Sun Yi looked at the gradual changes in this room.

For a moment, I didn’t even know how to deal with it.

After all, the logic of this change is really too strong.

What you need to know is that this illusion has existed until now.

From Sun Yi's perspective, they are all at a relatively high level.

Whether it is the smoothness of the scene transition, or whether it is a brick, a tree, a grass or a table.

Its degree of reality or touch, in Sun Yi's opinion, is completely flawless.

Not to mention, Sun Yi had already carefully inspected this place before.

But now, Sun Yi is really confused.

Such a powerful illusion.

Even Sun Yi is not capable of controlling it now.

What kind of devil is this?

How did he manage to be in it?

You can actually do whatever you want.

This is definitely no joke.

But really do whatever you want.

Yes, this wall is already undergoing decomposition changes.

The doubt is that the picture of this central hall is peeling off little by little.

Or maybe it's the change in the entire room now.

It's all very obvious.

Even Sun Yi can only guarantee that the two bricks he is standing on are relatively safe and stable.

And then there are other brick surfaces some distance away.

There were actually signs of separation gradually.

And just behind these things decompose and scatter.

Sun Yi saw that flash of white again.

Yes, just like when Sun Yi first came out.

When facing the entire space.

The pure whiteness I feel.

It is white without any impurities in it.

It is the clean white that seems to build the whole world.

It's as if the whole space should be white like this.

Looking back at the house now, Sun Yi is standing.

It seems like something that doesn't belong here originally.

Or maybe, although this house is extremely real.

But compare it with the whiteness of the entire space.

But it can only be regarded as a later product.

It's like, this is just a temporary building.

And with the end of use.

It actually started to decompose bit by bit.

Now whatever is the threshold of the entire room.

Or the window spirit of the window.

As long as it is based on the original vision.

Things that are not on the same plane.

All of them were folded one after another.

Among them, there have been many, many, large-scale differentiations.

It turns out that this is just a visual differentiation.

But soon, Sun Yi could see it.

This turned out to be completely spatial, and it was also distorted.

That's what's inside these houses.

It all started to break down based on the visual aspect.

This decomposition is very mysterious.

This is not a breakdown of individual objects.

For example, the ornament with many children and many blessings that Sun Yi looked at just now.

Its decomposition form is very simple and crude.

It is not a whole ornament, it floats directly.

Instead, the entire ornament floats at the same time.

The interior is also being decomposed bit by bit.

The fat dolls with big heads and the cloth bag with the word "Fu" written on it behind were separated.

At the same time, the fat doll itself was also broken down bit by bit.

But it doesn't decompose along with the body parts.

Instead, it follows the visual presentation of the doll and slowly decomposes it.

This level of decomposition alone is actually not surprising.

But the key is that Sun Yi's eyesight is really good.

Probably just in the state of consecration.

Therefore, it is actually more sensitive to factors such as light.

Because of this, Sun Yi has undergone so many changes.

Capture so many details.

It is the grasp of these details.

But it shocked Sun Yi even more.

You know, it's possible to achieve this level of decomposition.

This is not a simple decomposition of objects.

It's about breaking down the object.

It's too difficult.

This is achieved, the object is sensitive to light.

In other words, the decomposition of the perceptual level of objects.

If you want to achieve this level of decomposition.

So this requires more than just an understanding of actual objects.

It has reached a whole new level of cognition.

Sun Yi couldn't even understand.

Why, you are in a setting of a world of cultivating immortals.

How come there are so many of them? It’s completely inconsistent with what’s set here.

This can no longer be simply called something weird.

But this thing.

In fact, it has begun to involve a deeper understanding of things.

This kind of fantasy design has transcended the form of things and directly sees the photosensitive surface of objects.

Sun Yi really wanted to praise him.

This is really a very high level.

Just, there's a problem.
To be continued...