But is it still available for art exhibitions at ordinary levels?

At this time, Higashinoji also came to his senses and realized what he said to Yuki Miyashita.

Similarly, she also saw what she was thinking, so she smiled and said:

"Actually, you don't have to look at Japanese domestic art exhibitions too high. In fact, as long as you join the Art Association and become a member, you have a more positive attitude and contact the president and vice president to communicate with you, your works will be easily exhibited."

Yes, opportunities are for those who are prepared. As long as you have a positive attitude, even if the quality of your works is a little worse, you can still participate in the exhibition.

Just like this time, if the Uesugi Art Association hadn't disrupted the situation, the New Century Association would have directly planned to find some works to fill in.

Even at worst, you can spend some money and you can also give your works to the exhibition.

This is actually very normal in the circle of professional painters.

After all, even art is elegant.

But people are always vulgar.

The art world cannot be completely separated from money.

Some painters with particularly poor skills are also able to find connections to participate in exhibitions to increase their reputation.

These are pretty normal.

"Is that true?" This was the first time that Yuki Miyashita heard about such things in the art association.

But what she cared more was undoubtedly the "general level" that Higashinoji said before.

Could it be that Senior Higashino's level has surpassed these professional painters participating in the exhibition?

She was a little unbelievable.

But thinking about the scene where Higashinoji's level rose like a rocket the other day, she had to believe it.

Progressing at that speed... Higashinoji's level is really likely to surpass these exhibitors.

She asked curiously: "Senior Higashino just said that the level of the works participating in this exhibition is only average..."

"Oh, you said this."

Higashinoji suddenly realized and apologized: "Actually, I said it was wrong just now, it's a mistake."

It turned out to be a slip of the tongue...

Yuki Miyashita was relieved.

She really thought Higashinoji's level really reached that level, surpassing many professional painters participating in the exhibition.

With so many good-looking works, how could Higashinoji really think that they are just average?

"It's not the average level. Except for Evergrande's "My Self-Picture", other works can only be said to be sloppy and not ordinary level."

Higashinoji replied with a smile.

"Well?"

After hearing this, Yuki Miyashita immediately became silent.

She opened her mouth and looked at Higashinoji with a slightly incredible expression.

It's really incredible.

In the eyes of Yuki Miyashita, Higashinoji should be the kind of painter who is easy to talk about, but also very modest and confident.

This is in line with her beautified image.

But this is just a 'sloppy' and 'average level'...

The image of senior Tono that she had beautified inexplicably collapsed.

Fortunately, Konoe Ryoka seemed to see what she was thinking: "Miyashita classmate, Asi has always been like this."

When she first met Higashinoji in the Kitayoshi studio.

That's what Higashinoji is already like.

"But Asi absolutely has no ingredient in boasting or pride. He really thinks that these works are average, so he can express such feelings."

Yes, Higashinoji has always been straightforward in this regard of oil painting.

Konowa Lianghua knows him very well.

Even Higashinoji himself would draw an oil painting of particularly low quality.

He would also curse him as trash without hesitation.

No other reason.

To put it in Higashiji's words, "Generally, if not, it's not possible. If you draw well, it's good. How can there be so many curves? Is it possible that I have to praise you if you draw poorly? There is no such reason."

Konomi Ryoka quietly glanced at Higashinoji who looked at the photo of the digital camera and then lowered his head and looked through it.

"But every time Asi says this, he can produce convincing evidence. Just wait and see what the oil painting of Asi will be after it is exhibited. It will definitely not disappoint you."

"is that so?"

After hearing these words, Yuki Miyashita became even more curious about Higashinoji on the other side.

Senior Higashino's oil paintings are on display...

She is even more looking forward to that.

But there must be no chance today.

Higashinoji finished reading most of the contents of the digital camera.

After roughly finding out his level, he greeted the other side of the Guardian Lianghua who was whispering to Yuki Miyashita.

I mainly thank the little girls in the studio of Bei Yi School for their help these days.

Although they are not skilled in canvas stretching and the things that pop up are not easy to use, Higashinoji is still very grateful.

If these studio members hadn't helped together, they might not have been able to get familiar with their current level so quickly.

So he said that he would continue to come to the Beiyi School studio in the next few days to guide their oil painting skills.

It’s not just a drop of water that can be repayed with a spring of gratitude, it’s just a simple thank you.

Meanwhile, on the other side...

"Has Mr. Higashino's works been drawn?"

Hiroki Kishima stood up.

Finally, I have arrived.

Although the situation is bad now.

The Uesugi Art Association has received praise from "My Self-Portrait".

But the New Century Art Association may be able to slightly reverse the current situation by using Higashinoji comics and oil painting genius.

Similarly, Hiroshima Kishima is also a little curious about the quality of Higashinoji's works.

So he didn't hesitate and simply took Yingshan Futa to the place where the oil painting was mounted.

The oil paintings on display must be framed with picture frames to isolate contact with air, sunlight, etc.

This is used to avoid oxidation and affect pigment discoloration.

This process is not complicated. By the time Kimijima Nakaki and others arrived at the place, Higashinoji's oil paintings had actually been installed in the picture frame.

Hiroshima and the others saw the name of Higashinoji in the lower right corner and the name of the oil painting at a glance.

The oil painting is called "Winter and Spring".

Just looking at the title of this work, most people may think it is a landscape painting.

The same is true for Mujima Nakahiro.

To be honest, they were more or less disappointed when they saw the title of this work.

They still had a glimmer of hope for Higashinoji - what if Higashinoji is really an oil painting genius and performs very well on the spot, he will directly knock down Ei Onuma Kazuki's "My Self-Portrait" to the ground?

Although this sounds a bit impossible, it has a little bit of miracle.

But who doesn't like miracles?

Hiroki Kishima looked at Higashinoji's works with a little regret.

I was just thinking about leaving after a look.

But as he looked at it... he became a little fascinated.

The same is true for Kageyama Fumita next to him.

Don't say...
Chapter completed!