Higashinoshi does not have the psychological scenes of Asakura Kihiro and Kimijima Nakahiro.

He just kept his head busy painting, from morning to afternoon, and until today, he finally finished painting the oil painting at hand.

“This progress is too great.”

Looking at the oil painting in front of him, Higashinoji couldn't help but touch his chin.

This painting can no longer be said to be a work that transcends oneself to this world.

If he insists on giving a standard, even the highest-level painting in his previous life... would not be as good as the oil painting now.

This is not something that is not inspiration, but the difference in simple skills.

As for whether Higashinoji is satisfied or not, he must be satisfied.

Not to mention whether it can beat up a group of professional painters from the Uesugi Art Association, but at least Higashinoji has shown the best level.

In this way, he has a clear conscience.

After all, he made a deal with the new century president Hiroshi Kishima.

The other party has helped him and solved the problem of Kouwei Ryoka entering Musashino University for further studies.

Of course, Higashinoji also had to show some sincerity.

This is the question of integrity.

Higashinoji can't take out the defective product to fool the other party.

Even if Higashinoji knew in his heart, Hiroshima and the others actually wanted to rely on their influence in comics, and they would be the same regardless of the quality of their works.

To draw, you have to draw to the best.

He still needs to have this principle.

Higashinoji called Hiroshima Nakahiro and then handed his oil painting to staff of the New Century Art Association.

It can be seen that Hiroki Kishima should be still busy with the Four Seasons Exhibition and cannot get out of the way.

But Higashinoji didn't care.

After handing the painting to the other party, his task is completed.

As for whether oil paintings will be put on the Four Seasons Exhibition... he doesn't care much.

After all, what he promised to do was to draw a work that could be exhibited, but in fact the ownership of the oil painting was still in his hands.

This is the same as Higashinoji participated in the Tokyo Youth Awards and the Art Creation Awards.

The two paintings of Tokyo and "Summer End" that were painted were still placed in the storage room at home and were hung with picture frames.

"Is it time to wait for news?"

Higashinoji watched the staff leave.

He felt that this oil painting should be considered as the top of the members of the association painters at the exhibition, and the quality would never be bad anyway.

But this is just a speculation, and the actual situation depends on the specific performance.

Higashinoji put down this idea and glanced at the digital camera on the other side of Yuki Miyaguchi.

As mentioned earlier, Yuki Miyashita likes to visit art exhibitions very much.

Of course she has also been to the two major art exhibitions between the Uesugi Association and the New Century Association.

He also took many photos of his works with a digital camera.

Of course, Higashinoji was a little concerned about this.

In particular, Yuki Miyashita also said that there is an oil painting called "My Self-Person" in the Uesugi Art Association.

It seems to be the highest-level work in the Uesugi Association's art exhibition.

I heard that his author Eiang Ozumaki also won many awards at the beginning. Recently, a painting has been popular to a high price of 12 million yen...

This is undoubtedly a ruthless person.

Of course, Higashinoji wanted to take a look.

By the way, compare your own progress with the level of such a top Japanese painter.

He greeted Yuki Miyashita, picked up his digital camera and began to search one by one.

Perhaps it was because his level had improved.

So at a glance, I feel that most of the paintings in the camera are of average quality and average.

He soon turned to the picture of "My Self-Picture" by Ei Omjokoshita mentioned by Yuki Miyashita.

"Um?"

Higashinoji couldn't help but raise his eyebrows, feeling a little surprised.

Because this Evergrande Onuma Kaede seems to have gone with him.

It is also a metaphor for the changes of the four seasons by human birth, old age, sickness and death.

It's just different from the feeling of the earth returning from the winter and the old man looking back at his youth when he painted by Higashinoji.

He looks at the future when he grows old from the perspective of middle-aged men.

The warmer colors used are more intense and dense, showing an indescribable appearance.

It seems to indicate that no matter whether it is the passage of time or the alternation of four seasons, it cannot have an impact on him.

Even if he grows old in the end, he can still maintain his childish heart...

Therefore, in the middle of the picture, he did paint his own self-portrait, which seemed to be what Evergrande Yoshinori looked like in his childhood.

The pink cherry blossoms drift...

The warm spring sun...

The enthusiastic scenes and colors that are instantly frozen on the canvas are expressed in the form of oil paintings.

I have to say that this painting is indeed very high.

Even Higashinoji nodded secretly after seeing it.

But--

"Is that just that?"

A strange look appeared on Higashinoji's face, muttering.

In his original consideration, this Onuma Kazuki Ei should be much higher than his level.

But after actually seeing his painting, Higashinoji felt...

This is just a general average level.

It seems that he can't compare to the oil painting he just handed over.

This is not because Higashinoji is arrogant and can't figure out the situation.

It is precisely because he has experienced it in the past few days that he has a new understanding of his new level... that makes him feel this way.

This oil painting of Onuma Kok Eun feels really not as good as his paintings.

He also read the drawings of other members.

Most of them are just average.

Even if the picture taken with pixels from 2005 is a bit blurry.

Higashinoji can still be sure that these oil paintings are not as good as the ones he just handed over.

After all, some things can be understood by just a glance.

Just then, Yuki Miyashita was also done with what he was doing, so he asked curiously:

"Senior Higashino, how do you think these oil paintings are like? They are all pretty good, right?"

She is just a student, of course she wants to hear the evaluation of these oil paintings by Higashinoji, a figure in the circle.

At least in her eyes, the level of these oil paintings is a level that she needs to study hard and work hard to achieve.

But Yuki Miyashita didn't expect it at all.

Higashinoji stared at the oil paintings for a while, and seemed to be a little immersed in his eyes. He subconsciously replied: "Hmm? How about these paintings? They are just average."

He said this completely a subconscious reaction and had no consideration at all.

Plus, the saying "It's just average."

This made Yuki Miyashita, who was waiting for an answer, open his mouth a little wide.

Well...

All are just average?

Although Miyashita Yuki knew that Higashinoji was very confident.

But she never thought that Higashinoji would be so confident.
To be continued...