He said that, and handed out the brochure and continued to explain: "The location is located in the National Western Art Museum in Ueno."

"Oh? Did President Mujima contact such a good place?"

Higashinoji became interested.

Tokyo National Museum of Western Art.

The art museum is located in Ueno, a gathering place of Tokyo’s cultural facilities. Japan also specially designated this art museum as an important cultural property.

Higashinoji had taken time to visit it before. It was a very atmosphere and looked very heavy art gallery.

He took the brochure, but did not open it to read it, but asked: "I don't know what the theme of this exhibition of the New Century Art Association?"

Generally speaking, art gallery art exhibitions are mainly divided into two types.

One is a permanent exhibition. There is no set deadline to display the exhibits in the art gallery. This is a permanent exhibition.

The exhibition of the project is to set a theme, such as "war", "season" or "abstract", and exhibits that match the theme are displayed with date restrictions.

The New Century Art Association must be the exhibition of the art this time.

Moreover, Higashinoji estimated that the works they had were still insufficient and the quality would not be too high.

Otherwise, I wouldn't have brought myself, a second-rate professional painter, to make up for the numbers.

Although Higashinoji won the Minister of Science Award from the Ministry of Culture and Culture, it is also in terms of graphic design. Strictly speaking, it can only be considered as being at the edge of traditional art.

“This time the theme is about the season.”

Hiromi Hiromi Higashinoji asked a question and immediately replied: "Spring, summer, autumn, winter... choose any season to paint, and the subject matter is not limited. However, when it comes to spring, summer, autumn and winter, it is estimated that many members will paint scenery."

What he said made Higashinoji nodded.

It seems that Hiroki Kishima doesn't know anything about art.

Spring, summer, autumn and winter are the four seasons of nature, so it is undoubtedly much easier to paint natural scenery.

But since it is such an easy-to-solve theme...

Why did Hiroki Kishima take his time to find Higashiji again?

This made Higashinoji a little confused.

Just search for members of the association casually, and there will probably be many scenery paintings, right?

It seems that I can see Higashinoji's thoughts.

Hiroshima Kishima also showed off his barefoot attitude of not being afraid of wearing shoes, and said with a smile: "Teacher Higashino must be very strange. This theme is obviously not difficult to solve, why do you still have to come to you, right?"

"In fact, we have something to hide this time."

Hiroki Kishima sighed and gave a wink at Kageyama Fumita beside him.

After receiving the instructions from Hiroshima, Fumita Kyoyama also took the initiative to explain the reason clearly.

It turns out that the New Century Art Association holds four or five exhibitions every year to stabilize its position in the Japanese art world.

The time of these exhibitions is basically set.

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The National Western Art Museum has also communicated and said that the exhibition will be held this month.

But who would have thought that during this preparation period, the Uesugi Art Association on the other side suddenly jumped out and said that the exhibition would also be held.

This is clearly a competition with the New Century Art Association.

Moreover, this sudden situation also disrupted the original arrangement of the New Century Art Association.

Hiroshima's original attitude was to simply put some works that had been exhibited before. If there are not enough quantities, put some works that are of good quality to fill in the numbers.

After all, some art lovers actually only look at those famous finale works, and they don’t catch any colds on the works of other painters.

But the Uesugi Art Association suddenly jumped out, obviously with a provocative attitude... Of course, the New Century Art Association cannot be left behind, and just kept silent and beat the Uesugi Association.

So a secret contest began.

Kimijima Nakahiro communicated with the Art Museum and revoked seven or eight paintings originally intended to be used to make up the numbers. He went to other Japanese art museums and borrowed some works of painters with good reputation in China.

But even so, the number of seven or eight original works is still not easy to make up for.

One of the important reasons is that there should not be too many loaned works, and there must be some works by the New Century Association.

Otherwise, the works of the New Century Art Association were all loaned... How embarrassing would it be to say that?

You must be unable to bear the burden of face!

As literati...artists... generally take their face seriously.

After all, face is linked to their income.

Like the infamous professional painter, no matter how well he paints, the words "I am not worthy of virtue" in the newspaper can block you tightly.

So Mujima Nakahiro and his team began searching for members and honorary members, hoping to find a few more famous authors with good painting skills to help support the game.

Looking for! Must be looking for!

In this case, Shi Takashi Higashino, as honorary vice president, stood out, and was almost caught by Hiroshi Kishima at first sight.

The most important thing is that Higashinoji is the comic author of Tomoji Publishing House.
Chapter completed!