Yes, the vacuum cleaner does not require tuning.

How to prevent your violin from being stolen?

Put it in the viola box!

Of course, this is actually all black humor that belongs to the hell jokes.

Don't think that everyone is shadying the viola, the viola contestants are very injured.

But in fact, violaists themselves often become more ruthless in black viola themselves

At the beginning, many people actually discriminated against viola and regarded it as a joke, because the viola's range is not as low as that of cello, and most of them play a role in taking over it, and they are not as dazzling as violins.

But in fact, in modern times, even if the development of viola is not as good as that of violins, most violin skills can still be displayed on viola.

The difference is already very small.
To be continued...