Chapter 342. How to write tomorrow's news? (8000 words)(1/2)
At the beginning, Higashinoji actually didn't have the idea of drawing Sakai Insumi.
It was not until he heard Xiao Yuyan mention the accompanying dance and singing that this idea flashed in his mind.
Sakai Izumizu, a Japanese female queen in her previous life, and she was a type of breaking the circle. In the true sense, she could rule an era. Even in the Celestial Empire, she had a lot of fans.
In the Japanese animation industry, she also has many works, such as "My Friend" in "Slam Dunk", "Detective Conan" and "Wheel of Fate" in "Stranger"... It can be said that both the otakus and the fans have a special liking for this pure and shy female queen.
Similarly, Sakai Izumizu also has the reputation of "the peak of yellow people's appearance" -
But, whether this is exaggerated or not, Higashinoji doesn't want to comment.
But...If he can really use his painting system skills to restore Sakai Izumi and move it directly to the NHK Red and White Song Heba...
Isn't this a steadily taken?
What is Yukie Oura, what is the finale of the Red Group... In front of this national-level "sister", we have to go to the other side - this is the real senior in the Japanese music industry.
"Don't Give Up" is known as the strongest support song "Ten Years of Lost Bubble Economy", which is what she sang popular and popular.
With the "original singer" being next to him, Higashinoji's "pseudo original singer" has even more confidence.
It's like Yukie Oura is still working as a primitive man to drill wood to make fire, and Higashinoji here has formed a Galaxy battleship... This is not of the same magnitude at all.
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And with this idea, Higashinoji began to take action, recalling the days when he heard Sakai Izumizu "Don't Give Up" and the pure and shy image of Sakai Izumizu in his previous life.
I guess everyone knows this.
When a person recalls a beautiful thing, his mind will always subconsciously beautify it even more.
This is human instinct, and Higashinoji is certainly not immune to the vulgarity.
So when he recalled the moment he drew Sakai Izumizu in a pencil sketch...
Higashinoji himself was stunned.
no...
Is Sakai Insumi so beautiful in the previous life?
Why is it so beautiful?
He looked at the sketches placed in front of him and couldn't help but rub his eyebrows.
The Sakai Insumi on this painting is indeed too beautiful... Although he thinks that it is not as beautiful as Konowa's Cold Flower in his subjective consciousness... but this... is a bit too exaggerated, right?
Higashinoji was amazed for a long time before he let out a sigh, "It's true that it's me, only I can draw it so beautiful, right?"
Although this has a bit of a boastful taste.
But it has to be said that the Sakai Insumi painted by Higashinoji is indeed very restored... Even under his personal subconscious beautification, he vaguely surpassed the appearance of Sakai Insumi in his previous life.
Sakai Izumi is shy and pure, and is not used to facing the camera. When singing, she will secretly glance at the camera, as if under such actions, she can relieve her nervousness.
This is the Sakai Insulin Water restored by Higashinoji.
There was a portrait of Sakai Izumizu on the paper. She pinched the microphone and did not have too many movements like other singers. She just showed her pure and shy face and sang her songs.
Of course, this one is definitely not enough.
Higashinoji thought about it and decided to use the "animation" method to show Sakai Izumizu's action of walking on stage.
At that time, he will let NHK play the coherent movements of Sakai Izumi from his painting on the LCD screen at the rear.
She would walk from far away to near, pass through the LCD screen, and 'stand' next to Higashinoji.
The singing movements of Sakai Izumizu are much simpler.
In Higashinoji's memory, this Japanese national queen did not move any movement on the stage. At most, she stomped her feet gently with the rhythm and leaned forward.
This is very simple, and it doesn't take long to draw Higashinoji.
It was just like this that he kept drawing and making small animations, Higashinoji successfully invited the "Sakai Insumi" from his previous life to the stage.
This is the killer weapon mentioned earlier by Higashinoji.
Don't say anything else.
With this killer move, Higashinoji felt that the small pistol in his hand was replaced with a rocket launcher. Even if Yukie Oura performed well, it would be useless at all.
It was when I was thinking about this that the red group in front began to perform.
