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Chapter 199. Why are you not afraid at all? (4000 words)(1/2)

There is nothing new about the award ceremony for the Ministry of Culture and Science Ministers Award. The only thing worth mentioning is that Minister of Science and Science Minister of Culture and Science Noko looks pretty good. Although she looks average, she gives people a feeling that it is easy to get along with.

Higashinoji took the certificate of the Minister of Science Award from her, and then smiled at the camera and said a few words of scenes, saying that he would continue to work hard and then got off the stage.

He was still thinking about what comics he wanted to draw, and he won the award ceremony, and his reputation rose. He could just mess with other things, so he could do it so seriously.

But what Higashinoji thinks does not mean that media people think the same way.

As the youngest young man present and pretty good-looking, he can be said to be full of news explosions everywhere, so of course these media reporters must keep an eye on him.

This led to the end of the award ceremony, Higashinoji, who had just stood up and took two steps before he could walk around, was surrounded by these journalists and media for interviews. Most of the questions were, "As the youngest winner in the history of the Science Minister of the Ministry of Culture and Culture, how do you feel now?" or "I can win the Science Minister of the Ministry of Culture and Culture at this age, do you have any tricks for Higashino?"

Higashinoji smiled and answered several questions in succession, then he said that he had some urgent matters at home and would no longer be with him.

When facing the media, as long as you don’t fool them casually or recklessly, think about the questions carefully before answering them, there will be no big deal.

He quickly left the New National Theater of Japan and called a taxi so that he couldn't see the large number of reporters behind him.

Now it's pure.

Higashinoji sat in the back seat of the taxi and began to think about what kind of comics he wanted to draw.

To be honest, he is not short of excellent comic scripts, the key is that it is too difficult to make a choice.

What to draw?

Do you want to paint the "Tokyo Love Story" that was popular in Japan back then?

This drama is good. It was regarded as a love sacred book by many Japanese women back then. At that time, the "Tokyo Love Story" became the ancestor of "pure love Japanese drama". Many Japanese women were feeling that "ah, it seems that this happened to me" as they watched it. In addition, it is now 2005, and the trend of Japanese girl comics is in full swing, and many Japanese girls especially like to read girl comics...

Higashinoji thought about it, then shook his head and killed "Tokyo Love Story".

The last time he drew "The Victory Is Justice" in "The Cold", he was already a deviant move, but it was a professional comic, which was barely reasonable.

But if he had to draw a girl cartoon on "The Cold"... this joke would be a big deal.

Not to mention whether Hosokawa Koharu agrees or not, Higashiji also feels that it is inappropriate.

So you can't choose "Tokyo Love Story" here.

So is it a painting of "Hanzawa Naoki"? It's just that this is also a professional comic. There will be no problem with serializing it in "Aversion to Cold". And each episode has a hit point. It was so popular in Japan that year that it was a mess, which re-affected the hearts of the entire Japanese working community. At that time, I don't know how many paper media reported the news about Hanzawa Naoki. The last episode finale was 42.2%, which was 30 percentage points higher than the average viewership of "The Winner Is Justice". It is a real "magic work" in the eyes of the Japanese.

The last time Higashinoji and Koharu Hosokawa discussed it, he took out a storyboard draft about it, but at that time he thought that serious workplace comics like "Hanzawa Naoki" were not very popular, so he put it aside for the time being and put it down.

But after he learned about the Japanese comic market in the past six months, he found that what is missing in this parallel world is this kind of serious professional comic. If it really succeeds, Higashinoji might be able to cut off the title of "Father of Japanese Workplace Comics" - this title is quite attractive, and in a sense it can also enhance Higashinoji's influence in the comic industry.

But to be honest, there are too few good scripts like "Hanzawa Naoki". In addition, the current Japanese comic market is muddy. It is reasonable to find such a workplace wise manga that simply talks about intrigue.

After all, TV series and comics are two different carriers.

Although Higashinoji's "The Winner Is Justice" has become popular, it is because its original TV series has a strong comic atmosphere. It is not strictly a serious workplace script, but it is quite in line with the market.

But "Hanzawa Naoki" is different. It is completely a workplace. Human nature takes turns to dissect traditional skills. If you draw this thing, it may have an impact on many people... I have to be careful.

Like "The White Tower", it is also a very serious type as a workplace drama.

"So before painting "Hanzawa Naoki" needs a transition... Let's take a look at the acceptance of this kind of professional comics in the Japanese comic market today."

Higashinoji thought to himself.

How to find a workplace script that is popular among Japanese youth, but also not to make the atmosphere of the whole plot too serious, is also the difficulty.

And Ozawada made a statement. Next, the two major publishers will suppress his new comics and use the number of comics to squeeze the number of fans during the serialization period of Higashinoji.

To be honest, as long as a man is not willing to give in, the same is true for Higashinoji.

The other party has already said this, so he must take the call. H not only needs to take the call, but also slap them back in the face with the sales volume of a single volume, making them bruised and swollen.

Here we need to make careful consideration and repeated selection.

As he was thinking, Shi Higashino couldn't help but like to reach out and gesture slightly. Just as he was concentrating on thinking, he inadvertently glanced at the system page.

Speaking of which, the next painting skill of the system requires a total of five million points.

This is a big number... But when I looked at the system's description of the painting skills of "speech and sound", Higashinoji was also a little curious - 'The admirer can hear the sound in the world of the work through your works.'

What does this sound mean?

I can't draw musical comics.

Higashinoji was a little funny.

