(two thousand eight hundred and eighty-three) big picture
When he was standing in that position, he didn't want to see the "human eye" on the picture on the ground immediately. He wanted his eyes to avoid there, but Yu Guang still swept to that place. It was because Yu Guang just swept there that he still had the impression he had left when he saw it when he sat on the bed before that he could easily feel that the "human eye" was still looking at him at this moment. If he looked there seriously, he would actually feel that it was not that much like the "human eye".
When he suddenly thought that he didn't see anyone there when he saw it last time. After he felt strange, curiosity drove him to the picture and looked at the location of the so-called eye. In this way, he realized that the so-called eye was actually "formed" by him taking out something from the cabinet and landing on the picture.
Just as Tie Wandao squatted down and approached the thing that looked like a waterfall with his hands. After thinking that the thing made him look like a human eye just now, he picked up the thing that fell on the picture and put it back into the cabinet.
Then, Tie Wandao secretly told himself that the shadows in the room were just shadows, don’t care, but continue to piece those pictures. Then he continued to fiddle with the pictures on the ground, and repeated the pictures with the same content near the edge of the picture.
After a while, he put together all the pictures and formed a large picture. On that big picture, the suspected waterfall was not big anymore.
At this moment, he confirmed that the thing that looked like a waterfall was the waterfall in the underground space he had visited. Some places he could not understand before could be seen clearly at this moment.
He thought: So this is how these pictures are seen. Who painted them? Could it be the alchemist who designed the underground space? Are the words on the paper also written by the alchemist? Anyway, the words on the paper with the pictures were definitely not written by my father. What does "can" and "can't" mean? Could it be that the alchemist who designed the underground space with the Taoist was discussing with my father in order to record which place can be used to set something and which place cannot be used to set it?
Tie Wandao guessed right. Each of the small pictures was drawn by the alchemist who designed the underground space in front of Tie Wandao's father. The reason why the alchemist painted those pictures was to design everything that happened later. At that time, the alchemist was not sure where to set something, so he pointed to Tie Wandao's father and discussed it everywhere on the picture. Of course, during the discussion, we also had to test it through practice. After the discussion, although we had not finally decided where to set something, the alchemist had marked the place on the paper and where not to set it. The place that could be used to set something was marked "can" by the alchemist, and the place that could not be set was marked "can" by the alchemist, and some other places were places that were not yet certain at the time or were not considered at all.
The reason why the alchemist did not draw a large picture directly at that time was related to his use of magic.
Chapter completed!