Yin Jun and Toshio Suzuki have a good relationship.

As the editor-in-chief of Qilin Bimonthly and as a very responsible person, Suzuki Toshio often goes to the headquarters of Qilin Weekly to learn from the scriptures, and often stays for several days.

Every time Yin Jun meets him, he will treat him to a meal and talk about the current status and direction of development of Japanese comics industry.

Although Toshio Suzuki knew that this was because the Japanese animation market was the largest in the world and the most profitable sales place for "Qilin Weekly", Yin Jun's kind attitude still made him feel disappointed.

Moreover, Yin Jun was very reasonable. He was very familiar with the entire comics and animation industry chain in Japan. This is probably related to his daily attention to intelligence collection.

So no wonder "Qilin Weekly" sold so well in Japan, because Yin Jun already knows Japan very well. His preferences!

If Yin Jun was just a very famous genius in the past few years, then Yin Jun can almost be ranked among the top three super rich people in Japan.

Such a big man still treats himself as before, without any arrogance, Suzuki Toshio could certainly feel it.

It is rare to see people who have achieved such a great career but can still maintain their true intentions.

So this time after getting this creative script, Suzuki Toshio called Yin Jun specifically to express his doubts.

"Why did you not get such a good story to serialize in "Qilin Weekly" but hand it over to us?" As the editor-in-chief of "Qilin Bimonthly", Toshio Suzuki asked very bluntly.

He wouldn't believe that Yin Jun didn't have the energy to make this comic.

Because even a super immortal classic like "Slam Dunk", Yin Jun gave the creativity, story and character settings, and then handed it over to the screenwriters and artists of Qilin Culture.

These screenwriters and artists who have been tempered for four or five years are already familiar with understanding Yin Jun’s story and meaning.

For the market, they can accurately grasp the readers' thoughts and create comics that meet market expectations.

The story given by Yin Jun is obviously a very good and very interesting story.

If you take it in "Kirin Weekly", you can't say that you'll surpass classics such as "Ke Lan", "Slam Dunk", and "Saint Seiya", but it's not impossible to become a top-notch comic.

How could Yin Jun be willing to take out such a big piece of fat?

Even if Yin Jun is willing to take it out, will the Qilin Culture Headquarters be willing to give it up?

It was not for Chinese cartoonists, but for a Japanese cartoonist. What is the reason?

Judging from Toto Suzuki's understanding of Yin Jun, although this genius is kind and willing to help others, he is a person with a strong sense of family and country.

For his own country, Yin Junke has often fought with others in Xiangjiang, and has never rarely suppressed those who have different ideas from him.

As long as this aspect is involved, the genius will immediately turn around and turn into a cruel and cruel tyrant, and beat others up in a mess.

The same goes for cooperation.

For example, in animation production.

It is clearly one of the best production standards in Asia and the best quality, but Yin Jun still chose to let the mainland Shanghai Art Film Studio produce half of the animation.

Even though the artists and animators there were behind, Yin Jun didn't care at all and sent them to Japan, China and the United States to study.

Even though the equipment there is not complete and very simple, Yin Jun simply donated the latest equipment directly, and spared no expense.

In this case, even if Yin Jun wants to let cartoonists from other companies draw, he can find cartoonists from the Shanghai Art Film Studio in mainland China!

There is also a tradition of comics there!

Something was obviously wrong, so Toshio Suzuki naturally had to ask clearly before talking about it.

With his relationship with Yin Jun and his understanding of Yin Jun, I believe Yin Jun will not hide it.

Although Toshio Suzuki is about to take charge of an animation production studio and will no longer take charge of "Qilin Bimonthly", Yin Jun will never ignore it.

Besides, this animation production studio was also wholly-owned by Yin Jun, with an initial investment of 1 billion yen, so Toshio Suzuki was not exiled, but was entrusted with important tasks.

When Yin Jun heard Toshio Suzuki's question, he did not hide it. "Mr. Suzuki, firstly because I think the style of this cartoonist is very suitable for my story. Secondly, because Japan is now the largest comic market in the world. If all my comics occupy the market, it may cause a lot of trouble.

Therefore, I should support a few more days. Even if they only cooperate with me, it will be easier for people to accept in name. Whether you believe it or not, the comic industry always has many heroes. I look forward to one day when other people's comics can surpass me and become the world's number one."

When Suzuki Toshio heard this, she smiled bitterly, "You want to support the newcomer. This is a good idea, but if anyone can surpass you, at least before I die, I will definitely not be able to see it!"