The final female singer of the Red Group is named Ayusa Kohama. She is a very experienced actress. She is already fifty-six years old this year. Even Yukie Oura respectfully lowers her head and calls out to the top senior, not daring to say a word.
The so-called song performance is actually a kind of Japanese folk song genre. As a must-see program for Japanese people, the audience is not only young people, but also some Showa elderly people.
Unlike the current Japanese youth, performing songs is a memory of their era, so the status of performing singers in the battle between red and white songs has never been low.
Similarly, this is also an important reason why NHK chose "Don't Give Up"... "Lemon" is too young, and they also have to take care of the elderly audience.
Looking at Ohama Arisa wearing a kimono and singing New Year's Eve songs, Higashinoji couldn't help but nod.
Not to mention anything else, this song does have a sense of the times... although he can't appreciate it.
At this time, the singers from all other groups had almost stood on both sides of the venue according to the Red Group and the White Group, and were ready to welcome the last song according to the instructions of the general host.
"It's finally going to start."
Seeing the finale of the Red Group on the stage, he finally finished singing, and Takahashi Yumi below revitalized her spirit.
"What does it mean to 'finally start'? Didn't you just listened to the first half and spend the rest of your time sleeping?"
Fujiwara Aoi next to her looked at Yumi Takahashi with some sigh.
She didn't know why Yumi Takahashi could still sleep in such an environment. You should know that the contestants who fought with the red and white songs were singing at the top of their voices...
"Hehe... there's nothing we can do about this."
Yumi Takahashi touched her head and replied embarrassedly.
Although the scene of the Red and White Songs in the Battle is indeed a strong atmosphere, and the songs the singers sing are also quite good, no matter how good the songs are, they will naturally get tired of it after listening to them. After all, the Red and White Songs in the Battle is one mode, singing and singing, and continuing to sing...
She couldn't stand it anyway and wanted to sleep.
However, as the song of Higashinoji as the big axis... Takahashi Yumi will definitely not miss it!
"The glow stick is ready! Now I'm waiting for Teacher Higashino to come out!"
Yumi Takahashi took out the glow stick props specially prepared by NHK studio, broke them tightly, and looked at the stage excitedly.
Chisaki Higashino and Ryoka Kome next to him heard the words of Yumi Takahashi and the others, and did not hesitate. They snapped the glow stick and waited for Higashinoji to appear.
That is in this case.
After the white group host came out to interact with the following guest judges, he began to introduce:
"The number of themes of the Red and White Songs this year: the song brings power. In 2004, the ending song was - "Don't Give Up" by Higashinosan."
This is undoubtedly a very simple introduction, but it made many viewers below and in front of the TV.
The battle between the red and white songs is in advance to build momentum.
Higashinoji and Yukie Oura conflict...
This is undoubtedly a topic of interest.
It was under such curious and interesting gaze that Higashinoji appeared in the middle of the performance stage.
He didn't make any preparations, just pinched the microphone and spoke directly: "I will always remember the happy heartbeat when I meet you in an accidental moment."
Listening to Higashinoji's clear and transparent sound lines, Yukie Oura, who was standing in the middle of the red group, couldn't help but show a surprised expression.
This...is not a voice-sharing? But Higashinoji himself has this voice?
This is unscientific...and this singing skills are so good.
and...
"Why does something seem to come out on the big screen behind it..."
Yukie Oura couldn't help but mutter in a low voice.
Yes.
As soon as Higashinoji appeared, the entire studio darkened, and the only light in the audience hit Higashinoji.
But before I knew it, Yukie Oura clearly discovered that the large LCD screen behind Higashinoji was lit up.
That's...
"painting?"
Not only Yukie Oura asked such a question, but even Yumi Takahashi, Aoi Fujiwara, and others in the audience were also a little surprised.
First it was a small dot in the distance, and then gradually became a figure...
It was not until this time that Konoha Lianghua and others below could see clearly.
That was a young woman.
As the camera on the big screen continued to stretch, the woman got closer and closer until she "standed" by Higashinoji.
It was indeed "stand" by Higashinoji.
To be continued...