He can only say that he is a rough understanding of music theory. At most, he only knows the quadratic score and can help copy lyrics and song scores.

Asking him to draw a comic that specializes in music... It's a bit difficult... This skill is a bit useless.

But...the music type?

Higashinoji's mind flashed, and then he freezes, and the impression of a Japanese drama emerged in his mind.

“Unnatural Death.”

This is a TV series that specializes in Japanese forensics. It mainly tells a series of stories derived from the forensic protagonist Mikoto Misumi's work in UDI in the folk forensic organization.

Unnatural death, which was translated from China at that time, means death that occurs early due to factors other than the laws of life or disease development - that is, death such as murder and poisoning.

At that time, Higashinoji actually liked this Japanese drama, after all, the rhythm of this drama was very perfect. He even won six awards for the Japanese Drama Academy, known as the Oscar of Japanese dramas, and had a long-term viewership of the top three, which was also a topical masterpiece at that time.

The first episode of the previous episode used a unit to draw out various characters, erecting the characters in the play, and also had a gimmick of "Japanese forensic dissection rate is the last country among developed countries" and the sentence "In Japan, 80% of the deceased were randomly named after death without undergoing forensic dissection and sent to cremation."

This is indeed true in the drama "Unnatural Death". Japanese forensics are originally a standard 7K job.

The 7K here does not mean earning 7,000 yuan a month, but the so-called "tired, strict, unable to go home, strict regulations, cannot take leave, do not wear makeup, and cannot get married".

I have this technique and I don’t know how delicious it is to be a doctor in Japan, but I can make a lot of money. Who is willing to be a forensic doctor?

People who can be forensic doctors are basically people who use their love to generate electricity.

This is also an important reason for the scarcity of forensic doctors in Japan.

Of course, Higashinoji is not concerned with the topic of the drama "Unnatural Death", but its plot.

This drama happens to be the "trick" choice Higashinoji needs now.

Moreover, the plot is interesting enough, not too serious, but it is not as funny as "The Winner Is Justice". Higashinoji thinks it is absolutely fine to draw it.

As a professional forensic drama, it tends to be more detective reasoning, which is also an advantage - there are many mystery fans in Japan, and there are also mystery comics in "The Cold".

The reason why Higashinoji thought of this drama was also because of the theme song "Lemon" in the drama... Yonezu Kenshi was indeed a musical genius in Japan at that time. The faint sadness and purity of this song "Lemeon" also added a lot of bonus points to the drama "Unnatural Death".

During the Celestial Empire, Higashinoji often heard his apprentices who were learning to draw pinch their cell phones, and from time to time they called "Eighth Master, Eighth Master" there.

There is also a painting skill that can dictate the sound and sound. Can you think of a way to tinker with "Lemon"? Because of the Minister of Science Award of the Ministry of Literature and Culture, Higashinoji's reputation points are now more than 2.5 million... and it is still soaring. Maybe the song "Lemon" can be reproduced in "Unnatural Death".

The more I think about Higashinoji, the more new theories I have, the more I feel.

Although the system has never had any sense of existence, I didn't expect to help a lot at this time. Higashinoji nodded with satisfaction.

Since I have already thought of this, I will choose "Unnatural Death". By the way, I will add some knowledge about forensics in the past few days - just have normal medical knowledge, and you don't need to be proficient.

He made a decision in his heart and also became confident that "Unnatural Death" would definitely be able to slap the other two major societies, so he got off the car and walked towards his home.

He is going to think about some details.

The goal has been set-

Slap the two major societies in the face!

......

Hosokawa Koharu leaned on the office chair, his eyes wrinkled, and he sighed from time to time, his face full of helplessness.

There is no way... This is really helpless.

She just came out of the office of Urashima editor-in-chief, and also got the news that the other two major agencies may be targeting her in the last few years that Urashima Publishing House’s first-class player Higashinoji.

Why doesn't this hurt her?

This time is different from the last time Ken Komori was unprepared. Whether it was Mochi Bookstore or Iwakao Publishing House, even No. 1 thugs like Ozawada were used.

From this we can also see that they all sharpened their knives secretly for a long time, and they wanted to cut off Higashinoji's head in one fell swoop.

This is completely different from the villain in some comics who are waiting for the protagonist to grow slowly. Higashinoji has just entered the industry for a year and they are thinking about taking action - this is too unauthentic, right?

In this regard, there are two alternatives given by Editor-in-Chief Urajima.

The first one is to expect Higashinoji to come up with new and better manuscripts... but this approach is actually a bit of a loss.

After all, we have to compete with the comic authors of the two major publishers to compete for single volume sales together... This method is very unstable, and for the publishers, the more stable the better.

The second option is to temporarily let Shi Higashino slow down the update, so you don’t have to rush to take out the new manuscript.

Wait until the popular authors who completed their works in the two major societies took out new comics and staggered the serialization date with Higashinoji, and then asked Higashinoji to start serialization.

This method is much safer, and Higashinoji won't suffer much damage, at most it's just a little bit of energy.

Two alternatives...

Generally speaking, the second solution is relatively stable and rational.

But Koharu Hosokawa knew Higashinoji's character, and he took the initiative to give editor-in-chief Yamano Yukio of Iwakatsu Press last time, which shows how he took the initiative to suck Editor-in-Chief Yamano Yukio of Iwakatsu Press.

He is definitely not someone who is willing to compromise.

Especially this kind of accustomed to the point of being frustrated.
To be continued...
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