Zhou Nan hummed: "Of course, I have been paying attention to them for more than two years. On the surface, the studios of the big theater and the studios of the small theater have more audiences, but behind the scenes, they reflect the production team that is dozens of times stronger.

And a more popular and popular performance method."

After a pause, Zhou Nan continued: "Many people think that the investment in a drama in a large theater is 20 times that of a drama in a small theater, but the box office revenue is also higher, which can be increased by 10 times. Although the return rate is low, the opportunity for actors to perform

The cost has also been greatly reduced. But this is only theoretical. The market habits of dramas have not yet been developed, and the vacancy rate is very high. Many of them rely on free tickets to attract audiences."

Zhou Buqi turned around and looked around, "Is it full?"

Zhou Nan said: "Yes, so this is the only one in the country. They have been established for 7 years, and it has only become popular in the past two years. Our classmates will come over to watch the show and learn from them when we have the opportunity."

Soon, the performance began.

There are three plays tonight, namely "Jianghu Academy", "Somali Pirates" and "The Count of Wulongshan".

It was also the first time for Zhou Buqi to watch it live, and he felt very good about it.

The performance of "Jianghu Academy" is obviously better, and the timing of the jokes is extremely accurate. "Pirates of Somalia" comes second, and the worst is "The Count of Wulongshan".

My sister gave a very reasonable explanation.

Because "Jianghu Academy" is a play from last year, it has been performed hundreds of times, and I have already mastered it. "Pirates of Somalia" is a play this year, and it is still being polished. "Earl of Wulongshan" is a new play, and it is

The premiere still needs to be refined by the production team.

Zhou Buqi suddenly felt that this model was very good.

Many people in the industry say that comedy is the most difficult thing.

A very important reason is that it is too difficult to grasp the sense of rhythm. The same cross talk, with a few differences in tone and wording, may lose the comedy effect it deserves. Even Uncle Benshan’s Spring Festival Gala skit needs to be done in a lot of ways.

It was performed in many small theaters, and it was constantly modified and polished before it could be performed on the Spring Festival Gala stage.

Comedy movies don't have such advantages.

The screening is a one-time event.

There is no room for modification.

This means the risk is extremely high.

If you can combine a comedy stage play with a comedy movie, adapt a successful stage play into a movie, or adapt an intended movie into a stage play and polish it repeatedly in the theater first...

This can greatly reduce the risk of comedy movie investment.
Chapter completed!