His words were very serious and sighed, and they were absolutely out of sincerity, without any falsehood or flattery.

Yin Jun’s worries cannot be said to be too unnecessary.

Japanese comic fans certainly admire and like Yin Jun's comics very much, but if they are incited by people with all kinds of reasons, it will still cause some trouble.

This is why Yin Jun insisted on cooperating with Deji Bookstore to make Deji Bookstore grow and grow.

This is also why Yin Jun would rather divide the interests than tie him to the Asahi Group.

The stronger your partner is, the more guaranteed your own interests will be.

Not to mention anything else, even in the online society like this in 2020, the animation industry did not collapse in Japan, and at most it just weakened a lot, which is worth Yin Jun's investment.

The market of developed countries with a population of more than 100 million cannot be discarded.

One of the reasons why Toshio Suzuki admires Yin Jun very much is that Yin Jun’s willingness.

He is willing to share huge profits with others, which will unite many people.

Including what Yin Jun said, letting Japanese cartoonists draw his creative scripts is a way to share the benefits.

But from another perspective, Yin Jun’s last sentence was too modest.

Even if others can produce a shocking comic, even if he is so amazing that he can produce two equally top-notch comics, it is absolutely impossible for him to have a third one.

This is a summary of the comics industry over the past few decades.

Generally, a cartoonist has the most outstanding one, at most two.

The remaining works are either repeating their own classics or slowly returning to silence through continuous innovation until they retreat.

But Yin Jun is different!

As soon as they started, they started with 13 super first-class and first-class comics. In the past three or four years, they have been adding three comics every year, and they are all kinds of, all in all kinds of things.

It’s not scary to have all kinds of things, but what’s scary is that Yin Jun can do it in any category!

Sports, fighting, adventure, hilariousness, detection... etc., which one does not have a top-notch classic?

If we use a popular saying from the mainland in later generations, Yin Jun started by standing directly at the end of victory, how could you compare with others?

So this summary is ineffective for Yin Jun.

But it is still effective for other writers.

Therefore, Toshio Suzuki said without hesitation that he would definitely not be able to see it before he died.

No matter what, Suzuki Toshio understood the meaning of Yin Jun sending out the comic script, so he called the young man that Yin Jun valued very much today and solemnly handed over Yin Jun's script settings to him.

"Araki Jun, this script is one of the best comic ideas I have ever read. Please treat it well and don't let Mr. Yin Jun down on his expectations of you." Toshio Suzuki said seriously.

"yes!"

Riyuki Araki also took the script and setting book with both hands, "I will definitely work hard and will not disappoint you, Mr. Yin Jun and the editor-in-chief Suzuki!!"

After taking Yin Jun's script settings, Araki's hands were trembling.

Looking down at the name, "jojo's wonderful adventure"...

The meaning of these Chinese characters is still understandable by Ritsuno Araki. After all, Chinese characters and Japanese characters have basically the same meaning.

It's a story about adventure!

Ritsuno Araki suddenly felt very moved and wanted to open it and take a look.

This excited young man must not know that this work is the most famous work he has ever lived with and has been with him all his life.

However, the name of his published work was not the current pseudonym Araki, but a different name.

Called

Yoshi Araki!

Yes!

He is Hirohiko Araki, one of the top ten cartoonists in Japan.

The movie "Jojo's Wonderful Adventure" made him popular all over Japan. At the same time, it received very high praise.

In this regard, he is very similar to another top ten comic artist, Masami Kata.

Both of them conquer the world by the same comic, and they are both famous for their comics.

The difference is that Masami Cheda's comics are full of justice and friendship, while Hirohiko Araki's comics are very vicious and full of incredible things.

Because this comic does not conform to mainstream social concepts, it has many dark things as it goes on, so for a long time, it was the same underrated work as "Death".

However, the success of "Jojo's Wonderful Adventure" is obvious to all.

The most amazing thing about it is that Hirohiko Araki added the super power of "stand-in-one" to the characters inside.

This kind of "stand-in" was later used in many comic works, and they were all very outstanding.

With this one, Araki Hirohiko is a person of the founder of the mountain.

Moreover, Hirohiko Araki has another great advantage. He has painted "Jojo's Wonderful Adventure" for decades, and it spans hundreds of years. Except for a while when it was a little confused, the overall situation did not collapse!

This is amazing!

Many cartoonists don’t know how to draw halfway through the drawing. The plot is completely a mess, so they end in a hurry, commonly known as the unfinished one.
To be continued...